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Which clippings match 'National Film And Sound Archive' keyword pg.1 of 1
22 JUNE 2013

The NFSA Life In Australia Series

Fig.1 James Jeffrey (1966). "Life In Australia: Adelaide": 20.25 Minutes. Made by The Commonwealth Film Unit / Department of Immigration 1966. Directed by James Jeffrey. A picture of life in the South Australian capital of Adelaide in the mid 1960s, social, commercial and recreational.
Fig.2 "Life In Australia: Brisbane", Fig.3 "Guide To Canberra", Fig.4 "Darwin – Doorway To Australia", Fig.5 "Life In Australia: Hobart", Fig.6 "Life In Australia: Melbourne", Fig.7 "Life In Australia: Perth", Fig.8 "Life In Australia: Sydney".

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TAGS

1960s1966Adelaideadvertising imagesaudio and visual heritageaudiovisual archiveAustralia • Australian capital cities • Australian culture • Australian Department of Immigration • Australian ScreenBrisbaneCanberracommercial sector • Commonwealth Film Unit • cultural life • Darwin • Eric Thompson • European Australianseveryday cultureGreat Britain • Hobart • idylidyllic imageimmigrantimmigration • James Jeffrey • life in Australia • Life in Australia Series • lifestyleMelbourneNational Archives of AustraliaNational Film and Sound ArchivenewsreelNFSAPerthportrait of everyday liferecreational activitiessocial sectorSouth AustraliaSydney • ten pound pom • ten pound tourist • UK • welcoming immigrants • white Australia policy

CONTRIBUTOR

Simon Perkins
16 MARCH 2012

Babakiueria: the colonialisation of European Australians by Indigenous Australians

"Presenter Duranga Manika (Michelle Torres) describes her fascination with white people and their customs and explains how she spent six months living with a 'typical white family' (Tony Barry, Cecily Polson, Kelan Angel, Margeurita Haynes). She also asks members of the general public for their opinions on white people and speaks to the Minister for White Affairs (Bob Maza).

[Geoffrey] Atherden's script takes stereotypes of Australian culture and, with tongue–in–cheek humour, views them as though for the first time, as mysterious, alien and strange. Here, the barbecue is singled out. Elsewhere Manika describes the football match as ritualised violence and betting at the TAB as a religion, while a police commissioner calls the Anzac Day March a ritual where white people 'honour their warrior ancestors' but wonders why it can't be done at home.

Presenter Duranga Manika's ethnographic study of white people simplifies, patronises and mystifies her subjects. Every mundane detail of this one family's everyday life is invested with serious cultural significance. Bob Maza's Minister for White Affairs compresses a history of government treatment of Indigenous Australians into one self–satisfied, authoritative figure. It is interesting that while these characters treat 'white' culture with such fascination, they treat 'black' culture as such a given that the audience does not find out much about it."

(Kate Matthews, Australian Screen)

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TAGS

17881986Aboriginalalien and strangeANZAC • ANZAC Day • ASO • audio and visual heritageaudiovisual archiveAustraliaAustralian cultureAustralian Screen • authoritative figure • Babakiueria • barbecue • Barbecue area • BBQ • belongingblack culture • Bob Maz • Bob Maza • Cecily Polson • colonial misrecognition • colonisationcultural anthropologycultural critiquecultural perspectivecultural significanceculture and customsethicsethnographic studyethnography • Euro-Australians • European Australians • fictitious land • First Australiansflagfootball • for their own good • gambling • Geoffrey Atherden • government treatment • humourIndigenousIndigenous AustraliansIndigenous peopleinvasion • Kelan Angel • Margeurita Haynes • Michelle Torres • Minister for White Affairs • mockumentary • National Film and Sound Archivenative peopleNFSApatronisingpostcolonial • powerboat • racial inequality • racial profiling • religionritual • ritualised violence • role-reversal • satiresatiricalsettlementstereotype • TAB • tongue-in-cheek • Tony Barry • typical white family • untamed land • white culture • white people • white settlement

CONTRIBUTOR

Simon Perkins
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