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11 JULY 2013

Czech Film Posters of the 1960s

"The birth of the Czech creative film poster phenomenon in the early sixties can be credited to Karel Vaca, Karel Teissig, Richard Fremund, Vladimir Tesar, Jiri Balcar, Jaroslav Fiser, Zdenek Ziegler, Milan Grygar, Bedrich Dlouhy, Zdenek Palcr and others. In the late sixties and during the seventies they were joined by Josef Vyletal, Olga Polackova–Vyletalova, Jiri Rathousky, Alexej Jaros, Karel Machalek, Petr Pos, Jiri Salamoun, Vratislav Hlavaty, Zdenek Vlach and Antonin Sladek. In the streets, but soon also at film festival exhibitions, in art galleries and cinema premises, Czech film poster rapidly won the favor of the public for its creative imagination, poetic and lyrical atmosphere. It was characteristic by the use of collage, rollage, photomontage, retouching, striking graphic designs, wity typographic visual puns and surrealist dreamy interpretation. Mass reproductions of works of art flooded the billboards in towns and cities and changed them into sidewalk open air galleries. In the course of the 1960s, Czech film poster designers found inspiration in the informal style, applying its forms of structural abstraction and lettrism, later on in pop–art and op–art, using the then popular psychedelic forms and colors. Artists frequently employed styles inspired by the film forms, such as enlarged close–up, merging of symbolic and metaphoric visual levels and repeated details."

(Marta Sylvestrova, Museu de Arte de Macau)

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TAGS

1960s • Alexej Jaros • Andrzej Wajda • Antonin Sladek • artistic expression • Bedrich Dlouhy • collagecolour • cultural education • Czech film poster • Czech graphic design • Czech RepublicCzechoslovakiaexhibitionFederico Fellinifilm poster • film poster designer • graphic design • informal style • Ingmar Bergman • Jaroslav Fiser • Jiri Balcar • Jiri Rathousky • Jiri Salamoun • Josef Vyletal • Karel Machalek • Karel Teissig • Karel Vaca • lettrism • Luchino Visconti • Macau Museum of Art • mass reproduction • metaphoricmid-century design • Milan Grygar • Moravian Gallery in Brno • Museu de Arte de Macau • Olga Polackova-Vyletalova • op art • open air galleries • Paolo Pasolini • Petr Pos • photomontagepop art • psychedelic forms • psychedelic imagery • reproduction of illustrations • retouching • Richard Fremund • rollage • structural abstraction • surrealist inspiration • typographic poster • Vladimir Tesar • Vratislav Hlavaty • Zdenek Palcr • Zdenek Vlach • Zdenek Ziegler

CONTRIBUTOR

Simon Perkins
01 MAY 2012

Graphic Design Communication students recreate an ornamental display font through contemporary and traditional processes

"Stage one Graphic Design Communication students have been developing a new ornamental display font with highly Individual characters inspired by drawing digitally and laser cut manufactured to the exacting standards reminiscent of a traditional font foundry.

Level tutor Nigel Bents and Associate Lecturer Paul Oakley will further support students by printing typographic posters at the New North Press."

(Graphic Design Communication at Chelsea College of Art and Design, 16 October 2011)

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TAGS

Adobe Illustratoralphabetbeing smart with technology • Bodoni • Chelsea College of Art and Design • compositor • contemporary font design • craftcraft nostalgiacraft skillscreative practicedesignerdisplay fontdrawing digitallyearly twentieth centuryfont • font design • graphic design communication • hybrid processindividual character • laser cut • laser cuttingmovable typenew crafts • New North Press • new techniques • Nigel Bents • ornamental • ornamental alphabet • ornamental display font • ornamental font • Paul Oakley • posterprintingprinting processrecreationrendered on the screenskillsstudentstechniquetechnology • traditional font foundry • traditional practicestraditional processtype • type founding • typographertypographic postertypographyUKvisual communicationwoodblock printing

CONTRIBUTOR

Simon Perkins
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