Not Signed-In
Which clippings match 'Motorist' keyword pg.1 of 1
20 JULY 2013

The key image of the present day is the man in the motor car

"In all of these experiments, aborted works, happenings, events, the motif of the car crash is crucial. Ballard sought to understand the role that automobile styling, and mass consumerism, plays in our lives. His sights were set on what he saw as the built–in death drive that technology embodies, the effacing of identity, the shutting off of our neurological systems. Our willingness to submit to the amniotic bliss of the technological womb. Of course, today we know where all this would eventually beach: his 1973 masterpiece, Crash. But in 1971 Ballard was still pushing the farthest limits of his obsession, refining riffs and routines, expanding the parameters of the car crash as far as popular culture would allow. Crucially this was far beyond the stuffy confines of 'literature', which Ballard has never had much time for, and into visual art and film: the realm of the popular imaginary."

(Simon Sellars, 10 August 2007, Ballardian)

Fig.1 dir. Harley Cokeliss, "Towards Crash!", 1971. 16 mm Eastmancolor transferred to video, sound, 17:34 min. Courtesy the artist. © BBC TV 1971.



16mm197120th centuryabsurd condition of humanityBBC TVBBC2bodily formbodybody experiencecarcar crash • car wash • collisionconsumerismcrashcrash test • crash test dummy • death • Eastmancolor • experimental filmGabrielle Drake • Harley Cokeliss • Harley Cokliss • human interpretation • J G Ballard • James Mossman • Kodak Eastmanmachine aestheticmeaninglessness of life • motorcar • motoristprotection • romancing technology • romanticismsex and machines • styling • suffering and inevitable deathtechnological shaping of sociality • technological system • technoromanticism • The Atrocity Exhibition (1970) • Towards Crash (1971) • traumavisual codes


Simon Perkins
20 APRIL 2012

The amateur video which sparked the 1992 Los Angeles Civil Unrest

"in March 1991, television screens across the world broadcast [George Holliday's] videotaped footage of LAPD officers raining down 56 baton blows on an African American named Rodney King. ... on April 29, 1992, a jury in Simi Valley, one of the whitest exurbs of Los Angeles, acquitted three of the four officers involved in beating Rodney King. The response in South Los Angeles was loud and immediate: That night, thousands of residents, black and Latino, took to the streets, starting a four–day riot that destroyed more than 1,000 buildings, injured 2,500 people, killed 58, and resulted in $1 billion in damage and 16,000 arrests."

(Josh Sides, 19/04/2012, Design Observer)



19911992 • 1992 Los Angeles Civil Unrest • acquitted • African Americanamateuramateur cameraamateur videoarsonassault • baton • beating • brutalitybystandercitiescitizen journalismcivic engagementcivil disobediencecivil libertiescivil rights • civil unrest • damageethics • exurb • eyewitnessforce of law • George Holliday • high-speed pursuit • Hispanic • injusticejustice • LAPD • Latasha Harlins • Latino • looting • Los Angeles • Los Angeles Police Department • Los Angeles Riots • manslaughter • motoristmurderpolicepolice brutality • police officer • povertypower corrupts • property damages • real behaviourriot • rioted • riots • Rodney King • self-control • Simi Valley • social differentiationsocial responsibility • South Central Riots • suffering injustice • television report • unethical behaviourunjustunjust powervideotapedvideotaped footage


Simon Perkins

to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.