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Which clippings match 'Otherness' keyword pg.1 of 1
11 OCTOBER 2012

American Independent Cinema: Spike, Mike, Slackers, and Dykes

"John Pierson is one of the unsung heroes of the independent–film explosion of the last decade. Just ask him. A New York–based producer's rep, he was among the first to discover and help finance the debuts of such filmmakers as Spike Lee, Michael Moore, Richard Linklater, Rose Troche, and Kevin Smith. Pierson recounts these discoveries and describes the booming independent–film scene from the inside in his memoir Spike, Mike, Slackers & Dykes: A Guided Tour Across a Decade of American Independent Cinema, a book as personal and idiosyncratic as some of the films he has nurtured."

(Gary Susman, 1995, Phoenix Media/Communication Group)

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TAGS

1990sAmerican independent cinemacult filmdyke • film finance • film producerfilmmakerfilmmakersfilms • Gary Susman • idiosyncraticindependent cinemaindependent film • independent-film • independent-film scene • indie cinemaindie media • John Pierson • Kevin Smith (filmmaker) • low budgetlow-budgetlow-budget filmMichael MooreNew Yorknurturingotherness • Richard Linklater • Rose Troche • slacker • Spike Lee • subcultureunderground cinema • unsung hero

CONTRIBUTOR

Simon Perkins
05 FEBRUARY 2012

Pink Flamingos: a provocative celebration of otherness

"'Pink Flamingos was an antihippie movie made for hippies who would be punks in two years. It's a pothead movie. I wrote it on pot.' – John Waters"

(Jeff Jackson, DreamlandNews)

Fig.1 John Waters (1972). trailer for "Pink Flamingos".

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TAGS

1970s1972androgynyart filmBaltimore Marylandblack humour • camping it up • celluloid moment • comedy • Cookie Mueller • cult filmcult movie • Danny Mills • David Lochary • defecate • deviancedisgust • disgusting • Divine (actor) • dog • Edith Massey • egg • excrement • faeces • female impersonator • film • flamboyance • flamingo • gaygrotesque • hippie • hippie exploitation • independent cinemaindie cinemainfamous • John Waters • lip synclowbrow • Mary Vivian Pearce • midnight movie • Mink Stole (actor) • mobile home • notorietyotherness • over-acting • over-the-toppink • Pink Flamingos (film) • poodleprovocativepseudonympunkpunk rock ethosqueer cinemashockshocking • Steve Yeager • subculture • swallow • tabootransgressiontrashunderground • underground star • USAviolence

CONTRIBUTOR

Simon Perkins
03 FEBRUARY 2012

Die Antwoord: a provocative celebration of otherness

"If Die Antwoord are a joke, they're a painfully acute one. This over–the–top South African rap–rave trio, comprising rappers Ninja and Yolandi Visser and a hulking DJ called Hi–Tek, purport to represent 'zef', a strain of working–class/underclass Boer' culture that perhaps most closely equates to our own pejorative term 'chav'.

The band's co–founder and frontman, Watkin Tudor Jones, aka Ninja, has previously appeared in a host of similar conceptual art–rap projects and situationist pranks."

(Ian Gittins, 16 November 2010)

Fig.1 Die Antwoord "Zef Side"

Fig.2 Die Antwoord "I Fink U Freeky", Directed by Roger Ballen & NINJA, Director of Photography Melle Van Essen, Edited by Jannie Hondekom @ Left, Post Production by Blade.

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TAGS

Afrikaner • art projectbandBoer • Boer culture • chav • counterculture • Die Antwoord • dirtyDJ • DJ Hi-Tek (Marius Bosch) • grungy • lowbrow • lower socioeconomic status • mulletmusic video • Ninja (Watkin Tudor Jones) • othernessover-the-top • pejorative • poor white people • prankprovocativerap • rap-rave • raveshocksituationist • slur • social classSouth Africa • South African • subculturetrio • underclass • Watkin Tudor Jones • white trash • working class • Yolandi Visser • zef

CONTRIBUTOR

Simon Perkins
14 JUNE 2005

Data Art: Representing The Personal Subjective Experience?

"For me, the real challenge of data art is not about how to map some abstract and impersonal data into something meaningful and beautiful –– economists, graphic designers, and scientists are already doing this quite well. The more interesting and at the end maybe more important challenge is how to represent the personal subjective experience of a person living in a data society. If daily interaction with volumes of data and numerous messages is part of our new "data–subjectivity," how can we represent this experience in new ways? How new media can represent the ambiguity, the otherness, the multi–dimensionality of our experience[...]?"

(Lev Manovich)

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TAGS

ambiguityartdata art • data society • data-subjectivity • experienceLev Manovichothernesspersonal • subjective
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