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Which clippings match 'Coherent Space' keyword pg.1 of 1
03 JANUARY 2014

Reconstructing the proscenium arch in Jeff Desom's Rear Window

"I dissected all of Hitchcock's Rear Window and stiched it back together in After Effects. I stabilized all the shots with camera movement in them. Since everything was filmed from pretty much the same angle I was able to match them into a single panoramic view of the entire backyard without any greater distortions. The order of events stays true to the movie's plot."

(Jeff Desom)

Jeff Desom "REAR WINDOW LOOP" (2010), based on footage from Alfred Hitchcock's "Rear Window" (1954). Duration: 20 minutes, 2400x600 pixels.

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CONTRIBUTOR

Liam Birtles
06 MARCH 2012

CINEMA ESSAY: SHALLOW FOCUS, DEEP FOCUS, TRACKING SHOT, ESTABLISHING SHOT

Majestic Micro Movies: Lloyd Fonvielle, James Lester, Kendra Elliot, Joe Griffin and Jae Song.

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TAGS

a girl and a gunAndre Bazin • big depth of field • black and whitecameracinemacinematic conventionscinematic languagecinematic visual languagecinematographyclapperboardcoherent spacecompositioncontinuity editingdeep focusdepth of fielddepth of the screen spacedesign formalismDOF • establishing shot • figures in spacefilmfilm language • film take • film technique • filmlook • filmmaking • focus of attention • Manny Farber • master shot • medium is the messagemise-en-scenenarrative scenesproductionscenescreen spaceselective focusshallow depth of fieldshallow focus • shot countershot • shot reverse shottracking cameratracking shot • two shot • video essayvisual depictionvisual languagevisual literacyvisual style • wide lens

CONTRIBUTOR

Simon Perkins
24 OCTOBER 2008

Dogville: artificial and claustrophobic

"Von Trier begins by casually rejecting a fundamental tenet of the cinema. Even the most minimalist storytellers are obliged to place their actors in a physical space: back lots and painted sets may be deliberately artificial, but they always have walls and doors. Dogville is set on a pitch black sound stage with minimal props and schematic chalk outlines on the floor in lieu of walls. (It's like watching The Phantom Menace at a nascent stage, the actors adrift against bare blue walls before the backgrounds and animation are grafted on.) Whenever the camera pulls back for a wide shot, every inhabitant of the tiny hamlet is clearly visible, miming their daily tasks in their 'houses.' At first this archly theatrical staging, with its deadpan narration, ironic chapter headings and characters knocking on non–existent doors while we hear the thumping on the soundtrack, seems to be Brechtian alienation run amok. Yet as the story grinds grimly forward the inescapability of the townspeople in each shot shifts from a clever metaphor for small town claustrophobia to a palpably oppressive reality."

(Gary Mairs)

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TAGS

2003artificeBertolt Brecht • chalk outlines • cinemaclaustrophobiacoherent space • Dogville (2003) • film designfilm stylisationLars von Triermise-en-scene • Nicole Kidman • production designset designsound stageterritorytheatrical staging

CONTRIBUTOR

Simon Perkins
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