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Which clippings match 'In The Mind' keyword pg.1 of 2
22 JULY 2015

Pinscreen animation Mindscape by Jacques Drouin

"A particularly creative example of the pinscreen animation technique, this film is about an artist who steps inside his painting and wanders about in a landscape peopled with symbols that trigger unexpected associations. Film without words."

"Mindscape" by Jacques Drouin, 1976, 7mins 31s.

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1976animated short filmanimation techniqueblack and whiteboundary-crossing • crossing over • dreamlike storytelling • grey • in the mind • Jacques Drouin • landscape painting • Le paysagiste (1976) • meta-painting • Mindscape (1976) • movable pins • National Film Board of Canadapaint our own surroundingspainted world • picture within a picture • pinscreen animation technique • reality and illusion • shades of grey • stepping out of the framesurrealistic • surrealistic imagery • symbolic meaning • textural effects • without dialogue • wordless

CONTRIBUTOR

Simon Perkins
13 MARCH 2012

Jean Cocteau: la Belle et la Bête

"La lumière brillante et surnaturelle qui avait dominé toute la scène du château (flamme des chandeliers, feu, reflets étincelants de l'argenterie) s'estompe pour laisser la place à la lumière naturelle du jour [plan 9] [9]. Ces rayons lumineux rappellent ceux des dernières gravures de la Belle au vois dormant. D'autant plus que cette lumière naturelle n'est pas légitimée par la présence d'une fenêtre, comme c'est le cas chez Doré. C'est une lumière naturelle, la lumière du jour, mais elle semble toujours éclairer le personnage de manière surnaturelle : comment la lumière extérieure peut–elle pénétrer à l'intérieur sans la présence d'aucune fenêtre ? Les flambeaux s'éteignent un à un, le personnage traverse un grand pan de lumière blanche, la porte se referme toute seule, l'escalier apparaît en plongée : la scène semble se rejouer à l'envers, ce qui souligne la structure circulaire et la clôture de la séquence, mais aussi l'influence de l'œuvre de Gustave Doré. Le dialogue des contes et des illustrations se poursuit jusqu'à la dernière image de la séquence puisqu'elle se termine sur les ronces qui envahissent l'escalier du château de la Bête, comme celles qui envahissent les gravures du château de la Belle au bois dormant."

(Estelle Plaisant Soler, 26 juin 2006)

Fig.1 Jean Cocteau (1946). "la Belle et la Bête"

2). PDF of 100 Cult Films (Screen Guides).

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1946atmosphericbeastbeauty • candlebra • candlestick • caryatids • castlechandelierscostume design • daylight • eerie • enchanted garden • engraving • external light • externalisation • extinguished • fairy talefantasyfilmfilm designfireflameFrenchgloveGustave Dorehorse • iconogaphy • in the mindinterior spaceJean CocteauJean Marais • Josette Day • Jungian • key • La Belle et la Bete • light • living arms • Madame Leprince de Beaumont • magic • merchant • metaphormotion picturemyth • natural light • Prince Charmingrealityset design • silverware • Sleeping Beauty • smoke-breathing • sparkling reflections • spatial symbolismspecial effectsstaircasestory • supernatural • surrealismsymbolismtalismantheatrical space • torch • visual designvisual metaphorvisual spectacle • white light

CONTRIBUTOR

Simon Perkins
12 MARCH 2012

Wild Strawberries: expressionistic and Freudian dream sequences

"There are other Expressionist and certainly Freudian dream sequences in the picture, almost always with the old man appearing in them as his present self. And some of these, largely because so many have badly copied, now look a little self–conscious– arty even. But the film's ability to engage the emotions makes it notable for more than just technique.

One of the prime reasons is what can only be described as the transcendent performance of Victor Sjostrom as Professor Borg. Sjostrom was the great Swedish silent–era director, who died aged 80, not long after the film was completed and whose The Phantom Carriage had so influenced Bergman. It was he who made the final scene one of the most serene of all Bergman's endings. 'Sjostrom's face shone', said the director. 'It emanated light – a reflection of a different reality, hitherto absent. His whole appearance was soft and gentle, his glance joyful and tender. It was like a miracle'.

Later, Bergman admitted that the character of Borg was an attempt to justify himself to his own parents, but that Sjostrom had taken his text, made it his own and invested it with Sjostrom's often painful experiences. It is still, however, chiefly concerned with forgiveness between parents and children and the lost possibilities of youth."

(Derek Malcolm, 10 June 1999)

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1957 • carriage • clockcoffincorpsedeathdreamdream sequenceexpressionism • expressionist • expressionisticfilmfilm-maker • forgiveness • Freudian • hearse • in the mindIngmar Bergman • lamppost • lucid dreaming • Lund • medical scientist • mysteriousnightmareold manpainful experiencesphantompsychology • redemption • silent-era • somnambulistStockholmSwedishSwedish filmmaker • Victor Sjostrom • visual metaphorvisual spectaclewheelWild Strawberries (1957)

CONTRIBUTOR

Simon Perkins
12 MARCH 2012

What Dreams May Come: imagining a painted world through vfx

"Ward's 'What Dreams May Come,' starring Robin Williams was nominated for production design in addition to winning an Academy Award for Best Visual Effects. The film, tells an epic love story of soul mates separated by death. The story would inspire Ward to envision the afterlife as a painted world, incorporating state–of–the–art, adapted, and entirely new visual effects technologies in an original, fully articulated, filmic view of imagined realms that may await us after death."

(Saville Productions)

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1998after deathafterlifeallegory • Annabella Sciorra • Aotearoa New Zealandboundary-crossingcontemplating mortality • Cuba Gooding Jr. • deathdreamemotion • eternity • Eurydiceexpressionexpressionisticexternalisationfantasyfantasy about deathfictional worldfilmflowerflowersheavenhellin the mindin transitin-limbointernal quest • Joel Hynek • Josh Rosen • LIDARlifelove storymemorymilestonemortalitymoving paintingNew Zealand filmmaker • Nick Brooks • oozingOrpheusOscarpaintpaint our own surroundingspainted worldpainting • Pierre Jasmin • psychologyremembrance • representing emotions • Richard Matheson • Robin Williams • romantic love • Ronald Bass • Scott Huntsman • self-realisationSFXsoulmatesspecial effectssurrealisticthemethreshold spaceunderworldVFXVincent Wardvisceral experiencevisual effectsvisual metaphorvisual spectacle • What Dreams May Come (1998) • wifeworld of the story

CONTRIBUTOR

Simon Perkins
06 SEPTEMBER 2011

Inception: zero gravity fight scene

Fig. 1&2 Christopher Nolan (2010). "Inception"

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2010Christopher Nolandesigndevice • Ellen Page • fight sequencefigures in spacegravityin the mindInception (2010)Joseph Gordon-LevittLeonardo DiCapriolucid dreamingmise-en-scene • rotating corridor • rotating hallway • solutionspecial effectsvisual effectsvisual spectacle • zero gravity

CONTRIBUTOR

Simon Perkins
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