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Which clippings match 'TR-909' keyword pg.1 of 1
12 MARCH 2012

ReBirth for iPad: the legendary Techno Micro Composer has been resurrected

"ReBirth is back! Propellerhead Software's legendary Techno Micro Composer has been resurrected and customized for the iPad. ReBirth faithfully emulates dance music's three backbone devices: The Roland TB–303 Bass synth and the Roland TR–808 and 909 drum machines. Combine these with FX units, fully featured pattern sequencers and a gorgeous–looking interface and you're ready to make killer tracks on your iPad. Share your music with friends on Facebook, Twitter and more using the built in sharing features."

(Apple Inc., 2011)

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TAGS

2011app • AudioCopy • AudioPaste • computer musiccomputer simulationdance musicdrum machineelectronic instrumentsemulatorFX unitsinterface designiOS appsiPadiPad apps • iTunes App Store • killer tracks • legendarymusicmusic instrumentationmusic softwarepatternPropellerhead SoftwareReBirth (software) • ReBirth for iPad • ReBirth RB-338remediationretro • Roland 909 • Roland TB-303 Bass synth • Roland TR-808 • Roland TR-808 Rhythm Composersequencer • sharing features • simulationsoundsynthsynthesizerTB-303 • Techno Micro Composer • TR-808TR-909

CONTRIBUTOR

Simon Perkins
11 SEPTEMBER 2005

ReBirth RB-338: legendary electronic music emulator discontinued

"Propellerhead Software's ReBirth RB–338 pioneered a new era of music instrumentation that merged the principles of 'virtual reality' with historic synthesizers and drum machines. This concept seemed impossible at the time, but has since become a common trend in music software.

Since its introduction in 1997, ReBirth has influenced numerous companies to take advantage of contemporary technology by incorporating computer simulation into the latest generation of products.

The world has come to embrace the sound of electronic music, thanks to a long tradition starting in the 1960s with the popularization of Moog Synthesizers. It deepened in the 70's and 80's, and the sound of drum machines was introduced in music as electronic instruments adopted microprocessor technology.

As technologies continued to evolve in the 90's, the subsequent role of computers in music ushered in a digital age of composition and recording. Early in the decade, trends in electronic music and their significant effect on popular culture converged with the rich heritage of synthesizers, drum machines, and computers in the software application known as ReBirth. ...

While there have been plans to resurrect the 338, far too much time has passed, and realistically, the economics of software development prompted the decision to terminate ReBirth. Even after a decade of operation, Propellerhead Software is a relatively small company, and must focus their efforts on future technologies. The company contemplated outsourcing ReBirth, but quickly determined that those plans would consume valuable time and energy best spent on priority projects. Finally, ReBirth was discontinued with the parting gesture of making it publicly available. Ernst Nathorst–Böös stated the following:

'We think we serve the community better by concentrating the small development efforts we have on creating new exciting stuff than keeping what we feel is essentially a stale concept alive. ReBirth was a great achievement in its day and we're very proud of it.'"

(Propellerhead Software)

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TAGS

1997archetype • composition and recording • computer musiccomputer simulationcomputers in musicconvergencedance musicdigital agediscontinueddrum machineelectronic instrumentselectronic musicemulator • Ernst Nathorst-Boos • FX unitsinterface designinterface metaphoriPadiPad appslegendaryloop • Marcus Zetterquist • microprocessor technology • Moog • Moog Synthesizers • music instrumentationmusic softwarepattern • Pelle Jubel • Propellerhead SoftwarerebirthReBirth (software) • ReBirth Museum • ReBirth RB-338remediationretro • Roland • Roland TR-808 Rhythm Composersequencersimulationsoftware applicationsoundSwedensynthsynthesizerTB-303TR-808TR-909 • transistor rhythm • virtual reality

CONTRIBUTOR

Simon Perkins
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