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Which clippings match 'Overcoding' keyword pg.1 of 1
28 JULY 2012

21 year old Valeria Lukyanova wants to be a real-life Barbie doll

"Most little girls grow up playing with Barbie dolls. Some even want to look like them. One 21–year–old has become one, or so she says.

Valeria Lukyanova has become an internet sensation in her home country of Russia, claiming on her blog to be the most famed woman on the Russian–language internet.

Her doll–like features, long blonde hair and 'perfect' body make her look like a real life Barbie."

(Laura Cox, PUBLISHED: 18:14, 22 April 2012 | UPDATED: 01:40, 25 April 2012, Dailymail.co.uk)

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CONTRIBUTOR

Simon Perkins
11 FEBRUARY 2012

Overcoding, Coding, and Recoding

"...The social axiomatic of modern societies is caught between two poles and is constantly oscillating from one pole to the other. Born of decoding and deterritorialization, on the ruins of the despotic machine, these societies are caught between the Urstaat that they would like to resuscitate as an overcoding and reterritorializing unity, and the unfettered flows that carry them toward an absolute threshold. They recode with all their might, with world–wide dictatorship, local dictators, and an all–powerful police, while decoding – or allowing the decoding of – the fluent quantities of their capital and their populations. They are torn in two directions: archaism and futurism, neoarchaism and ex–futurism, paranoia and schizophrenia. They vacillate between two poles: the paranoiac despotic sign, the sign–signifier of the despot that they try to revive as a unit of code; and the sign–figure of the schizo as a unit of decoded flux, a schiz, a point–sign or flow–break. They try to hold on to the one, but they pour or flow out through the otaxher. They are continually behind or ahead of themselves."

(Deleuze and Guattari 1983, 260)

TAGS

a point-sign • a schiz • all-powerful • archaism • capital • continually ahead of themselves • continually behind themselves • cultural code • decoded flux • decoding • despot • despotic • despotic machine • deterritorialisation • dictatorship • ex-futurism • Felix Guattariflow • flow-break • flows • fluent quantities • FuturismGilles Deleuzeglobal capital flows • local dictators • neoarchaism • oscillating • overcodingparanoia • paranoiac • pole to pole • police • populations • pour • Recode • resuscitate • reterritorialising unity • schizo • schizophrenia • sign-figure • sign-signifier • social axiomatic of modern societies • societies • threshold • torn in two directions • unfettered flows • Urstaat • vacillate between two poles • world-wide dictatorship

CONTRIBUTOR

Simon Perkins
10 FEBRUARY 2012

Peggy Orenstein on our gender performance culture

"Peggy Orenstein ('Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie–Girl Culture') and Kaveri Subrahmanyam ('Digital Youth: The Role of Media in Development') had a conversation about girl culture and digital media for Googlers in Santa Monica on February 9, 2011. They were joined by Adriana Manago, who works with Kaveri at the Children's Digital Media Center (UCLA/CSULA)."
(About @Google Talks, 9 February 2011)

Fig.1 Kaveri Subrahmanyam talks to Peggy Orenstein about "Cinderella Ate My Daughter", About @Google Talks [18:24]

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TAGS

Adriana Manago • Barbie Fashion Designer • boredomboys • bullying • chat roomCinderella • Cinderella Ate My Daughter • culture of prettydesiredigital mediadigital youthdoll playempowermentFacebookfeminismgendergender performance culture • girlhood • girlsGoogle Inc • Google Talks • identity • identity development • Kaveri Subrahmanyam • Lord and Taylor • market segmentationmedia literacy • media researcher • new medianew technology • nursery colours • overcoding • parent • Peggy Orenstein • performance cultureperformativitypinkpink and prettyplaying with dolls • popular zeitgeist • pornographyprettysextingsexual agencysexualisationsexualitysocial mediasocialisation • Tyler Clementi • young girl

CONTRIBUTOR

Simon Perkins
08 APRIL 2011

Jean-Luc Godard: figures posing in order to be admired

"Godard is right at home here, especially following his 80s fare like Passion and First Name: Carmen. In this decade more than ever before, Godard was preoccupied with the fusing of image and sound, in the vein of Renaissance art and music. This means that he's obsessed with the human form, male and female bodies. Historically, this creates something curiously hybrid. While classical opera may have to do with bodies, Godard's style is decidedly closer to that of pre–Classical painting, with uncovered figures posing still in order to be admired or, better, worshiped. Godard's use of male bodies juxtaposing the females here fits nicely into his standard approach to bodies along with everything else: exchange of commodities. The transaction doesn't take place in the segment; the problem is an imbalance of supply with demand, a Marxist cliché that Godard is only too glad to inject into a series of films supposedly just about art and love."

(Zach 'Andrews idea', 29/08/2010)

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TAGS

1987 • Aria (1987) • Armide • art and love • body • bodybuilder • classical opera • commodityEuropean Renaissancefemale bodygender performance culturegymgymnasiumhomoeroticism • human form • ideal form • Jean-Baptiste Lully • Jean-Luc GodardjuxtapositionKarl Marx • male body • MarxismmasculinitynarcissismoperaovercodingParisphysiologyphysiqueposeposing • pre-classical • pre-classical painting • Prenom Carmen • sexualityspectaclestylisedtableautransactionvisual depiction • worship

CONTRIBUTOR

Simon Perkins
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