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Which clippings match 'Mariana Trench' keyword pg.1 of 1
24 FEBRUARY 2012

Explorer Recounts Deepest-Ever Ocean Expedition

"Swiss engineer Jacques Piccard and Navy oceanographer Don Walsh descended to the bottom of the Mariana Trench, seven miles below the sea's surface. It's the lowest point on Earth, and deeper than any human had gone before – or since.

Above is a new video chronicling the explorers' journey, weaving animation with audio from an interview granted by Piccard in 2005, three years before his death. The interview was conducted by New York writer Victor Ozols, but went unpublished and eventually ended up on his blog. There it was found by German design student Roman Wolter, who made the film."

(Dave Mosher, 21 January 2011, Wired Science)

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TAGS

19602005animated presentationanimationcrushing pressuresdeep • dive • divingdocumentary • Don Walsh • environment • epic journey • exploration • explorer • hostile placeicy coldinfo graphicsinformation designinterview • Jacques Piccard • journeylimit to the world • lowest point • Mariana Trenchmotion designmotion graphicsmysterious worldoceanoceanographerPacific Oceanpioneeringpitch blackplanet • Roman Wolter • seven miles • submarine • surfaceSwissTerrestrialtrench • Victor Ozols • visual design

CONTRIBUTOR

Simon Perkins
24 FEBRUARY 2012

Ocean trench: Take a dive 11,000m down

"Icy cold, pitch black and with crushing pressures – the deepest part of the ocean is one of the most hostile places on the planet. Only two explorers have made the epic journey there: 11km (seven miles) down to the bottom of the Pacific Ocean's Mariana Trench. As a new wave of explorers is gearing up to repeat this remarkable dive, take a look at the mysterious world that they will be plunging into."

(BBC News, 23 February 2012)

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CONTRIBUTOR

Simon Perkins
18 OCTOBER 2011

Cyberpunk: the future has already happened

"Cyberpunk' is a 60–minute documentary, the ad for which states: 'What started as a book became a literary movement. What was a literary movement became a subculture'.

And that's one of the major flaws of this film. It perpetuates the general myth that everything 'cyberpunk' expanded out of 'Neuromancer' and Gibson's vision. In truth, most of the stuff covered here (virtual reality, hacking, industrial music, cybernetics, designer drugs, anarchy) was already developing quite nicely before Lord Gibson, Chairman Bruce, and the rest (Shirley, Rucker, Shiner) were kind enough to provide a fictional universe in which to fuse these disparate explorations.

The production of 'Cyberpunk' is very inconsistent, too –– some parts are professional documentary, while other parts have the odor of quick–cash opportunism. The breathy women narrator is ultimately aggravating, oh–ing and ah–ing over all this stuff.

But there is some good material here, including interviews with Gibson, Leary, Scott Fisher (of NASA/Ames), Brenda Laurel, Vernon Reed (Living Color), Bill Leeb (Front Line Assembly) and others. There's also some cool computer graphics (circa 1989) and an industrial soundtrack with Front Line Assembly, Ministry, and Severed Heads.

'Cyberpunk' is still a must–see since it's the only documentary about cyberpunk that we have."

(G. Branwyn)

Fig.1 Produced and Directed by Marianne Trench and Peter von Brandenberg, Intercon Productions, 1990.

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TAGS

1990 • anarchy • augmentation • Bill Leeb • bodybody modificationBrenda Laurel • Bruce Bethke • computer graphics • computer virus • corporeal augmentationcyberneticscyberpunk • Cyberpunk (1990) • cyborgdesigner drugsdystopiaembodimentethicsfictional universe • Front Line Assembly • hackinghacktivismhuman beings • industrial music • informationinformation wants to be free • John Shirley • Lewis Shiner • Living Color • Mariana TrenchMinistry (band)mutant scienceNASA Ames Research CenterNeuromancerorgan • phone phreaking • posthumanRudy Ruckersci-fiScott Fisher • Severed Heads (band) • speculative designtechnological determinismtechnophobiaTimothy Leary • Vernon Reed • virtual realityvirusvisions of the futureVRWilliam Gibson

CONTRIBUTOR

Simon Perkins
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