"Scene is dedicated to a critical examination of space and scenic production. The journal provides an opportunity for dynamic debate, reflection and criticism. With a strong interdisciplinary focus, we welcome articles, interviews, visual essays, reports from conferences and festivals. We want to explore new critical frameworks for the scholarship of creating a scene."
"Constant works in-between media and art and is interested in the culture and ethics of the World Wide Web. The artistic practice of Constant is inspired by the way that technological infrastructures, data-exchange and software determine our daily life. Free software, copyright alternatives and (cyber)feminism are important threads running through the activities of Constant.
Constant organizes workshops, print-parties, walks and 'Verbindingen/Jonctions'-meetings on a regular basis for a public that's into experiments, discussions and all kinds of exchanges."
"Cultivating new media creators in a variety of fields IAMAS was opened in 2001 both as a hub for training new creators in an information society, and as an educational institution that fuses together advanced technology and artistic creativity to produce new culture. Since then IAMAS has graduated a large number of information technology specialists who are active in the broad field of media culture and industry, garnering high praise not just in Japan, but internationally as well. The school's activities cover many disciplines and offer new possibilities to industry. These activities include interaction design and media products that lead to collaboration with industry, media art that constantly explores new methods of expression, social research and design, as well as new publishing ideas. All of these endeavors exemplify the spirit of pioneering into new fields. The Department of Media Creation at IAMAS is a place where people with the desire to create something new are able to meet, collaborate, and challenge each other."
International Conference, Workshops and Exhibition University at Buffalo, The State University of New York
3-5 May 2013 Call for Paper Abstracts DEADLINE: 12 November 2012
"What new lines of inquiry and emergent relations between urbanity and digital media are found in non-Western cities, in post-Capitalist cities, in cities hosting civic turbulence or crossing international boundaries? What urban-medial relations are taking shape differently in urban milieux that may have been heretofore overlooked? These cities are deserving of more attention than ever before, as sites of population growth, of new cultural and social formations, of new entanglements between urban life and contemporary media, communications and information technologies, and more. MediaCities promises to expand our understanding of both media and the city today, and to articulate new sites of practice and working methods for an expanding field. ...
Areas of interest may fall broadly into several themes, with the assumption that others will appear in the process of proposals and discussion leading up to the event, always expanding our lexicon and mental maps of MediaCities globally. These themes are: Other Urbans, Uncommons, Zero Growth Cities, Media Geographies and Bordervilles."
Fig.1 Reuters/Sheng Li (2011), "ethnic Dong minority woman uses her mobile phone to take a picture of herself after a Kam Grand Choir gathering in Tongguan village of Liping county, Guizhou province". [http://pixtale.net/2011/10/21st-century-china/#img33]
"THE BIG PICTURE is the theme of the [August 30 to September 3] 2012 Ars Electronica Festival ... Occupying the focal point is the effort to identify all-encompassing images that capture the world that's coming to be, Big Pictures that do justice to the progressive globalization and interrelatedness of our world, ones that capture its contradictions and flaws as well as ways in which people are coming together. By showcasing inspiring best-practice examples from art and science, this year's festival is a call for a new, open-minded way of considering the development of a viable vision of our future - how such a Big Picture ought to be composed and how it might become reality."
(Ars Electronica Festival, 2012)
Fig.1 work of Seiko Mikami "Desire of Codes"