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Which clippings match 'Indie Rock' keyword pg.1 of 1
07 DECEMBER 2013

Silver Apples: Early Electronica

"Having languished in obscurity for many years, '60s US duo Silver Apples are now being widely recognised as pioneers of electronica, thanks to their ground–breaking work in melding psychedelic rock with primitive oscillators. At the time, certain switched–on tastemakers such as John Lennon and sometime collaborator Jimi Hendrix sang their praises, but it's been in latter years, with the likes of Beck, the Beastie Boys, Stereolab and Portishead's Geoff Barrow all acknowledging their influence, that the band's renown has grown. Despite having released only two albums during their first flush of creativity, it seems that Silver Apples' electronically enhanced, wigged–out pop has cast a long shadow. 'It's extremely rewarding as an artist that the documents of activity that I did all those years ago are being thought of as references by other musicians,' says the band's singer/electronicist Simeon today. 'It just astonishes me that it's taken on this kind of importance.'"

(Tom Doyle)

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TAGS

1960s1968Beastie Boys • Beck • cast a long shadow • Danny Taylor • discordant • discordant modality • DJDJ mixesdriving beatdrum kitearly electronicaecho unit • electrical junk • electronic musicelectronicaexperimental electronic music • Geoff Barrow • ground-breaking workindie rockinfluential creators • jack field • Jimi HendrixJohn LennonKarlheinz StockhausenKrautrockminimalist electronicaminimalistic stylemusicNew York • obscurity • original music • oscillator • Overland Stage Electric Band • pioneers of electronica • plywood • Portishead • primitive oscillators • primitive synthesizer • psychedelic music • psychedelic rock • pulsing • rhythm oscillator • rock idiom • Silver Apples • Simeon Coxe • Stereolab • underground dance music • wigged-out pop

CONTRIBUTOR

Simon Perkins
24 FEBRUARY 2012

Contents of John Peel's Record Collection to be Made Public

"One of the most revered record collections in the world – that of music legend John Peel – is to be made into an interactive online museum for the public, as part of The Space – a new experimental digital service organised and funded by the Arts Council and the BBC. ...

'It is the first step in creating an interactive online museum with access to the entire collection, which is one of the most important archives in modern music history.' (Tom Barker, Director, John Peel Centre for Creative Arts)

'The idea is to digitally recreate John's home studio and record collection, which users will be able to interact with and contribute to, whilst viewing Peel's personal notes, archive performances and new filmed interviews with musicians.' (Frank Prendergast–Eye Film and Television's Creative Director)

Sheila Ravenscroft, John Peel's wife and Patron of the John Peel Centre for Creative Arts said: 'We're very happy that we've finally found a way to make John's amazing collection available to his fans, as he would have wanted. This project is only the beginning of something very exciting'."

(The John Peel Centre for Creative Arts, 23 February 2012)

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TAGS

7 inch vinyl • archivesArts Council (UK)BBCCDcollectionconnoisseurshipcreative artscritical perspectivecultural expression • digital service • disc jockeyDJ • experimental digital service • Eye Film and Television • fans • filmed interviews • home studio • indie rockindie scene • interactive online museum • interactive presentationJohn PeelLPmusic • music collection • music historymusic singles • online museum • record • record collection • recreationretrospective • Sheila Ravenscroft • simulation • technological solutions • television project • The John Peel Centre for Creative Arts • The Space (service)UKvinyl recordvirtual museum

CONTRIBUTOR

Simon Perkins
29 JANUARY 2012

The Way We Were: post-punk performances from the 1970s

"Channel 4 UK programme first broadcast circa 1984 / 1985–ish. Hosted by the late Tony Wilson, it's a compilation of performances by bands taken from his previous TV shows in the late 70's, such as So It Goes. Includes Sex Pistols, Clash, Buzzcocks, Iggy Pop, The Fall, Elvis Costello, Blondie, Penetration, Wreckless Eric, Ian Dury, Tom Robinson, Magazine, John Cooper Clarke, XTC and Joy Division–many of them making their TV debuts."

(The Herb Whisperer)

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TAGS

1970s197619771978 • alternative • alternative music • alternative rock • authorshipbandBlondie • Buzzcocks • Channel 4 • Cherry Vanilla • compilationdebut • Devo • DIY ethicdocumentary • Elvis Costello • Factory Records • Ian Dury • Iggy Popindie rockindie scene • John Cooper Clarke • Joy Divisionlive performance • Magazine (band) • musicmusic documentarymusic videonew wave • Nick Lowe • Penetration (band) • performances • Poly Styrene • post-punkpunkpunk rockpunk rock ethosSex PistolsSham 69 • Siouxsie and the Banshees • So It Goes • subcultureThe Clash • The Fall • The Jam • Tom Robinson Band • Tony WilsonTV • TV programme • UK • underground music • Wreckless Eric • XTC • youth culture

CONTRIBUTOR

Simon Perkins
05 JUNE 2009

Factory Records 'broke the rules'

"It is 30 years since Factory Records, the Manchester–based indie music label behind bands like Joy Division and the Happy Mondays, was born. Reporter Nicola Stanbridge investigates whether the label contributed significantly to the regeneration of Manchester."
(BBC, 4 June 2009)

TAGS

1978 • A Certain Ratio • BBC • cottage industry • creative industriesenterpriseentrepreneurshipFactory Recordsgraphic designindie rockindie sceneJoy DivisionManchestermusicNew Ordernew wave • OMD • Orchestral Manoeuvres in the Dark • Peter Savillepost-punkrecording • The Durutti Column • The Happy MondaysTony WilsonUKurban regeneration

CONTRIBUTOR

Simon Perkins
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