Not Signed-In
Which clippings match 'Cultural Perspective' keyword pg.1 of 1
01 MAY 2015

The Nature of Social Worlds

"The notion of social worlds is used here to refer to a form of social organization which cannot be accurately delineated by spatial, territorial, formal, or membership boundaries. Rather, boundaries of social worlds must be determined by interaction and communication which transcend and cross over the more formal and traditional delineators of organization. The term social world is used here to develop a common referent for a number of related concepts which refer to similar phenomena, Thus, social world phenomena encompass that which other sociologists have referred to as: occupational contact networks, invisible colleges, behavior systems, activity systems, and subcultures. After tracing some of the sociological history of social world analysis, a series of concepts are developed which bring together and bind all of the previously mentioned concepts into a systematic whole. Major aspects of individual involvement, structural features of social worlds, levels of social world analysis, and some implications of a social world perspective are presented. In this way, a program for study and unification of related concepts is presented in preliminary form."

(David Unruh, 1980)

David Unruh (1980). "The Nature of Social Worlds" The Pacific Sociological Review, Vol. 23, No. 3 (Jul., 1980), pp. 271-296.



1980 • a social world perspective • accepting a common worldview • activity systems • assemblages of social actors • behaviour systemsbelief systems • boundaries of social worlds • cognitive orientation • collective commitmentcollective identity • collective representations • collectivity • common worldview • cultural perspective • cultural phenomenon • cultural traditionsDavid Unruh • diffuse worlds • ethnic communities • ethnic minorities • formal organisations • group membership • interaction and communication • invisible college • local worlds • located in relation to others • meaning systems • mediated interaction • networks of interrelated voluntary associations • occupational contact network • patterns of thought • perceptual framework • shared action • shared attitudes • shared common worldview • shared goals • shared intentions • shared meaningsshared practices • shared understandings • shared worldview • social construction of reality • social factssocial organisation • social unit • social world • social world analysis • social world phenomena • social worlds • spatial sites • subcultural communities • subculturethinking and acting as a group member • transcultural communities • united by a common worldview • universe of regularised mutual responsevoluntary participationweltanschauungworldview


Simon Perkins
24 APRIL 2013

Navimation: Exploring Time, Space & Motion in the Design of Screen Based Interfaces

"Interface design has often been considered a subsection of interaction design (Moggridge, 2007; Löwgren & Stolterman, 2004; Bagnara & Crampton Smith, 2006). In the shift from designing objects to designing experiences, interaction design needs to investigate temporal as well as spatial form (Redström, 2001; Mazé & Redström, 2005), and to see computation as basic material.

From a social, cultural and humanistic perspective, studies of the design of interactions and their contexts of use can be understood in terms of mediated communication and the historical, social, playful and aesthetic in digital design (Blythe, Overbeeke, Monk, & Wright, 2003; Lunenfeld, 1999). This approach has been framed as Communication Design (Morrison et al., in press). This mediational perspective of digital communication is informed by studies in new media, social semiotics, socio–cultural studies of learning and work, and practice–based research into multimodal composition in which mediated discourse itself undergoes change through active use (Jones & Norris, 2005; Morrison, in press). This view is distinct from the structuralist and directional or 'transmission' models of communication (e.g., Crilly, Maier, & Clarkson, 2008) that are not rooted in cultural and mediational theory. From a Communication Design perspective, the interface itself mediates; it is understood as socially and culturally constructed and situated. Such a perspective is not very widely articulated in discussions of the interface in design research. Further, few studies exist of dynamic, digital interfaces and their multimodal characteristics from a specifically media and Communication Design view (e.g., Skjulstad, 2007).

In their design activity, interaction designers invest heavily in the shaping of interfaces as symbolic and cultural texts. Alongside this attention to design, and with reference to user–driven studies, we also need to unpack the features and possible functions of these emerging forms of mediated communication. The proliferation of 'movement in the interface' demands that we pay attention to a variety of media types, genre conventions and earlier media, and to the ways that elements of these are combined in different configurations. Social semiotics provides some means for relating the various graphical, animational and kinetic aspects of dynamic interfaces within a wider communicative perspective.3"

(Jon Olav H. Eikenes and Andrew Morrison, 2010)

Jon Olav H. Eikenes and Andrew Morrison (2010). "Navimation: Exploring Time, Space & Motion in the Design of Screen–based Interfaces", International Journal of Design Vol 4, No 1.



