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Which clippings match 'The Past' keyword pg.1 of 1
10 FEBRUARY 2013

Metamedia at Stanford

"Metamedia ia a studio and lab that pursues research and pedagogy in design history and media materialities.

It is located online, in Stanford Archaeology Center, and has worldwide affiliates.

Metamedia combines archaeology and media, with an archaeological and long–term focus on how people get on with things, with media(works) treated as modes of engagement between people and things. Media as artifacts and prostheses as well as systems to convey meaning: we emphasize the materialities of mediation at the heart of design – the way the steel was burnished, the clay was turned, how the vessel connects makers and materials, users and contents in genealogies of containment, portage, representation ... whatever work gets done."

TAGS

archaeological media lab • archaeological sensibility • archaeological view • archaeology • archaeology and media • archiveartefactsbetween people and things • constantly revisiting the past • contemporary experience • designdesign history • genealogies of containment • historicity • how people get on with things • makers and materials • material modalities • material modes of engagementmaterialitiesmaterialitymeaning making • media materialities • media works • mediationmemory • Metamedia (archaeological media lab) • modes of engagement • portage • prosthesis • re-presentation • re-presenting • research lab • reworking • sense of history • Stanford Archaeology Center • Stanford Universitythe pastthingstraces

CONTRIBUTOR

Simon Perkins
21 JULY 2012

Roland Barthes: Readerly and Writerly Texts

"The writerly text is a perpetual present, upon which no consequent language (which would inevitably make it past) can be superimposed; the writerly text is ourselves writing, before the infinite play of the world (the world as function) is traversed, intersected, stopped, plasticized by some singular system (Ideology, Genus, Criticism) which reduces the plurality of entrances, the opening of networks, the infinity of languages."

(Roland Barthes, p.5)

1). Roland Barthes (1970). "S/Z" translated by Richard Miller, Blackwell Publishing.
2). A British one penny coin from 1903, which has been defaced by Suffragettes. Crown copyright.

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TAGS

1970 • codes of meaning • Comedie Humaine • criticismdifferancegenusHonore de Balzacideology • infinity of languages • languagelisable • lisible • literary criticismnarratology • opening of networks • ourselves writing • plasticised • plural • plurality • plurality of entrances • polysemouspolysemypost-structuralismreaderly textsRoland Barthes • S/Z • Sarrasine • scriptiblestructuralism • structuralist analysis • text • text of the story • the pastwriterly texts

CONTRIBUTOR

Simon Perkins
30 JUNE 2012

Internet Cafés: hybrids involving analogue and digital, virtual and real

"Terms like 'Internet café' or 'cybercafé' bring us right back to the 90s along with phrases like 'web page' or 'digital divide', which were invented to describe new hybrids involving analog and digital, virtual and real as well as the present and near future.

It's not that these terms have grown obsolete. It's rather that these 20th–century phenomena they once described have outgrown their terminology. They were born as metaphors, but over time turned into idioms, and their analog parts were the first [to] lose their original meanings. People who did not witness the emergence of the web do not fully understand why browser content is still called a 'page'. It's has also become unclear what public internet access facilities have in common with cafés, yet we continue calling them 'internet cafés' or 'cybercafés'."

(Olia Lialina, 2012–01–10)

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TAGS

1990s20th century20th century phenomenaanalogue and digitalarchaeology • Bart Plantenga • browser content • cafecafescyber archaeology • cybercafe • cybercafes • cyberculture • Danja Vasiliev • digital archaeologydigital culturedigital divideDragan Espenschiedemergence of the web • Florian Cramer • Goethe Institute • Goethe-Instituthistoryhome pagehybrid formidiomInternetinternet archaeology • internet cafe • internet cafes • inventionJODI (art collective) • Leslie Robbins • metaphor • near future • new cosmopolitanism • new hybrids • obsolescenceOlia Lialina • original meaning • outgrownpage metaphorphenomenaphenomenonPiet Zwart Institute • Piet Zwart Institute Willem de Kooning Academy Rotterdam University • public internet access • Renee Turner • Rotterdam • Rotterdam University • terminologythe pastvirtual and realwebweb pages • Wendelien van Oldenborgh • Willem de Kooning Academy • www

CONTRIBUTOR

Simon Perkins
05 APRIL 2012

Exposition Futur Anterieur: the future of an alternative past

"Articulée autour des trois axes convergents mais néanmoins autonomes que constituent le rétrofuturisme, le steampunk et l'archéomodernisme, l'exposition a pour enjeu de faire dialoguer des productions culturelles issues du passé, qui tentaient à leur époque d'envisager ce que pourrait être le futur – c'est–à–dire approximativement notre postmodernité – avec des œuvres d'artistes actuels qui revisitent le passé et réactivent certaines visions du futur ou de la modernité générées essentiellement entre le dernier tiers du XIXe et la première moitié du XXe siècle.

