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Which clippings match 'Produser' keyword pg.1 of 2
11 DECEMBER 2013

Nicolas Bourriaud: Postproduction

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TAGS

amateur cultural productionartistsboundary-crossing • collective story • consumerismcontemporary artcritical discoursecultural and social relationscultural technology • culture of use • database as cultural formDIYDIY craftsDJforms • historised • Hunter College • Jerome Sans • Ludwig WittgensteinMarcel Duchamp • network on signs • new audio theory • new modes of production • newness • Nicky Enright • Nicolas Bourriaud • paths through culture • post • post-productionproduser • programme forms • protocols of usereinterpretationrelational aestheticsremix culturesamplerscriptible • site of navigation • social and cultural forms • sociality • tabula rasa • the new • theory of substantial formstoolsusevisual artwork of art • zone of activity

CONTRIBUTOR

Liam Birtles
10 FEBRUARY 2013

Mark Deuze: our lives are now intertwined with media

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TAGS

alone togetherconsuming mediacontemporary societyDanah Boyddigital technologies • Douglas Rushkoff • everyday life • in media • life in media • lived in media • lived in public • Mark Deuze • media and life converge • media and society • media as activities • media as arrangements • media as artefact • media as artefacts • media life • Media Life 2012 • media life and social change • mediated communicationmediated interactionmediated realityno life outside media • our lives are now intertwined with media • our networked life • Panasonic Life Wall • prism • private life • private spaceprivate/publicpro-d-users • producing media • produserpublic by default private through effortSherry Turkle • society in media • The Truman Show (1998) • together alone • traditional media forms • what media do • when media and life converge

CONTRIBUTOR

Simon Perkins
08 AUGUST 2012

PressPausePlay: does democratised culture mean better art, film, music and literature?

"The digital revolution of the last decade has unleashed creativity and talent of people in an unprecedented way, unleashing unlimited creative opportunities.

But does democratized culture mean better art, film, music and literature or is true talent instead flooded and drowned in the vast digital ocean of mass culture? Is it cultural democracy or mediocrity?

This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world's most influential creators of the digital era."

(House of Radon)

Fig.1 "PressPausePlay" (2011) [http://www.houseofradon.com/]

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TAGS

2011 • Adam Watson • amateur cultural productionamateurism • Amy Phillips • Andre de Ridder • Andre Stringer • Andrew Keen • Anne Hilde Neset • Anthony Volodkin • Apparat • artistic process • Bill Drummond • Brenda Walker • Christopher Weingarten • consumer co-creationcreativitycultural democracy • David Girhammar • David Weinberger • democratised culturedigital eradigital revolutiondocumentary • Georgia Taglietti-Sonar • Hank Shocklee • Hillary Rosen • Hot Chip (group) • House of Radon (agency) • influential creatorsinformation wants to be freeJimi Hendrix • Jonas Woost • Katie Johnson • Keith Harris • Lena Dunham • Lykke Li • mass culturemasterymastery of toolsmediocrity • Mike Cosola • Moby • Nick Sansano • Norman Hollyn • Olafur Arnalds • originality • PressPausePlay • produserremix cultureRip Mix BurnRobyn • Robyn Carlsson • Scott Belsky • Sean Parker • Seth Godin • Shen Lihiu • Takafumi Tsuchiya • talent • Ted Schilowitz • Toby Smith • unlimited creative opportunities • Xiang Xaing • Yasuhiko Fukuzono • Zach Hancock

CONTRIBUTOR

Chris Thorby
25 JULY 2012

Mobile Innovation Network Aotearoa: Call For Papers

"Call For Papers: 2nd International Mobile Creativity and Mobile Innovation Symposium, #MINA2012, Mobile Innovation Network Aotearoa, 23rd –25th November 2012, Massey University, Wellington, NZ ...

MINA [www.mina.pro] is an international network that promotes cultural and research activities to expand the emerging possibilities of mobile media. MINA aims to explore the opportunities for interaction between people, content and the creative industry within the context of Aotearoa/New Zealand and internationally.

The symposium will provide a platform for filmmakers, artists, designers, researchers, 'pro–d–users' and industry professionals to debate the prospect of wireless, mobile and ubiquitous technologies in art and design environments and the creative industries. MINA invites paper proposals relating (but not limited) to; mobile lens media, iPhoneography, mobile video production, mobile–mentaries (mobile documentaries), mobile network and transmedia, mobile communities, mobile media and social change, mobile visual arts, mobile locative media, citizen journalism, mobile visual literacy, mobile media in education and mobile technologies and civic media. ...

Paper proposals should be submitted by the 15th August 2012"

(Mobile Innovation Network Aotearoa)

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TAGS

2012Aotearoa New Zealandcall for paperscitizen journalism • civic media • co-creationco-creator-shipcollaborationcommunication devicecontemporary art practicescontemporary designcontent creationcreative industriescrowdsourcing • cultural research • design industrydesign professionalsdesign researcherfilmmaking • independent creatives • industry professionals • innovative business models • International Mobile Creativity and Mobile Innovation Symposiuminternational networkiPhone cinematographyiPhoneographylocative mediam-learningMassey University • media content • media distributionmediascapeMINAMINA2012mobile apps • mobile communities • mobile documentary • Mobile Innovation Network Aotearoa • mobile lens media • mobile mediamobile media in educationmobile media practicesmobile networkmobile phone • mobile phone users • mobile technologiesmobile video production • mobile visual arts • mobile visual literacy • mobile-mentary • modes of communicationmodes of production • new forms of connectivity • new forms of sociability • new media aesthetics • new media formats • paper proposals • participatory culturepro-d-userspro-sumerprodusersocial changesymposiumtransdisciplinaritytransmediaubiquitous technologiesvisual communication designwireless technologies

CONTRIBUTOR

Lynne Ciochetto
11 NOVEMBER 2008

Death of the Author 2.0

"The user–producer is a concept that speak to the digital experience and the freedoms that this digital culture allow for ordinary people to become artist and producer. This model fundamentally challenges the traditional assumptions of author, it moves away from the idea of the romantic notion of authorship, which saw authorship and cultural production as an isolated activity of a genius sitting and creating something out of nothing.
...

Some factors as the democratic diffusion of tools for create and for spread content, the explosion of economy of imagination, the sharing of intellectual products, the figure of prosumer and the social network of web 2.0, these have desacralised the figure of author, these have stripped its aura, it has been plunged in the Pangea of Knowledge, which is the only one creator of human culture, transversely in time and in place.
...

Authorship becomes indistinguishable from the multiplicity of authors, this profusion transforms the culture and their creators in a unique body. It's the collective intelligence, it's the return of the rules of oral and folk culture. Collaborative creativity, influences, remix, sampling, reshaping and mesh of diffuse publications of intellectual products, from ideas and concepts, to arts and researches; these are the causes that have diminished the character of originally, individually and autonomy composition. Culture consists of multiple writing, indeed, everything is to be distinguished. This multiplicity is collected, united and this place is not the author, as we have hitherto said it was."

(Bruce Sterling, Wired Magazine, September 26, 2007)

CONTRIBUTOR

Simon Perkins
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