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Which clippings match 'Eduardo Paolozzi' keyword pg.1 of 1
15 MARCH 2015

Richard Hamilton: British Pop Art Pioneer

"Hamilton was a member of the Independent Group, formed in the 1950s by a group of artists and writers at the Institute of Contemporary Arts, whose symposiums contributed to the development of Pop art in Britain. He was one of the prime practitioners of the critic Lawrence Alloway's theory of a 'fine/pop art continuum'. Hamilton interpreted this as meaning that 'all art is equal - there was no hierarchy of value. Elvis was to one side of a long line while Picasso was strung out on the other side ... TV is neither less nor more legitimate an influence than, for example, is New York Abstract Expressionism' (Hamilton, p.31)."

(Terry Riggs, December 1997, Tate)

Richard Hamilton (1956). 'Just what is it that makes today's homes so different, so appealing?'

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TAGS

1950s19561960sAllen JonesAndy Warhol • Antony Donaldson • Brigitte Bardot • British artist • Clive Barker • Colin Self • collagecollage artDamien HirstDavid Hockney • Derek Boshier • Eduardo Paolozzi • effervescent • ephemera of popular culture • Frank Auerback • Galina Golikova • gaudy • Gerald Laing • influential creators • international art movement • James Rosenquist • Jan Howarth • Jann Haworth • Joe Tilson • Ken Russell • Lawrence Alloway • Leon Kossoff • low cost • Marcel Duchampmass audience • mass produced • Nicholas Monro • Patrick Caulfield • Pauline Boty • Peter Blake • Peter Philips • Peter Phillipspop art • pop art movement • popular art • popular culture • proto-pop art • rebellious art • Rene MagritteRichard Hamilton • Richard Smith • Robert Indiana • Ronald Brooks Kitaj • Roy Lichtenstein • short term solution • silkscreen • transient

CONTRIBUTOR

Simon Perkins
04 AUGUST 2014

Eduardo Paolozzi: Turkische Musik, 1974

"Eduardo Paolozzi's work often, as in the Türkische Musik series, may be printed in different color schemes or on different papers. All these elements combine to suggest that the image is often discovered in the act of creating it; the artist's role is integrally balanced between active calculation and chance. No longer confined to a single plan, the artist–printmaker and his work signify an exciting new order of print– making, one in which technological expertise becomes a useful vehicle for personal expression."

(Georgette Lee, 1986)

Precision of Image: Technology in Printed Art : 20 April – 7 September, 1986, The Joe and Emily Lowe Art Gallery at Syracuse University in Syracuse.

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CONTRIBUTOR

Simon Perkins
13 FEBRUARY 2012

The UK Design and Artists Copyright Society

"DACS was established 25 years ago by artists for artists. Among its founding artists were Eduardo Paolozzi, Susan Hiller and Elaine Kowalsky. DACS was set up to ensure that artists' rights are respected and that these rights are recognised both financially and morally."

(Design and Artists Copyright Society, UK)

2). DACS Annual Review 2010.

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TAGS

artartistartists • artists for artists • authorshipcontent licensingcontent rightscopyrightcopyright rulesDACSDesign and Artists Copyright Society • designers and artists • Eduardo Paolozzi • Elaine Kowalsky • financially recognised • intellectual propertyownershippiracyplagiarismrights holder • Susan Hiller • UKvalue creationvisual arts

CONTRIBUTOR

Simon Perkins
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