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Which clippings match 'Indigenous Language' keyword pg.1 of 1
18 MARCH 2012
PERMALINK

Coding cultural riches: Investigating indigenous languages in Australia

"It's very fundamental to Aboriginal belief that language and land are connected, and it is appropriate to speak the language of the land on which you're residing. So it was quite natural that Murrinh–Patha would have become the primary language of the indigenous people living on the mission."

(Rachel Nordlinger)

Fig.2 "Coding cultural riches: Investigating indigenous languages in Australia: Linguist Dr Rachel Nordlinger discusses how Australian Aboriginal languages are researched and how particular indigenous tongues grow at the expense of others as communities migrate. Presented by Jennifer Cook.", Up Close, University of Melbourne.

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http://media-download.unimelb.edu.au/media/mp3/upclose/128kbps/upclose_ep133_20110311_128kbps.mp3
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http://upclose.unimelb.edu.au/printpdf/798/up_close_-_episode_133_coding_cultural_riches_investigating_indigenous_languages_in_australia_-_2012-02-17.pdf

TAGS

Aboriginal languages • Aboriginal mythology • ancestors • Australia • Australian Aboriginal languages • Australian Aboriginal On-line Television • Australian Aborigine • Australian languages • belief systems • Bilinarra • coding cultural riches • creole • creole language • cultural codes • cultural coding • cultural identity • describing • documenting • dreamtime • Dreamtime ancestors • East Timor • East Timorese languages • grammar • grammatical structures • identity • Indigenous • Indigenous Australians • Indigenous language • indigenous languages • indigenous tongues • Jennifer Cook • kinship categories • language • language of landscape • language of the landscape • limits of my language are the limits of my world • lingo • linguist • linguistics • morphological theory • Murrinh-Patha • mythology • Northern Territory • Pacific linguistics • podcast • Rachel Nordlinger • recording • syntactic theory • Tetun Dili • traditional languages • University of Melbourne • Up Close (podcast) • Wambaya

CONTRIBUTOR

Simon Perkins
18 MARCH 2012
PERMALINK

Australian Aboriginal On-line Television: short-form original content

"Australian Aboriginal On–line Television aims to be one of the world's best video sites. We specialize in short–form original content – from new, emerging talents. We're committed to delivering an exceptional entertainment experience and we do so by engaging and empowering our audience every step of the way.

Everyone can Watch Videos on Australian Aboriginal On–line Television. By uploading your video people will be able to see first–hand accounts of current events, find videos about their hobbies and interests, and discover the quirky and unusual. As more people capture special moments on video, Australian Aboriginal On–line Television is empowering them to become the broadcasters of tomorrow.

Australian Aboriginal On–line Television is not only a video sharing website but also has social network features, you can make friends, and send them videos and private messages. Australian Aboriginal On–line Television also has built in rating system and comment system so that people can discuss on their interested videos, not only comment but also, people can rate Comments."

(Australian Aboriginal On–line Television)

Fig.1 "Australia's Natural Heritage", Oski Pictures Australia (http://www.oskipictures.com/).

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TAGS

1788 • 2010 • AATV • Aboriginal • Aborigine • ancestors • Australia • Australian Aboriginal On-line Television • Australian Aborigine • broadcaster • comment system • cultural identity • current events • emerging talent • empowering • engaging and empowering our audience • entertainment experience • first-hand account • history • Indigenous • Indigenous Australians • Indigenous language • media • movies • online television • original content • quirky and unusual • rating system • short-form • short-form original content • social network • special moments • Stolen Generation • television • Torres Strait Islander • TV • video sharing • video site • videos

CONTRIBUTOR

Simon Perkins
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