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Which clippings match 'Man Made' keyword pg.1 of 1
29 JANUARY 2012

The Empathic Civilisation: our (collective) empathetic consciousness

"Never has the world seemed so completely united–in the form of communication, commerce, and culture–and so savagely torn apart–in the form of war, financial meltdown, global warming, and even the migration of diseases. ...

The human–made environment is rapidly morphing into a global space, yet our existing modes of consciousness are structured for earlier eras of history, which are just as quickly fading away. Humanity, Rifkin argues, finds itself on the cusp of its greatest experiment to date: refashioning human consciousness so that human beings can mutually live and flourish in the new globalizing society…

As the forces of globalization accelerate, deepen, and become ever more complex, the older faith–based and rational forms of consciousness are likely to become stressed, and even dangerous, as they attempt to navigate a world increasingly beyond their reach and control. Indeed, the emergence of this empathetic consciousness has implications for the future that will likely be as profound and far–reaching as when Enlightenment philosophers upended faith–based consciousness with the canon of reason."

(Jeremy Rifkin)

[A noble effort to explain the consequences of post–traditional society framed through a biological deterministic lens.]

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TAGS

biological determinism • blood-ties • civilisationcollective consciousness • collective resources • earlier eras • empathetic consciousness • empathic sociability • empathy • emphatic development • European Enlightenmentevolutionary determinism • evolutionary psychology • evolutionary theoryexistentialismfaith • faith-based consciousness • globalisationglobalising society • globalising world • glocalhuman beingshuman consciousnesshuman narrative • human race • human-made environment • humanity • Jeremy Rifkin • man made • modes of consciousness • narcissismpost-traditionalpost-traditional society • rational forms of consciousness • reductionismreductionist perspectiveRSA Animateselfhoodsocialisationthe past • think globally and act locally

CONTRIBUTOR

Simon Perkins
13 SEPTEMBER 2008

Wunderkammer: A Century of Curiosities

"Wunderkammern, or cabinets of curiosities, arose in mid–sixteenth–century Europe as repositories for all manner of wondrous and exotic objects. In essence these collections—combining specimens, diagrams, and illustrations from many disciplines; marking the intersection of science and superstition; and drawing on natural, manmade, and artificial worlds—can be seen as the precursors to museums. This exhibition presents a contemporary interpretation of the traditional cabinet of curiosities, bringing together a diverse selection of works by twentieth– and twenty–first–century artists who have likewise felt the pull of unusual and extraordinary objects and phenomena. The works on display include prints, books, multiples, drawings, and photographs, with subjects ranging from architectural marvels and blueprints for impossible machines to oddities from the animal, vegetable, and mineral worlds. Featured artists include Hans Bellmer, Peter Blake, Louise Bourgeois, Max Ernst, and Damien Hirst, among others."
(MoMA.org)

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TAGS

artificial worlds • cabinet of curiositiescollagecollectionsDamien Hirstexotic objects • grasshopper • grasshopper tank • Hans Bellmer • impossible machinesLouise Bourgeoisman mademarvelsMax ErnstMoMAmuseumodditiesPeter Blakephenomenarepository • science and superstition • sixteenth century • specimen • specimens • tank • wondrous objects • wunderkammerzoomorphism

CONTRIBUTOR

Simon Perkins
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