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Which clippings match 'Cultural Insensitivity' keyword pg.1 of 1
01 SEPTEMBER 2014

Bulgarians repeatedly vandalise Soviet monuments in protest

"The Russian Embassy in Bulgaria has issued a note demanding that its former Soviet–era ally clean up the monument in Sofia's Lozenets district, identify and punish those responsible, and take 'exhaustive measures' to prevent similar attacks in the future, the news agency reported Monday.

The monument was spray–painted on the eve of the Bulgarian Socialist Party's celebration of its 123rd anniversary, the Sofia–based Novinite news agency reported.

The vandalism was the latest in a series of similar recent incidents in Bulgaria – each drawing angry criticism from Moscow.

Early this year, unknown artists painted another monument to Soviet troops in Sofia in the colors of the Ukrainian flag.

In August last year, a Soviet army monument in Sofia was painted pink in an 'artistic apology' for Bulgaria's support of Soviet troops who suppressed Czechoslovakia's Prague Spring revolt against Moscow–based communist rulers."

(Anna Dolgov, 19 August 2014, The Moscow Times)

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2013anniversaryappropriationBulgaria • Bulgarian Socialist Party • critical commentarycriticismcritiquecultural critiquecultural insensitivityculture jammingCzechoslovakiadisrespectgraffiti art • Lozenets • monumentpolitical art • political criticism • political protestPrague Springprotest artprotest worksPussy Riotre-purposeRed Armyreimaginedreinscribe • reinscription • revision • revolt • Robin (Batman) • Ronald McDonald • Russian embassy • Santa Claus • Sofia (Bulgaria) • Soviet armySoviet eraSoviet monuments • Soviet troops • Soviet Unionspray paintingstreet artsupermanUkraine • Ukrainian flag • unknown artist • vandalism

CONTRIBUTOR

Simon Perkins
23 MAY 2010

The Tailenders: missionary activity and global capitalism

"The Tailenders explores the connections between missionary activity and global capitalism. The Tailenders examines a missionary organization's use of ultra–low–tech audio devices to evangelize indigenous communities facing crises caused by global economic forces.

Joy Ridderhoff founded Gospel Recordings in 1939 in Los Angeles. She remembered how crowds had gathered around gramophones in the Honduran villages where she had worked as a missionary, and decided that rather than compete with this medium, she would use it to preach. The organization that she founded has now produced audio recordings of Bible stories in over 5,000 languages, and aims to record in every language on earth. They distribute these recordings along with hand–wind players in regions with limited access to electricity and media. The Bible stories played by the missionaries are sometimes the first encounter community members have had with recorded sound, and, even more frequently, the first time they have heard their own language recorded. Gospel Recordings calls their target audience 'the Tailenders' because they are the last to be reached by global evangelism.

The missionaries target communities in crisis because they have found that displaced and desperate people are especially receptive to the evangelical recordings. When uprooted from one's home, as in the case of Mexican migrant workers, the sound of one's own language is a comfort. And the audio players are appealing media gadgets. Audiences who might not otherwise be interested in the missionaries' message will listen to the recordings. The Tailenders focuses on how the media objects and messages introduced by the missionaries play a role in larger socioeconomic transformations, such as the move away from subsistence economies toward cash economies based on agricultural and industrial labor.

The film raises questions about how people who receive the recordings understand them. Gospel Recording's project is premised on a belief in the transparency of language to transmit a divinely inspired message. But because the missionaries don't speak the languages, they must enlist bilingual native speakers as translators. There is ample opportunity for mistakes, selectivity, and resistance in the translation. The film explores how meaning changes as it crosses language and culture."

(Adele Horne)

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19392006accessible design • Adele Horne • Biblecapitalismcardboard • cardboard record player • Cardtalk • Cardtalk player • Christiancommunities in crisiscommunitycultural insensitivitycultural signalsdisplacementdocumentaryeconomyemotive manipulationethics • evangelism • first encounter • First Nationsgadget • Global Recordings Network • globalisation • Gospel Recordings • gramophone • GRN • hand operated device • hand-wound • HondurasideologyIndiaIndigenousIndigenous communities • Joy Ridderhoff • languagelow-tech • media objects • Mexicomigrant workersmissionary • proselytisation • recordingreligionresponsibilitysocial changesocio-economicsociologySolomon Islandstechnology • The Tailenders (2005) • transformationultra-low-techvillagervoice

CONTRIBUTOR

Simon Perkins
03 FEBRUARY 2009

Foundations of European Imperialism?

"In order to understand and expose the underlying global social hierarchy today, it's imperative for researchers to trace back its historical roots. Obviously this is an overwhelmingly daunting task to say the least, for the problem of racism is almost as old as Humanity itself. Therefore, we must at least try to trace it back to a more immediate past in order to comprehend the racist quagmire encompassing the world today. Now we can attest to the fact that Historical Global European Imperialism / Expansionism / Colonialism has had the most impact on reshaping the world in the last several centuries. Clearly, it has had the most influence, by far, in the world of politics, economics, education, commercialism, you name it. Furthermore without European Imperialism, "America" as you currently know it would not exist. In addition to that, had it not been for European Imperialism, White institutional control would not be so globally pervasive."
(changabula, Chinadaily BBS)

[A sensationalist (and somewhat anti–North American) but interesting perspective on the representation of East Asian people in popular media.]

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CONTRIBUTOR

Simon Perkins
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