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Which clippings match 'Ordering' keyword pg.1 of 8
09 DECEMBER 2013

Goldsmiths Department of Art MA: Computational Aesthetics

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TAGS

2013algorithmic architecturecomputational aestheticscomputational arts • computational character • computational ordering • computational structures • computational systemscomputer artconceptual artcritical discoursedatabase as cultural formdigital aestheticsdigital artfine artGoldsmiths College (University of London)information systems • logico-mathematical means • Maria Beatrice Fazi • mathematicsmathesis • Matt Fuller • mediality • medium specificitymodern artmodes of existenceorder of thingsordering • present art • programmatic declaration • rule-based worksoftware studiessupermarketssystematisationtheory of substantial formsvideo lecturevisual art

CONTRIBUTOR

Simon Perkins
15 JULY 2012

The Cut Up Collective and their Cut Up Machine

"The Moustache Foundation is proud to present for its inaugural exhibition, CutUp Machine, a series of new works by the collective CutUp.

CutUp are an autonomous group linked by a shared desire to reorder the urban landscape through intervention and play. Incorporating film, collage and installation, CutUp's practice focuses largely on the creative potential of the street as a site for interventionist art and disruption.

Interested in the spaces of misinformation and miscommunication inherent in the everyday, CutUp aim to introduce disorder into daily existence by interrupting and re–appropriating established visual forms. Occurring both inside and outside the gallery, CutUp's billboard and bus stop works are created by slicing up an advert and reassembling the pieces into a newly ordered image."

(Jaguar Shoes Collective, 4 November 2005)

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TAGS

2005advertising • art collective • arts collective • autonomous group • billboardbus shelters • bus stop works • collagecut-up techniqueCutUp (collective) • CutUp Machine • daily existence • disorderdisruptionestablished visual formseveryday • exploring creative potential • inside the gallery • installation artinterruptingintervention and playinterventionist art • interventionist art and disruption • Jaguar Shoes Collective • landscape • miscommunication • misinformation • Moustache Foundation • new worksnewly ordered imageordering • outside the gallery • pattern • pieces • pixel • re-appropriating • reassembling • reorder the urban landscape • seriessignageslicedsliced-up billboardsslicing upspacesstreet • the street • UKurban landscapevisual artvisual spectacle

CONTRIBUTOR

Simon Perkins
10 NOVEMBER 2011

Britain in a Day: record and upload your footage

"On Saturday 12th November, Ridley Scott and director Morgan Matthews invite you to record your day and be part of Britain in a Day. It's really easy to get involved! Just pick up a camera, shoot, then upload your footage here. You will be able to upload from 12 November to 21 November 2011."

(Ridley Scott and Morgan Matthews)

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TAGS

12th November • 201124-hour • am cam • amateur cameraamateur videoauthorship • Britain in a Day • celebrationchronologycollaborationcultural heritagedaily life • day • day in the lifedigital narcissismdocumentaryfootageinstantaneous • Life In A Day • moments • Morgan Matthews • orderingparticipationpassage of timeportrait of everyday life • record your day • Ridley Scottsharingsimultaneoussocial mediatimetime of day • upload • upload your footageuser-generated contentvideo collagevirtual collaborationworldwide communityyour life in picturesYouTube

CONTRIBUTOR

Simon Perkins
21 SEPTEMBER 2011

The Guide: a simple editor for re-ordering document sections

"The Guide evolved from the need to have an application that could organize information and ideas in a hierarchical, tree–like structure. Tree–based structures are frequently employed to manage information through a 'divide–and–conquer' approach, wherein each level of the tree represents a further level of specialization of the parent–level topic – the best example of this being a book.

The Guide is an application that allows you create documents ('guides') which inherently have a tree (which you can modify as you please) and text associated with each node of the tree. The text itself is of the rich–text variety, and the editor allows you to modify the style and formatting of the text (fonts, bold, italics etc).

For the initiated, the Guide is a two–pane extrinsic outliner. This concept is similar to mindmapping in some ways."

(Mahadevan R.)

[While this tool is designed for authoring help guides –it is also very useful for re–structuring large text documents. Once complete the newly re–structured document can be exported as an RDF document (which are MS–Word readable).
Note that there seems to be something wrong with the MSI version of the installer –the EXE version is OK however.]

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TAGS

document editor • documents • guides • hierarchyinformation designinformation hierarchy • information organisation • mind mapmind-mappingnodeorderingorganisationoutline • outliner • RDF • re-order • structure • The Guide • tooltreetree structure • tree-like • tree-like structure • two-pane

CONTRIBUTOR

Simon Perkins
08 SEPTEMBER 2011

Visuo-spatial structuring of non-geographic data

"Maps, as metaphors of reality, may be seen as a natural extension of the organizing principle of human perception––albeit a facet restricted to the spatial percepts. The use of spatial metaphor to define relations between abstract objects or between real–world objects represented in an abstract, hypothetical, space, is so common in digital 'environments' or on the computer 'desktop' that it often goes unrecognized. Such metaphors are too many to be addressed by this paper, which restricts its survey to those commonly found in a cartographic context."

(John L. Old, 2002)

L. John Old (2002). "Information Cartography: Using GIS for visualizing nonspatial data", proceedings of the ESRI International Users Conference.

TAGS

abstract information spaces • abstract objectsabstractionCartesian • Cartesian coordinate system • cartographic metaphorcartographychart • computer desktop • conceptual spacecoordinate systemcyberspacedatadata visualisationdigital environments • document space • GISgraphic representationhuman perception • hypothetical • information cartographyinformation spaceinformation spacesmapmetaphormetaphors of reality • non-spatial data • orderingreal-world objectsrepresentationspacespatial • spatial data • spatial metaphor • structure information • visual representationvisualisation • visualising • visuo-spatial structuring of information

CONTRIBUTOR

Simon Perkins
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