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Which clippings match 'Copyright Clearance' keyword pg.1 of 1
28 OCTOBER 2012

UK Copyright Licensing Agency

"The Copyright Licensing Agency Limited (CLA) are a licensing body as defined by the Copyright Designs and Patents Act 1988. CLA was set up in 1983 and is owned by the Authors' Licensing and Collecting Society Ltd. (ALCS) and the Publishers' Licensing Society Ltd. (PLS) to perform collective licensing on their behalf. We also have an agency agreement with the Design and Artists Copyright Society Ltd.(DACS) that enables us to license the copying of artistic works on their behalf. We are a leading member of the International Federation of Reproduction Rights Organisations (IFRRO)."

(Copyright Licensing Agency)

Fig.2 Copyright Licensing Agency (May 2012), "Copyright and The Creative Industries".

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TAGS

19831988ALCS (acronym) • Alliance Against IP Theft • ALPSP (acronym) • Anti Copying in Design • AOP (acronym) • Association of Authors Agents • Association of Illustrators • Association of Learned and Professional Society • Association of Photographers • Authors Licensing and Collecting Society • BACS (acronym) • BAPLA (acronym) • BCC (acronym) • BECTU (acronym) • Benesh Institute • BIPP (acronym) • booklet • BPI (acronym) • British Academy of Composers and Songwriters • British Actors Equity Association • British Association of Picture Libraries and Agencies • British Copyright Council • British Institute of Professional Photography • British Phonographic Industry • broadcast licensing • BSA (acronym) • Business Software Alliance • CCLI (acronym) • Chartered Institute of Journalists • Chartered Society of Designers • Christian Copyright Licensing International • CIoJ (acronym) • CLA (acronym) • collective licensing • copying • copying of artistic works • copyrightcopyright clearance • copyright compliant • copyright content • Copyright Designs and Patents Act • copyright infringementCopyright Licensing Agency Limited • Copywatch • creative industriesCSDDACSDesign and Artists Copyright Societydigital content licensing • digital publications • Directors UK • Educational Recording Agency • enable copying • Entertainment Cinematograph and Theatre Union • Equity (association) • ERA (acronym) • FACT (acronym) • FAST (acronym) • Federation Against Copyright Theft • Federation Against Software Theft • IFPI (acronym) • IFRRO (acronym) • International Federation of Reproduction Rights Organisations • International Federation of the Phonographic Industries • International PEN • licences • licensing body • licensing of artistic works • MCPS (acronym) • Mechanical Copyright Protection Society • MMF (acronym) • Motion Picture Association • MPA (acronym) • Music Managers Forum • Music Publishers Association • Musicians Union • National Union of Journalists • Newspaper Licensing Agency • NLA (acronym) • NUJ (acronym) • PACT (acronym) • Periodical Publishers Association • Phonographic Performance • PLR (acronym) • PLS (acronym) • Poetry Society • PPA (acronym) • PPL (acronym) • Producers Alliance for Cinema and Television • protecting creativity • Public Lending Right • Publishers Association • Publishers Licensing Society • Publishers Licensing Society Ltd. • Publishing Scotland • rewarding creators • Royal Academy of Arts • Royal Photographic Society • royalties • RPS (acronym) • Society of Authors • The Ordnance Survey • The Performing Right Society • UKUK Intellectual Property Office • UK Music (organisation) • Writers Guild of Great Britain

CONTRIBUTOR

Simon Perkins
10 APRIL 2012

VADS Fine Art Project Digital Capture Pilot Study: Case Study for the pragmatic direct digital capture of artworks from the Surrey Institute of Art and Design

"The VADS Fine Art Project aims to bring together, through a distributed digitisation model, artworks from across Higher Education Institutes (HEIs) that can serve to exemplify the history and achievement of fine art education and practice in this country since its inception in the 1850s.

In the initial stages of the project, a survey was sent out to all the Higher Education Institutions in the UK that taught fine art, in order to elicit whether or not student and staff work had been kept or documented. From this survey it was found that many colleges failed or had ceased to collect artworks due to the cost implications of purchasing, storing and insuring the works, leading to the output of many art colleges remaining undocumented.

As the Fine Art Project progressed, protocols for the digital capture, documentation and copyright clearance of work were established. These were then used to collect works from around the country to be included in the National Fine Art Education Digital Collection. However, given their inherent useable and easily applicable nature, it was thought the same protocols could be just as useful to digitally capture, document and rights–clear works within HEIs as and when they were being produced. This would make it far easier and affordable for colleges to capture and maintain collections of their present and past work, as well as offering additional benefits such as making them widely available on the Internet or for other publishing requirements."

(Ed Bremner, 1 September 2003 [last modified: 28th March 2006], Institute for Learning and Research Technology)

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TAGS

1850s2003AHDS Visual Artsartworkartworks • capture and maintain collections • case study • collect works • collecting artworks • collectioncopyright clearance • cost implications • digital capture • digitally capture • digitisation • direct digital capture • distributed digitisation model • documentation • documented • fine art • fine art education • fine art practice • Fine Art Project • HEI • Higher Education Institutes • higher education institutions • history and achievement • image management system • insuring artworks • Internetknowledge management • National Fine Art Education Digital Collection • pilot project • pilot study • present and past work • protocol • publishing requirements • purchasing artworks • raw filerepository • SIAD • storing artworks • student and staff work • Surrey Institute of Art and Design • surveyUKVADS • VADS Fine Art Project • VADS Fine Art Project Digital Capture Pilot Study

CONTRIBUTOR

Simon Perkins
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