2010aesthetic experience • Andrew Monk • Andrew Morrison • animational communication • Anja Maier • Bill Moggridge • communication design • computation as material • cultural perspective • cultural texts • design for the screendesign researchdesigning experiencesdesigning objectsdigital communicationdigital design • dynamic digital interfaces • dynamic interfacesemerging digital media • emerging forms • Erik Stolterman • funology • genre conventions • Gillian Crampton Smith • graphical communication • humanistic perspectiveinteraction designinterface designInternational Journal of Design • Johan Redstrom • Jonas Lowgren • Kees Overbeeke • kinetic bodily logos • Mark Blythe • material thinking • media and communication design • media as material objectsmediated communication • mediated discourse • mediated interaction • mediational perspective • mediational theory • movement in the interface • multimodal characteristics • multimodal compositionmultimodal user interfaces • Nathan Crilly • navimation • new media • P John Clarkson • Peter Lunenfeld • Peter Wrigh • playfulnesspractice-based research • Ramia Maze • Rodney Jones • screen-based interface • Sebastiano Bagnara • Sigrid Norris • situated perspective • social perspective • social semiotics • socio-cultural studies of learning • spatial form • spatial ordersymbolic meaning • Synne Skjulstad • temporal form • transmission model of communicationuser-driven


Simon Perkins
16 MARCH 2012

Babakiueria: the colonialisation of European Australians by Indigenous Australians

"Presenter Duranga Manika (Michelle Torres) describes her fascination with white people and their customs and explains how she spent six months living with a 'typical white family' (Tony Barry, Cecily Polson, Kelan Angel, Margeurita Haynes). She also asks members of the general public for their opinions on white people and speaks to the Minister for White Affairs (Bob Maza).

[Geoffrey] Atherden's script takes stereotypes of Australian culture and, with tongue–in–cheek humour, views them as though for the first time, as mysterious, alien and strange. Here, the barbecue is singled out. Elsewhere Manika describes the football match as ritualised violence and betting at the TAB as a religion, while a police commissioner calls the Anzac Day March a ritual where white people 'honour their warrior ancestors' but wonders why it can't be done at home.

Presenter Duranga Manika's ethnographic study of white people simplifies, patronises and mystifies her subjects. Every mundane detail of this one family's everyday life is invested with serious cultural significance. Bob Maza's Minister for White Affairs compresses a history of government treatment of Indigenous Australians into one self–satisfied, authoritative figure. It is interesting that while these characters treat 'white' culture with such fascination, they treat 'black' culture as such a given that the audience does not find out much about it."

(Kate Matthews, Australian Screen)



17881986Aboriginalalien and strangeANZAC • ANZAC Day • ASO • audio and visual heritageaudiovisual archiveAustraliaAustralian cultureAustralian Screen • authoritative figure • Babakiueria • barbecue • Barbecue area • BBQ • belongingblack culture • Bob Maz • Bob Maza • Cecily Polson • colonial misrecognition • colonisationcultural anthropologycultural critiquecultural perspectivecultural significanceculture and customsethicsethnographic studyethnography • Euro-Australians • European Australians • fictitious land • First Australiansflagfootball • for their own good • gambling • Geoffrey Atherden • government treatment • humourIndigenousIndigenous AustraliansIndigenous peopleinvasion • Kelan Angel • Margeurita Haynes • Michelle Torres • Minister for White Affairs • mockumentary • National Film and Sound Archivenative peopleNFSApatronisingpostcolonial • powerboat • racial inequality • racial profiling • religionritual • ritualised violence • role-reversal • satiresatiricalsettlementstereotype • TAB • tongue-in-cheek • Tony Barry • typical white family • untamed land • white culture • white people • white settlement


Simon Perkins

to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.