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Which clippings match 'Critical Commentary' keyword pg.1 of 3
22 FEBRUARY 2017

“Bang bang” di Umberto e Stefano Cinquini

"Nell’America che ha eletto Donald Trump nuovo Presidente degli Stati Uniti c’è chi si batte per la difesa del diritto costituzionale e al porto delle armi da fuoco. Ma le conseguenze ce la racconta la cronaca con il lungo elenco di delitti o di incidenti per l’uso domestico di pistole e fucili. Come se fossimo in un moderno Saloon del Far West Donald Trump è, per i costruttori, il simbolo di tutto ciò."

(Carnevale di Viareggio, 2017)

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2017 • American Idiot (2009) • American politics • Bang Bang (2017) • caricature • Carnevale di Viareggio • carnival • carnival float • cowboycritical commentarydepictions of real-life peopledistorted appearanceDonald Trumpentertainment spectacleexaggerated appearance • float designer • forelock • giant marionettegunshumouriconic imagery • Italian design • Mexican • Muslim • myth of the West • neon-litNorth Americaparody • political statement • politician caricaturepuppet • satirical float • satirical representation • Statue of Liberty • Stefano Cinquini • Thank God Im a Country Boy (1974) • The West • Tuscany • Umberto Cinquini • Viareggio • Wild West frontier

CONTRIBUTOR

Simon Perkins
07 JANUARY 2015

The importance of critical perspectives for maintaining liberal society

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anti-authoritarian • anti-institutional critique • anti-religious critique • Bernard Verlhac • blasphemy • Cabu (pseudonym) • cartooncartoonists • Charb (pseudonym) • Charlie Hebdo • comic strip • contempt • controversial contentcritical commentarycritical perspectivescritique of powerdeliberately offensive • distaste • free expressionfree speechfreedom of expression • freedom of the press • French cartoonistinfamousinfamy • insulting likeness • inviolable • Jean Cabut • lampooning • left-wing ideals • left-wing pluralism • liberal attitude • liberal democracies • liberal societymade to offendmagazine • magazine cover • mockingMohammad caricaturesmonotheismMuhammad cartoonsoffenceoffensive behaviour • Philippe Honore • pluralistic society • politically conscious • Pope • press freedom • provocative cartoons • provocative picturesreligious fundamentalism • reverence • sacredsatiresatirical illustration • satirical newspaper • secular society • sextremism • social critique • Stephane Charbonnier • Tignous (pseudonym) • vulgarity • weekly newspaper

CONTRIBUTOR

Simon Perkins
01 SEPTEMBER 2014

Bulgarians repeatedly vandalise Soviet monuments in protest

"The Russian Embassy in Bulgaria has issued a note demanding that its former Soviet–era ally clean up the monument in Sofia's Lozenets district, identify and punish those responsible, and take 'exhaustive measures' to prevent similar attacks in the future, the news agency reported Monday.

The monument was spray–painted on the eve of the Bulgarian Socialist Party's celebration of its 123rd anniversary, the Sofia–based Novinite news agency reported.

The vandalism was the latest in a series of similar recent incidents in Bulgaria – each drawing angry criticism from Moscow.

Early this year, unknown artists painted another monument to Soviet troops in Sofia in the colors of the Ukrainian flag.

In August last year, a Soviet army monument in Sofia was painted pink in an 'artistic apology' for Bulgaria's support of Soviet troops who suppressed Czechoslovakia's Prague Spring revolt against Moscow–based communist rulers."

(Anna Dolgov, 19 August 2014, The Moscow Times)

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2013anniversaryappropriationBulgaria • Bulgarian Socialist Party • critical commentarycriticismcritiquecultural critiquecultural insensitivityculture jammingCzechoslovakiadisrespectgraffiti art • Lozenets • monumentpolitical art • political criticism • political protest • Prague Springprotest artprotest worksPussy Riotre-purposeRed Armyreimaginedreinscribe • reinscription • revision • revolt • Robin (Batman) • Ronald McDonald • Russian embassy • Santa Claus • Sofia (Bulgaria) • Soviet armySoviet eraSoviet monuments • Soviet troops • Soviet Unionspray paintingstreet artsupermanUkraine • Ukrainian flag • unknown artist • vandalism

CONTRIBUTOR

Simon Perkins
10 AUGUST 2014

Patience, Satire, and Self-Righteousness

"Gilbert and Sullivan's fifth Savoy Opera, Patience (1881), is a shining example of the critical role of satire in popular culture, and a most important record of how many self–righteous upper middle class contemporaries viewed fringe schools of thought and pop culture during the dissipation of the Evangelical church. The operetta's premise is that Reginald Bunthorne and Archibald Grosvenor––characters reputedly based upon Oscar Wilde and Charles Swinburne respectively, although the actor who originally played Bunthorne drew on Whistler––are shams as bogus as the aesthetic movement that they embody."

(William R. Terpening, 1998, Victorian Web)

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1881 • 19th centuryAesthetic Movementaestheticismaesthetics • Algernon Swinburne • Archibald Grosvenor • Arthur Sullivan • Charles Swinburne • chauvinismcolour • comic opera • critical commentarycultural critiqueDante Rossettidecadence • decadentismo • dissipation • electric lighting • Evangelical church • fringe • Gilbert and Sullivan • Harold Bloom • James McNeill Whistler • male vanity • musical theatreopera • Opera Comique • operetta • Oscar WildePatience (1881) • pop culture • popular cultureProtestantism • Reginald Bunthorne • satire • Savoy Opera • Savoy Theatre • Savoyards • schools of thought • self-righteous • self-righteousness • theatrical production • upper middle class • vanityVictorian literature • William Gilbert

CONTRIBUTOR

Simon Perkins
05 AUGUST 2014

How we made the pop song 19 by Paul Hardcastle

"Then, one night, I was watching TV and happened to tape a documentary–it was ABC's Vietnam Requiem–about the war. When I watched it back, what struck me was how young the soldiers were: the documentary said their average age was 19. I was out having fun in pubs and clubs when I was 19, not being shoved into jungles and shot at. One line–'None of them received a hero's welcome'–really struck a chord. When the soldiers came home, people wondered what had happened to the smiling kids who went out there. What did they expect if they'd been through that shit?

I started messing around and adding music to the narrative. The main sound was electro–I was hugely into Afrika Bambaataa at the time–but I added a bit of jazz and a nice melody. I used an Emu Emulator, an early type of sampler that had a two–second limit when it came to doing samples. That's why the hook was 'N–n–n–nineteen'. It was the only bit of the narrative that made sense in two seconds."

(Interviews by Dave Simpson, The Guardian, 24 September 2012)

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19 (song) • 1980s1985Afrika Bambaataa • anti-war message • audio collageaudio samplesaverage age • British musician • critical commentary • crowd noise • dance musicdestructiondriving beat • Emu Emulator • interview dialogue • Mike Oldfield • military bugle call • news report • nineteen • North America • Paul Hardcastle • Peter Thomas • post-traumatic stress disorder • processed speech • remixsampled musicsamplessoldierspoken-word samplingstutter effect • top selling single • United States Armed Forcesveteran • Vietnam Requiem (1984) • Vietnam warwaryoung men

CONTRIBUTOR

Simon Perkins
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