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Which clippings match 'Rotation' keyword pg.1 of 1
24 JANUARY 2013

Anemic Cinema (1926) by Marcel Duchamp

"This characteristically dada film by Marcel Duchamp consists of a series of visual and verbal puns with nonsense phrases inscribed around rotating spiral patterns, creating an almost hypnotic effect. Silent.

Anemic Cinema (various versions were made in 1920, 1923 and, finally, in 1926). Essentially a film by Duchamp with help from Man Ray. Calvin Tomkins: 'Duchamp used the initial payment on his inheritance to make a film and to go into the art business. The film, shot in Man Ray's studio with the help of cinematographer Marc Allégret, was a seven–minute animation of nine punning phrases by Rrose Sélavy. These had been pasted, letter by letter, in a spiral pattern on round black discs that were then glued to phonograph records; the slowly revolving texts alternate with shots of Duchamp's Discs Bearing Spirals, ten abstract designs whose turning makes them appear to move backward and forward in an erotic rhythm. The little film, which Duchamp called Anemic Cinema, had its premiere that August at a private screening room in Paris.'"

(UbuWeb)

Marcel Duchamp (1926). "Anémic Cinéma", 7 minutes, B&W.

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TAGS

1926 • Anemic Cinema • art historyavant-garde cinema • Calvin Tomkins • circle • concentric cirles • Dadadada filmdiscs • disk • erotic rhythm • gyrating • hypnotic effectMan Ray • Marc Allegret • Marcel Duchampmovement • nonsense phrase • op artoptical artoptical effectoptical illusionpatternperceptual phenomenonphonograph • phonograph turntable • pulsating alternation • revolving • rhythm • rotary demisphere • rotating spiral patterns • rotation • Rotoreliefs • Rrose Selavy • spinning • spiral • spiral pattern • spiraling • stereo-kinetic effect • surrealist cinematurntableUbuWebvelvet • verbal pun • visual experience

CONTRIBUTOR

Simon Perkins
29 JANUARY 2012

Soundmachines: a tangible music sequencer using visual patterns

"An instrument for performing electronic music. Three units, which are resembling standard record players, translate concentric visual patterns into control signals for further processing in any music software. The rotation of the discs, each holding three tracks, can be synced to a sequencer.

The Soundmachines premiered on the Volkswagen New Beetle stand at the IAA motor show in late Summer 2011. In cooperation with the sounddesigner/ producer Yannick Labbé of TRICKSKI fame, we developed three unique discs, each controlling one track of an Ableton Live Set exclusively made for the Event. The show was supported by a set of realtime generated visuals, running on a 25m wide LED wall."

(The Product)

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TAGS

2011 • Ableton Live Set • analogue correspondenceapplied researchbehavioural designBerlinBremencomputational designconcentric circles • Dennis Paul • design studioDeutschlanddiscselectronic music • FH Hannover • Hannover • IAA motor show • interaction designinteractive mediaLEDLED wallmusicmusic softwaremusical instrument • Patrick Kochlik • patternperformingplayfulnessProcessing (software)realtime generated visualsrecord playerresearch centrerotationsequencersoundmachinesspatial mediaspeculative designtangible sequencer • The Product (studio) • turntableUDK • Universitaet der Kuenste • visual patternVolkswagen • Volkswagen New Beetle • Yannick Labbe

CONTRIBUTOR

Simon Perkins
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