Structured around the themes of retrofuturism, steampunk and archeomodernism – a concept developed by the academic, critic and curator Arnaud Pierre, the exhibition FUTUR PERFECT aims to create a dialogue between past cultural output that imagined the future, what is essentially our postmodern era – with work from contemporary artists, which in both form and substances refer to the pas [sic] by revisiting and reviving certain visions of the future or of modernity, generated by mainly between the last third of the 19th century and the first half of the 20th century. The exhibition takes a transversal approach, intersecting different aesthetic and temporal veins. A selection of work from contemporary artists will be grouped with older work and documents – each giving perspectives to the others. In addition, one section will be dedicated to cinema and another to the various accessories, devices and artefacts developed by the steampunk community. in a separate section, the exhibition will also include the first French retrospective of the American magazine Retrofuturism, in the form of an installation designed by its originator, the artist and editor Lloyd Dunn."

(Commissaire de l'exposition / Curator : Jean–François Sanz, Galerie du Jour agnès b.)

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TAGS

19th century201220th century • Adrien Beau • agnes b • Albert Robida • alternative past • archeomodernism • Arnaud Pierre • Bill Domonkos • Bob Basset • Camille Flammarion • Didier Graffet • Dove Allouche • Elise Leclercq • Emile Bayard • envisioning • Eric Caro • Etienne Leopold Trouvelot • Evariste Richer • exhibitionfantastical endsfantasy • Franck Rezzak • Franco Brambilla • futur anterieur • futur perfect • Georges Melies • Henri Armengol • Henri Lanos • historical perspective • Hugh Ferriss • Hugues Reip • imagined future • Jean-Luc Verna • Jesse DAngelo • Keith Thompson • Laurent Grasso • Laurent Montaron • Le voyage dans la Lune • Leon Benett • Leon Gimpel • Lloyd Dunn • Lucien Rudaux • Marc Caro • Marjolaine Sirieix • Markus Schinwald • Matthew Buchholz • Maurice Grunbaum • Metropolis (1927)modernity • Mr Audax • nostalgia • Plonk and Replonk • postmodern era • Ray Caesar • Redstar • retrofuturism • Retrofuturism (magazine) • retrospective • Ruppert and Mulot • Sam Van Olffen • Samon Takahashi • space travelspeculative fictionsteampunk • steampunk community • Stephane Halleux • Tempus Factoris • the past • transversal approach • visions of the futurevisual design • Xavier Veilhan

CONTRIBUTOR

Simon Perkins
29 JANUARY 2012

The Empathic Civilisation: our (collective) empathetic consciousness

"Never has the world seemed so completely united–in the form of communication, commerce, and culture–and so savagely torn apart–in the form of war, financial meltdown, global warming, and even the migration of diseases. ...

The human–made environment is rapidly morphing into a global space, yet our existing modes of consciousness are structured for earlier eras of history, which are just as quickly fading away. Humanity, Rifkin argues, finds itself on the cusp of its greatest experiment to date: refashioning human consciousness so that human beings can mutually live and flourish in the new globalizing society…

As the forces of globalization accelerate, deepen, and become ever more complex, the older faith–based and rational forms of consciousness are likely to become stressed, and even dangerous, as they attempt to navigate a world increasingly beyond their reach and control. Indeed, the emergence of this empathetic consciousness has implications for the future that will likely be as profound and far–reaching as when Enlightenment philosophers upended faith–based consciousness with the canon of reason."

(Jeremy Rifkin)

[A noble effort to explain the consequences of post–traditional society framed through a biological deterministic lens.]

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TAGS

biological determinism • blood-ties • civilisationcollective consciousness • collective resources • earlier eras • empathetic consciousness • empathic sociability • empathy • emphatic development • European Enlightenmentevolutionary determinism • evolutionary psychology • evolutionary theoryexistentialismfaith • faith-based consciousness • globalisationglobalising society • globalising world • glocalhuman beingshuman consciousnesshuman narrative • human race • human-made environment • humanity • Jeremy Rifkin • man made • modes of consciousness • narcissismpost-traditionalpost-traditional society • rational forms of consciousness • reductionismreductionist perspectiveRSA Animateselfhoodsocialisationthe past • think globally and act locally

CONTRIBUTOR

Simon Perkins
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