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Which clippings match 'Digital Preservation' keyword pg.1 of 1
06 JULY 2013

XFR STN (Transfer Station) at the New Museum in New York

"The New Museum is accepting requests from the public for digital preservation of artist–produced moving image and born–digital content. Appointments for transfer and recovery are available from July 17 through September 8, 2013, transfers occur as part of the exhibition/lab 'XFR STN' ...

All moving image materials that are digitized as part of the exhibition will be made publicly available by the New Museum on the Internet Archive, a nonprofit institution whose mission includes offering 'free and open access to all the world's knowledge' and to provide permanent access for researchers, historians, scholars, people with disabilities, and the general public to cultural heritage collections. All artists submitting moving image materials will be able to download preservation–grade digital versions of their materials from the Internet Archive. Born–digital materials that are digitized as part of the exhibition can be made available by the New Museum on the Internet Archive at the artist's discretion. As part of 'XFR STN,' selections from the digitized content posted on the Internet Archive will be informally screened in the exhibition galleries."

Fig.1 Matthew Geller answering phones during the live call–in segment of Cara Perlman's End of the World show, produced for Potato Wolf, a project of Colab TV, ca. 1978

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TAGS

2013 • aging material • analogue and digital formatsanalogue mediaarchivingaudiovisualBetacam SPborn-digitalcompact disccultural collecting organisationscultural heritagecultural heritage collectionsdigital artefactsdigital formatdigital heritagedigital preservationdigital video • digital videotape • digitisation project • digitisation services • early recording technologyfloppy diskInternet Archive • Iomega Jaz • Iomega Zip • media capture • media distributionmedia formatmedia past • media recovery • media storage • MiniDV • Monday/Wednesday/Friday Video Club • moving image transfer • MWF • New Museum of Contemporary ArtNew YorkNTSCobsolete mediumpreservation • preservation moving image materials • preserving the pastrecent past • Sony Hi8 • technology convergence • U-Matic • VHSvideo archivevideo artists • video transfer • videotape • visual arts • XFR STN

CONTRIBUTOR

Simon Perkins
10 APRIL 2012

JISC Digital Media: still images, moving images and sound advice

"JISC Digital Media (formerly known as TASI) is a JISC Advance service, which provides advice, guidance and training to the UK's Further and Higher Education community on: Creating digital media resources specifically still images, moving images and sound resources, Delivering digital media resources to users, Using digital media resources to support teaching, learning and research, Managing both small and large scale digitisation projects, JISC Digital Media is hosted at the Institute for Learning and Research Technology (ILRT) at the University of Bristol."

(JISC Advance)

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TAGS

adviceconvergencecultural heritage • cultural heritage sector • cultural sector • delivering digital media resources • digital heritagedigital image preservationdigital media creation • digital media resources • digital preservationdigital resourcesdigitisation • digitisation projects • education and cultural heritage sectors • education sector • equipment purchasing • Further and Higher Education • further education • guidance • help and advicehelp and guidancehigher education • ILRT • Institute for Learning and Research Technology • JISC • JISC Advance • JISC Digital Media • multimedia • peers and professionals • planning a digitisation project • preservation • sharing of information and experiences • sound resourcesstill imagessupport teaching through digital media resourcesTASI • technical advice • Technical Advisory Service for Images • technical workshops • technologyUKUniversity of Bristol • using digital media • using digital media resources

CONTRIBUTOR

Simon Perkins
10 APRIL 2012

AHDS Visual Arts

"AHDS Visual Arts is based at the Farnham Campus of The University College for the Creative Arts, at Canterbury, Epsom, Farnham, Maidstone and Rochester and is one of five Centres, which together with an Executive, make up the Arts and Humanities Data Service (AHDS). The AHDS and AHDS Visual Arts are funded by the Arts and Humanities Research Council (AHRC) and the Joint Information Systems Committee (JISC).

Mission: AHDS Visual Arts mission is to support research, learning and teaching, by providing visual arts digital resources through robust systems for Internet access and long term preservation; and to encourage, support and facilitate engagement with visual arts digital resources, through collaborative and creative endeavour, primarily within UK Higher and Further Education."

(AHDS Visual Arts, 2003)

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2003 • AHDS • AHDS Visual ArtsAHRCartart education • Arts and Humanities Data Service • Arts and Humanities Research Council • collaborative endeavour • creation of digital resources • creative endeavour • digital image preservation • digital images • digital preservationdigital resources • Farnham Campus • FEfurther educationgood practicehigher educationintellectual propertyInternet accessJISCJoint Information Systems Committeelearning and teaching • long term preservation • online resourcepreservationpreserving digital images • preserving digital resources • support research • TASITechnical Advisory Service for ImagesUK • UK Higher and Further Education • University College for the Creative Arts • VADSvisual artsvisual arts digital resources

CONTRIBUTOR

Simon Perkins
21 APRIL 2011

The Digital Preservation Coalition: securing the preservation of digital resources in the UK

"The Digital Preservation Coalition was established in 2001 to foster joint action to address the urgent challenges of securing the preservation of digital resources in the UK and to work with others internationally to secure our global digital memory and knowledge base. Established as a not–for–profit membership organisation the coalition provides a mechanism by which members can work together to realise the opportunities of long term access."

(Digital Preservation Coalition)

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TAGS

2001accessarchivingbrokercultural collecting organisationscultural heritagecultural heritage collectionsdigitaldigital artefactsdigital assetsdigital formatdigital heritage • digital memory • digital preservation • Digital Preservation Coalition • digital resources • DPC • global digital memory • knowledge basemedia artmedia pastnew medianot-for-profitobsolescenceold mediaorganisationpreservation • preservation of digital resources • preserving the pasttechnologyUK

CONTRIBUTOR

Simon Perkins
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