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Which clippings match 'Cohesive Narratives' keyword pg.1 of 1
11 AUGUST 2012

Kevin Kelly: screen culture is a world of constant flux

"Screen culture is a world of constant flux, of endless sound bites, quick cuts and half–baked ideas. It is a flow of gossip tidbits, news headlines and floating first impressions. Notions don't stand alone but are massively interlinked to everything else; truth is not delivered by authors and authorities but is assembled by the audience. Screen culture is fast, like a 30–sec. movie trailer, and as liquid and open–ended as a website. ...

On a screen, words move, meld into pictures, change color and perhaps even meaning. Sometimes there are no words at all, only pictures or diagrams or glyphs that may be deciphered into multiple meanings. This is terribly unnerving to any civilization based on text logic."

(Kevin Kelly, 19 June 2000, "Will We Still Turn Pages", Time Magazine)

Fig.1 JasKaitlin "hypermediacy" taken on April 25, 2010 using an Apple iPhone 3GS [].



200021st centuryaudienceauthorised voiceauthorityauthorshipbook • classic logic of books • cohesive narratives • constant flux • credibility • cultural change • double screening • dual screening • endlessly tweakable • fast action • first impressions • flowfragmentaryfragmentation • framing narrative • gossiphalf-baked ideashypermediacyinformation in contextinterconnectedness • interlinked • Kevin Kellyliquid • meanings change • multi-tabbing • multiple meanings • narrative framingnon-linearopen-ended • people of the book • people of the screen • quick cutsreflexive modernityscreen culturesensemakingsound bitesynthesise knowledge • text logic • tidbitsTime Magazine • traditional narratives • turning pages • various contexts


Simon Perkins
26 FEBRUARY 2012

Social networking sites: devoid of cohesive narratives

Baroness Susan Greenfield "told the House of Lords that children's experiences on social networking sites 'are devoid of cohesive narrative and long–term significance. As a consequence, the mid–21st century mind might almost be infantilised, characterised by short attention spans, sensationalism, inability to empathise and a shaky sense of identity'.

Arguing that social network sites are putting attention span in jeopardy, she said: 'If the young brain is exposed from the outset to a world of fast action and reaction, of instant new screen images flashing up with the press of a key, such rapid interchange might accustom the brain to operate over such timescales. Perhaps when in the real world such responses are not immediately forthcoming, we will see such behaviours and call them attention–deficit disorder. ...

She also warned against 'a much more marked preference for the here–and–now, where the immediacy of an experience trumps any regard for the consequences. After all, whenever you play a computer game, you can always just play it again; everything you do is reversible. The emphasis is on the thrill of the moment, the buzz of rescuing the princess in the game. No care is given for the princess herself, for the content or for any long–term significance, because there is none."

(Patrick Wintour, political editor, 24 February 2009)

2) Leading neuroscientist Lady Greenfield on the impact of spending hours in front of the computer and what makes a friend.



21st centuryattention spanattention-deficit disorderBebobrain • buzz • cohesive narrativescomputer game • consequence • consequencesexperienceFacebookfast actiongames • here-and-now • House of Lords • human mind • hypermediacyimmediacyimmediacy of experience • inability to empathise • infantilised • information in context • jeopardy • knowledge construction • long-term significance • narrative • new screen images • no care • play • play it again • press of a key • princess • rapid interchange • reaction • responses • reversible • screen culture • screen life • screen world • sensationalism • sense of identity • short attention span • social construction of knowledgesocial networking servicesocial networking sitessound biteSusan Greenfield • thrill of the moment • young brains


Simon Perkins
10 AUGUST 2005

After Universal Grand Narratives: shared narratives, narrative flows

"global communications has made commonly shared narrative more possible now than in the past. Think of the rolling celebration of the millennium in the year 2000 from Kiribati around the world to the mid–Pacific on our televisions. The mobilisation of sentiment through those same media, be it at the death of Diana, Princess of Wales; the views on the Middle East from Al–Jezeera; or the devastating effects of the 2004 tsunami in the Indian Ocean have created shared narratives that were not possible before the information era. To be sure, viewers of these spectacles and reportage are not passive agents; they can construct meaning at local levels that elude the control of the meaning makers. One should more properly speak here of narrative flows, that is, chains of locally constructed and transmitted narratives that are at once mutually intelligible, yet reflect concrete circumstances in local communities. Such flows have been in evidence in the social forces of globalisation since the mid–1990s, and are becoming more prevalent today. These flows may well represent as close as we may come to an explicitly 'universal' – be it socially or in [belief in spirituality] – in our complex and interconnected times."

(Robert J. Schreiter, p.14)

2). Schreiter, R. J. (2005). "A New Modernity: Living and Believing in an Unstable World". The Anthony Jordan Lectures, Newman Theological College, Edmonton Alberta, March 18–19, 2005 p.14. http://www.mission– (Accessed 10 August 2005).



Al-Jezeera • cohesive narrativescommunicationscommunitycosmopolitanism • Diana Windsor • flowflowsglobalglobalisationinterconnectedlocal storiesmediamillenniumnarrative • narrative flows • new modernity • Princess of Wales • reflexive modernisationreflexive modernityRobert Schreitersecond modernitysharedspace of flowstelevisiontsunami

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