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25 JULY 2012

Mobile Innovation Network Aotearoa: Call For Papers

"Call For Papers: 2nd International Mobile Creativity and Mobile Innovation Symposium, #MINA2012, Mobile Innovation Network Aotearoa, 23rd -25th November 2012, Massey University, Wellington, NZ ...

MINA [www.mina.pro] is an international network that promotes cultural and research activities to expand the emerging possibilities of mobile media. MINA aims to explore the opportunities for interaction between people, content and the creative industry within the context of Aotearoa/New Zealand and internationally.

The symposium will provide a platform for filmmakers, artists, designers, researchers, 'pro-d-users' and industry professionals to debate the prospect of wireless, mobile and ubiquitous technologies in art and design environments and the creative industries. MINA invites paper proposals relating (but not limited) to; mobile lens media, iPhoneography, mobile video production, mobile-mentaries (mobile documentaries), mobile network and transmedia, mobile communities, mobile media and social change, mobile visual arts, mobile locative media, citizen journalism, mobile visual literacy, mobile media in education and mobile technologies and civic media. ...

Paper proposals should be submitted by the 15th August 2012"

(Mobile Innovation Network Aotearoa)

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TAGS

2012Aotearoa New Zealandcall for paperscitizen journalism • civic media • co-creationco-creator-shipcollaborationcommunication devicecontemporary art practicescontemporary designcontent creationcreative industriescrowdsourcing • cultural research • design industrydesign professionalsdesign researcherfilmmaking • independent creatives • industry professionals • innovative business models • International Mobile Creativity and Mobile Innovation Symposiuminternational networkiPhone cinematographyiPhoneographylocative mediam-learningMassey University • media content • media distributionmediascapeMINAMINA2012mobile apps • mobile communities • mobile documentary • Mobile Innovation Network Aotearoa • mobile lens media • mobile mediamobile media in educationmobile media practicesmobile networkmobile phone • mobile phone users • mobile technologiesmobile video production • mobile visual arts • mobile visual literacy • mobile-mentary • modes of communicationmodes of production • new forms of connectivity • new forms of sociability • new media aesthetics • new media formats • paper proposals • participatory culture • pro-d-users • pro-sumerprodusersocial changesymposiumtransdisciplinaritytransmediaubiquitous technologiesvisual communication designwireless technologies

CONTRIBUTOR

Lynne Ciochetto
20 JUNE 2009

New Media vs Old Media: Iranian Protests

"On Saturday June 13th, as protests began to flare on streets across Iran, 10.5m American TV-viewers naturally turned to CNN [...] Unfortunately, instead of protests many of them saw CNN's veteran, Larry King, interviewing burly motorcycle-builders. [...] [Yet,] thanks to the internet, dedicated news-watchers knew what they were missing. Twitter and YouTube carried a stream of reports, pictures and film from Iran's streets. The internet also facilitated media criticism. [...] A typical post: 'Iran went to hell. Media went to bed.'

[...] By June 16th Americans were getting decent reports, and even Mr King was paying attention to the story. [...] Meanwhile the much-ballyhooed Twitter swiftly degraded into pointlessness. [...] Even at its best the site gave a partial, one-sided view of events. Both Twitter and YouTube are hobbled as sources of news by their clumsy search engines.

Much more impressive were the desk-bound bloggers. Nico Pitney of the Huffington Post, Andrew Sullivan of the Atlantic and Robert Mackey of the New York Times waded into a morass of information and pulled out the most useful bits. Their websites turned into a mish-mash of tweets, psephological studies, videos and links to newspaper and television reports. It was not pretty, and some of it turned out to be inaccurate. But it was by far the most comprehensive coverage available in English. The winner of the Iranian protests was neither old media nor new media, but a hybrid of the two."
(The Economist, 18th June 2008)

TAGS

blogbloggingcitizen journalismCNNFacebookHuffington PostIran • Larry King • mediamedia criticismnew medianewsold mediapro-sumerprosumerprotestTwitterYouTube

CONTRIBUTOR

Adina Huma
07 JUNE 2009

Prometeus: the future of the convergence inclination?

