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Which clippings match 'Australia' keyword pg.2 of 31
03 MARCH 2015

William Barak apartment tower portrait revealed

"After six months under wraps, a 31–storey portrait of indigenous leader William Barak was momentarily revealed to the world on Monday. The 85–metre face has been created in the balconies of a new Grocon apartment building at the former Carlton United and Brewery site on Swanston Street. ...

William Barak was an elder of Melbourne's Wurundjeri tribe, an artist and social justice leader, credited with 'building a bridge between black and white culture'. He died in 1903."

(Aisha Dow, 3 March 2015, The Age)

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19032015apartment block • apartment building • apartment project • apartment tower • architectural facade • Ashton Raggatt McDougall (architects) • Australia • balcony • beardblock printing • Carlton United and Breweries • concrete balconies • Coranderrk • Daniel Grollo • David Waldren • dead indigenous people • facadeface • facial features • Grocon apartment building • Howard Raggatt • Indigenous elder • indigenous leader • Indigenous people • line of sight • Lonsdale Street • Melbourne • moustache • optical effectperceptual organisation • portrait building • Shine of Remembrance • social justice leader • Swanston Street • The Age (newspaper) • tribal chief • vantage pointvisual likeness • William Barak • Wurundjeri community • Wurundjeri elders • Wurundjeri tribe

CONTRIBUTOR

Simon Perkins
15 FEBRUARY 2015

1980s television commercial for Westpac Bank, Australia

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1980sadadvertisement designAustraliabank • banking • cinematographycolour tintfilm editing • incomplete sentences • quick cutsselective focus • sentence fragments • shallow depth of fieldshallow focustelevision advertisement • television commercial • TVCWestpacWestpac Bank • Westpac Banking Corporation

CONTRIBUTOR

Simon Perkins
30 JANUARY 2015

Public information ad about the Trans-Pacific Partnership (TPP)

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CONTRIBUTOR

Simon Perkins
16 JANUARY 2015

Pilger's message to white Australia cannot be dismissed

"Mainstream Australia has long lacked a real education about Aboriginal people, about our shared history, and this nation's brutal past. Fortunately, there's a simple way in–an opportunity to get a 'punter's guide' to the truth about the treatment of Aboriginal Australians."

(Sol Bellear, 2 March 2014)

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2013Aboriginal Australians • Aboriginal elder • Aboriginal Medical Service • Aboriginal peopleAlan LoweryapartheidatrocitiesAustralia • Australia Day • blackfellas • Bob Randall • brutal treatment • colonisationconcentration campcultural hegemony • death in custody • documentary film • Edmund Barton • eugenicsFirst Australiansforced sterilizationgenocide • Gina Rinehart • half-caste • indifferenceIndigenous AustraliansIndigenous peopleinjusticeJohn Pilger • Lang Hancock • mainstream Australia • Noel Nannup • non-Aboriginal Australia • Northern Territoryplaying godpolice brutalitypovertyracial inequalityreconciliation • reparations • Rosie Kunoth-Monks • Rottnest Island • Sol Bellear • South Australiastolen generations • uncomfortable truths • Utopia (2013) • Vince Forrester • vox pops • Warren Snowdon • Western Australiawhite Australia policywhite settlement • whitefellas

CONTRIBUTOR

Simon Perkins
02 JANUARY 2015

Melbourne youth subculture: before punk there were Sharpies

"An extension of the UK skinhead movement, the roots of sharp lie in the influx of European immigrants in Australia in the early 1960s. By the late 1960s the Sharpie subculture had evolved and existed in the mainly working class and migrant inner city suburbs such as Richmond, Fitzroy, Collingwood and Brunswick where Greeks, Italians, Yogoslavs and English immigrants all lived side by side. But as street corners gradually changed to shopping centres, by the early 1970s, the Sharpie movement started to spread to the outer suburbs of Melbourne where a 'rough as guts' working class ethos existed.

The name 'Sharpie' originated from the fashion. It was all about the clothes and looking sharp, and flash. The first wave of Sharpies from 1966 – 1969 were strongly influenced by UK Mod fashions, the 1964 Rockers and the style of certain Italian migrants. Demeanor was tough, hair was short back and sides and clothing was custom made by European tailors, thus allowing for a blend of neo–thirties suave combined with a contemporary larrikin attitude. Dances were also a big part of the Sharpies social fabric, with bands such as Billy Thorpe & the Aztecs, Wild Cherries, Ray Brown & the Whispers, and Max Merritt & the Meteors being popular choices.

From 1970–1980, the second wave of Sharpies were following hard, tough rock'n'roll bands like Lobby Loyde and the Coloured Balls, Buster Brown, Rose Tattoo, The Angels and ACDC. Sharpies were now often congregating in large numbers, regularly attending live band concerts at town hall and high school dances as well as early discos. But due to their sheer numbers, Sharpies were often perceived as being untouchable by the police and were often associated with excessive violence, regularly taking part in fights."

(Melynda von Wayward)

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1960s1970s • ACDC (band) • Australiabelonging • Billy Thorpe and the Aztecs (band) • British Australian • Brunswick (Victoria) • Buster Brown (band) • Carol Jerrems • clothesclothing fashion • Collingwood (Victoria) • Coloured Balls (band) • counterculturecultural codescustom madedisaffected youth • disco • European immigrants • European style • excessive violence • Fitzroy (Victoria) • Greek Australian • Heidelberg Technical College • high school dance • identity performanceinner city • inner city suburbs • Italian Australian • Italian immigrant • larrikin • larrikin attitude • Lobby Loyde (band) • looking sharp • Max Merritt and the Meteors (band) • Melbourne • Melynda von Wayward • mod fashionmullet • outer suburbs • protopunk • punk rockpunk rock ethos • Ray Brown and the Whispers (band) • Richmond (Victoria) • rock n roll • rockers • Rose Tattoo (band) • rough as guts • sharpie movement • sharpie subculture • sharpies • shopping centre • sideburns • skinheadsocial fabricstyle • suave • subculture • The Angels (band) • town hallurban clothingVictoria (Australia) • Wild Cherries (band) • working classworking class culture • working class ethos • youth cultureyouth subculture • Yugoslav

CONTRIBUTOR

Simon Perkins
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