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Which clippings match 'Movie' keyword pg.1 of 4
03 JANUARY 2013

Monsters University: Pixar parody of college recruitment ads

"This is delightful: a campaign by Pixar for its upcoming film Monsters University that spoofs those wonderfully cheesy college–recruitment ads that air during NCAA sporting events. The spot below, which ran during this week's Rose Bowl telecast, promotes the movie's eponymous institution and imitates the source material perfectly, from the tagline ('Image you at MU') to the awkwardly saccharine student testimonials. The whole spot is nicely paced ahead of the amusing reveal halfway through. (The realism of the animation helps a ton, too, and is its own best marketing for the film.) The website, monstersuniversity.com/edu, is quite brilliantly done as well. The 'Student Policies' section is particularly inspired. On the issue of 'Basic Monster Respect,' it offers this advice: 'All monsters are unique – by heritage, number of appendages, or simply number of eyes – and all monsters deserve respect.' Pets, it should be noted, are not allowed on campus, 'with the exception of seeing–eye snakes.'"

(Tim Nudd, 03 January 2013, Adweek)

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20133D animationAdweekanimationcampus • campus life • character animationcollege • college recruitment • conventional universitiesfake university • film marketing • fraternityfreshmenhumourhyperbolemonster • Monsters University • movieparody • Pixar • promotional materialpromotional video • saccharine • satirical illustrationspoof • student admissions • student enthusiasm • student testimonials • student viewsstudentsuniversity • university campus • university education • university recruitment • university students

CONTRIBUTOR

Simon Perkins
18 DECEMBER 2012

Eraserhead Stories: David Lynch on the Making of His Famously Nightmarish First Film

"Not only does the documentary Eraserhead Stories offer as much information as you'll find anywhere on the making of David Lynch's first feature film, it has a few Lynchian qualities of its own. For almost an hour and a half, David Lynch sits down behind a microphone and reminisces about the six years his ragtag team spent putting the movie together. But he does it in black–and–white, in front of a curtain, smoking, like something out of an early–1950s television broadcast. The ambient dull roar of an ill wind appears, intermittently and inexplicably, on the soundtrack. Photographs flash by, supporting some of Lynch's inspiring, arduous, and bizarre recollections. Many of his stories deal with the nuts and bolts of bringing one's financially impoverished but creatively overflowing early movies into reality."

(Colin Marshall, 17 December 2012, Open Culture)

David Lynch (2001). "Eraserhead Stories".

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2001American cinemaAmerican independent cinemaart and design practitionersauteurblack and whiteblack humour • Charlotte Stewart • cult classic • cult filmDavid LynchdocumentaryEraserhead (1977) • Eraserhead Stories • famous peoplefilmfilm directorfilmmakergrotesqueindependent cinemaindependent filmindie cinemainfluentialinfluential creatorsinfluential director • interviews with famous people • Jack Nance • landmark film • Laurel Near • low budgetlow-budget filmmaking ofmovienightmarevisual spectacle

CONTRIBUTOR

Simon Perkins
06 MARCH 2012

Home: a call to action to halt global warming

"In the past 200,000 years, humans have upset the balance of planet Earth, a balance established by nearly four billion years of evolution. We must act now. It is too late to be a pessimist. The price is too high. Humanity has little time to reverse the trend and change its patterns of consumption.

Through visually stunning footage from over fifty countries, all shot from an aerial perspective, Yann Arthus–Bertrand shows us a view most of us have never seen. He shares with us his sense of awe about our planet and his concern for its health. With this film, Arthus–Bertrand hopes to provide a stepping–stone to further the call to action to take care of our HOME.

HOME is the first film that has been made using aerial–only footage. The film marks artist–activist Yann Arthus–Bertrand's feature film directorial debut.

HOME the movie is carbon offset. All of the CO2 emissions engendered by the making of the film are calculated and offset by sums of money that are used to provide clean energy to those who do not have any. For the last ten years, all the work of Yann Arthus–Bertrand has been carbon offset."

(Yann Arthus–Bertrand)

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CONTRIBUTOR

Simon Perkins
04 FEBRUARY 2012

Star Wars Uncut: crowdsourcing Star Wars 15 seconds at a time

"Star Wars Uncut is the brainchild of Casey Pugh, a developer dedicated to creating new and fun experiences on the web.

In 2009, Casey became interested in using the internet as a tool for crowdsourcing user content.

Star Wars was a natural choice to explore the dynamics of community creation on the web – the response from fans has been overwhelming worldwide and the resulting movie is incredibly fun to watch."

(Casey Pugh)

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15 seconds • 2009amateuramateur cultural productionamateur videoanimationauthorship • Casey Pugh • collaborationcollage • community creation • copycrowdsourcingfandomfans • geeky • homagehome movieLEGOlo-fimimicrymovienetwork societyparticipationplayfulproduce a segmentremix culturesharingsocial mediaStar Wars • star wars geek • Star Wars Uncut • sweding • upload your footageuser-generated contentvideovideo collageVimeovirtual collaborationworldwide communityYouTube

CONTRIBUTOR

Simon Perkins
11 JANUARY 2012

Movie Posters revised: an exercise in visual literacy

[UK designer Olly Moss revises classic film posters.]

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abstraction • An American Werewolf in London • Deerhunter • design exercise • design formalism • Die Hard • Dirty Harry • film poster • Four Lions • graphic designgraphic style • Hydra (TV) • Jackie Brown • movie • Olly Moss • On the Waterfront • pop-cultureposterposter design • Return of the Jedi • revision • RoboCop • Rocky (film) • Source Code (2011) • The Empire Strikes Back • The Evil Dead • The Great Dictator • There Will Be Blood • Thor (film) • visual communicationvisual designvisual languagevisual literacyvisual style • werewolf

CONTRIBUTOR

Simon Perkins
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