"Man is God. He is everywhere, he is anybody, he knows everything. This is the Prometeus new world. All started with the Media Revolution, with Internet, at the end of the last century. Everything related to the old media vanished: Gutenberg, the copyright, the radio, the television, the publicity. The old world reacts: more restrictions for the copyright, new laws against non authorized copies. Napster, the music peer to peer company is sued. At the same time, free internet radio appears; TIVO, the internet television, allows to avoid publicity; the Wall Street Journal goes on line; Google launches Google news. Millions of people read daily the biggest on line newspaper. Ohmynews written by thousands of journalists; Flickr becomes the biggest repository in the history of photos, YouTube for movies. The power of the masses. A new figure emerges: the prosumer, a producer and a consumer of information. Anyone can be a prosumer. The news channels become available on Internet. The blogs become more influential than the old media. The newspapers are released for free. Wikipedia is the most complete encyclopedia ever. In 2007 Life magazine closes. The NYT sells its television and declares that the future is digital. BBC follows. In the main cities of the world people are connected for free. At the corners of the streets totems print pages from blogs and digital magazines. The virtual worlds are common places on the Internet for millions of people. A person can have multiple on line identities. Second Life launches the vocal avatar. The old media fight back. A tax is added on any screen; newspapers, radios and televisions are financed by the State; illegal download from the web is punished with years of jail. Around 2011 the tipping point is reached: the publicity investments are done on the Net. The electronic paper is a mass product: anyone can read anything on plastic paper. In 2015 newspapers and broadcasting television disappear, digital terrestrial is abandoned, the radio goes on the Internet. The media arena is less and less populated. Only the Tyrannosaurus Rex survives. The Net includes and unifies all the content. Google buys Microsoft. Amazon buys Yahoo! and become the world universal content leaders with BBC, CNN and CCTV. The concept of static information - books, articles, images - changes and is transformed into knowledge flow. The publicity is chosen by the content creators, by the authors and becomes information, comparison, experience. In 2020 Lawrence Lessig, the author of 'Free Culture', is the new US Secretary of Justice and declares the copyright illegal. Devices that replicate the five senses are available in the virtual worlds. The reality could be replicated in Second Life. Any one has an Agav (agent-avatar) that finds information, people, places in the virtual worlds. In 2022 Google launches Prometeus, the Agav standard interface. Amazon creates Place, a company that replicates reality. You can be on Mars, at the battle of Waterloo, at the Super Bowl as a person. It's real. In 2027 Second Life evolves into Spirit. People become who they want. And share the memory. The experiences. The feelings. Memory selling becomes a normal trading. In 2050 Prometeus buys Place and Spirit. Virtual life is the biggest market on the planet. Prometeus finances all the space missions to find new worlds for its customers: the terrestrial avatar. Experience is the new reality."
(Casaleggio Associati)

[Despite the clear problems with such techno-utopian predictions this clip highlights the significance of our current convergence inclination.]

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TAGS

Amazon.comauthorshipBBCblog • Casaleggio Associati • CCTVchangeCNNconvergencecopyrightdigital culturedigital mediadistributionFlickrGoogle Inchypermediainternet televisionLawrence Lessigmass mediamedia convergence • media revolution • MicrosoftNapster • Ohmynews • ownershippredictionspro-sumerProject Gutenberg • Prometeus (thesis) • prosumerSecond Lifesocial mediatechno-utopiatechnological determinismtechnology convergencetelevisiontimelineTIVOvirtual worldsWall Street JournalWikipediaYahoo!

CONTRIBUTOR

Simon Perkins
17 JULY 2006

Citizen Reporting of the London Bombings

"The last speaker is Stuart Allan, speaking on citizen journalists' reporting of the London bombings. He begins with a review of some of the citizens' reports of the bombings, and the political rhetoric responding to it. How were the components of a local news story of instant global importance drawn together? The social phenomemon of citizen reporting especially as aided by mobile devices demonstrated its potential to challenge and change the journalistic reporting process. Stuart notes the late James Carey's view that the core purpose of journalism is the report, and the discussion of and challenge to what is taken to be real. The industrial processes of journalism may interfere with this process, however.

What constitutes journalists and journalism, and how reporting works, then? Interestingly, in the immediate journalistic response sites such as BBC News responded to the tension between reporting as soon as possible and making sure that no misinterpretations became established as apparent truths by posting reporters' logs as well as citizen eyewitness accounts and photos; in addition, other London-related sites and Londoners' blogs began posting their own reports and commentaries as well. The significance of participatory journalism is at stake here, and the event significantly challenged the industrial formula of news as well as definitions and ideologies of what constituted citizens, reporters, reports, and the news."
(Axel Bruns 23/06/2006)

[Axel Bruns' comments about presentations made at the 2006 International Communication Association (ICA) Conference (ICA2006) in Dresden, Germany.]

Fig.1 Eliot Ward (2005). camera phone photograph of Adam Stacey, on a tube train between King's Cross and Russell Square, London, July 7, 2005, during the 7 July 2005 London bombings.

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TAGS

2005amateur photographerAxel BrunsBBCbombingcameraphonecitizen journalismeyewitness • James Carey • journalismLondonnews • participatory journalism • photographerphotojournalismpro-sumerprosumer • Snurb • Sony Ericsson • Sony Ericsson V800 • Stuart Allan • terrorist attackUK
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