Not Signed-In
Which clippings match 'Design Techniques' keyword pg.1 of 1
16 AUGUST 2013

BEM (Block, Element, Modifier): web naming standardisation

"One of the most common examples of a methodology in programming is Object–Oriented Programming. It's a programming paradigm embodied by many languages. In some ways, BEM is similar to OOP. It's a way of describing reality in code, a range of patterns, and a way of thinking about program entities regardless of programming languages being used.

We used BEM principles to create a set of front–end development techniques and tools, that allow us to build websites quickly and maintain them over a long time."

1

CONTRIBUTOR

Simon Perkins
23 MARCH 2013

Exploration oriented design process: focussing on the interplay between designer, techniques and materials in design research

"My field of interest is what I will call an exploration oriented design process included in design research; a process focussing on the interplay between designer, techniques and materials. The role of the artefact is to act as a reflecting and responding means for pushing the research process forward to clarify what is possible and how, regarding the research question. A related example of such an approach to research is found at the research cluster Autonomatic (2009) at Falmouth College University, which do research that explores the use of digital manufacturing technologies in the creative process of designing and making three dimensional objects.

As a contrast, consider a problem oriented design process included in design research. That is, designing which, although research embedded, nevertheless aims at developing working prototypes or appearance models, just as ordinary professional design. An example is the Ph.D. project by Jonathan Allen discussed by Pedgley and Wormald (2007). The aim of Jonathan Allen's research was to advance the design of, and champion new approaches to designing, products for people with severe communication disabilities and physical impairment. During his project, he developed a fully working prototype communication device.

However, in the present paper I shall demonstrate that exploration oriented design can be fruitful as a design research method, because it is relieved from the usual obligation to fulfil a purpose of everyday use, solve problems or fulfil certain needs. As we shall see, the exploration oriented design process does not proceed as a series of isolated experiments, but rather as a cluster of parallel and interdependent experiments, which as a whole reflect the potential of the research question. I will argue that this approach turns design practice in which the design researcher is trained into an effective tool for design research."

(Flemming Tvede Hansen, p.99, 2009)

Hansen, Flemming Tvede. (2009). "A Search for Unpredictable Relationships". EKSIG 2009: Experiential Knowledge, Method & Methodology, Experiential Knowledge Special Interest Group.

TAGS

2009 • appearance models • Autonomatic (research cluster) • communication device • communication disability • design practicedesign researchdesign research methodologydesign researcherdesign techniquesdesigningdesigning and making • digital manufacturing • digital manufacturing technologies • EKSIG • everyday use • exploration oriented design • exploration oriented design process • Falmouth College University • Flemming Tvede Hansen • fulfil needs • interdependent experiments • interplay between • isolated experiments • Jonathan Allen • new approaches to design • ordinary professional design • Owain Pedgley • parallel experiments • Paul Wormald • physical impairment • problem oriented design process • reflecting and responding • research process • role of the artefact • solving problemsthree dimensional objectsworking prototypes

CONTRIBUTOR

Simon Perkins
25 SEPTEMBER 2012

Anstey Wallpaper Design and Innovation

"Anstey Design and Technical teams are constantly looking for new ideas and techniques for our wallpapers. Every year we research the latest trends and colours at the London and Paris shows in order to develop cutting edge new products to present to our client base.

We have a specialist Technical Development Department which explores and combines novel inks, substrates, techniques and technology in order to constantly develop new and innovative products from our wide range of processes."

(Anstey Wallpaper Company Ltd.)

1

2

3

TAGS

Anstey Wallpaper Company Ltd. • block printingcolour • commercial printing • continuous innovation • decorationdesign techniques • designed for durability • designed for performance • digital printing • flat-screen printing • flexographic • flexographic printing • flexography • gravure • gravure printing • hand block-printing • innovative products • intaglio printing • long table printing • long table screen • Loughborough • machine trialled • novel inks • offset printingpaper • print processes • printing press • rotary printing press • rotary screen • rotogravure • rotogravure process • specialist substrates • substrates • surface printing • surflex printing • technical development • technical development department • techniques and technology • trendsUK • vacuum screen • vinyl wallpaper • wallcoverings • wallpaperwallpaper designWilliam Morris

CONTRIBUTOR

Simon Perkins
23 MARCH 2012

Autumn 2012: Design and Social Innovation

"There is a growing interest in the role that design can play in catalysing, harnessing, spreading and scaling social innovation around the world. This is expressed in two key ways:

> by a growing number of professional designers and design disciplines applying their skills to addressing social issues; and

> by the adoption of design tools, techniques and methods by a growing number of other disciplines focused on developing social innovation.

Perhaps the most recognisable facet of this interest has been the rise of 'design thinking' not only in business, but increasingly in public service and policy fields. Fuelled by design agencies such as IDEO in the US, non–profit bodies such as the Design Council in the UK, and education institutions such as Stanford's 'd.school', design thinking has begun to be recognised as a key ingredient underpinning innovation (whether that be social innovation or not). Indeed, according to Sir George Cox, past chairman of the Design Council, design is what bridges creativity (the generation of new ideas) and innovation (the successful implementation of new ideas). In other words, design could be described as:

'the human power to conceive, plan, and realize products that serve human beings in the accomplishment of any individual or collective purpose' (Richard Buchanan, 2001)."

(Ingrid Burkett, Knowledge Connect)

Fig.1 AT.AW [http://www.at–aw.com]

1

2

TAGS

2012action learning • catalysing social innovation • change observercitizenshipcivil societyclients • collective purpose • community services • conceive ideas • constituents • consumersCourtney Drake • critical insight • critical literature • critical thinking • cross-sector • d.school • deign approaches • design agenciesdesign approaches • design bridges creativity and innovation • Design Council (UK)design disciplinesdesign fielddesign innovationdesign methodsDesign Observer (magazine)design techniquesdesign thinkingdesign toolsdesignersdifferent perspectives • diversity of disciplines • education institutions • George Cox • harnessing social innovation • idea generationIDEO • individual purpose • Jacqueline Wechsler • Joanne Hutchinson • logframe • logframe analysis • long-term change • NESTAnew ideas • Open Book of Social Innovation • plan ideas • political reactionism • previous learning • professional designersprototypingpublic policy • public service • public services • real change • realise products • Richard Buchanan • scaling social innovation • School of Management • School of Visual Arts in New York • service implementation • serving human beings • significant change • social design • social ills • social innovation • Social Innovation Branch in DEEWR • social interventionsocial issuessocial policysocial sciencesocial sector • spreading social innovation • Stanford Universitystrategic planning • strategy and planning • successful implementation • the role that design • underpinning innovation • User-Centred Design (UCD)users • Vera Sacchetti • William DrenttelYale University • Young Foundation

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.