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Which clippings match 'Backstage' keyword pg.1 of 1
05 SEPTEMBER 2018

Leading Lady Parts: a satire on the problem of having to measure-up to an idealised concept of what it means to be a woman

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TAGS

2018 • Anthony Welsh • auditionbackstageBBC Four • British acting talent • casting • Catherine Tate • comedy • dream role • Emilia Clarke • Felicity Jones • Florence Pugh • Gemma Arterton • Gemma Chan • idealised • Jessica Swale • Katie Leung • Leading Lady Parts (2018) • Lena Headey • role of a lifetime • satireshort film • Stacy Martin • stereotypestelevision business • Tom Hiddleston • UKUK Televisionwomen • Wunmi Mosak

CONTRIBUTOR

Simon Perkins
27 OCTOBER 2012

Erving Goffman: backstage and frontstage behaviour

"Throughout our society there tends to be one informal or backstage language of behaviour, and another language of behaviour for occasions when a performance is being presented. The backstage language consists of reciprocal first–naming, co–operative decision–making, profanity, open sexual remarks, elaborate griping, smoking, rough informal dress, ' sloppy' sitting and standing posture, use of dialect or sub–standard speech, mumbling and shouting, playful aggressivity and 'kidding,' inconsiderateness for the other in minor but potentially symbolic acts, minor physical self–involvements such as humming, whistling, chewing, nibbling, belching, and flatulence. The frontstage behaviour language can be taken as the absence (and in some sense the opposite) of this. In general, then, backstage conduct is one which allows minor acts which might easily be taken as symbolic of intimacy and disrespect for others present and for the region, while front region conduct is one which disallows such potentially offensive behaviour." [1]

(Erving Goffman, 1959, p.78)

[1] It may be noted that backstage behaviour has what psychologists might call a 'regressive' character. The question, of course, is whether a backstage gives individuals an opportunity to regress or whether regression, in the clinical sense, is backstage conduct invoked on inappropriate occasions for motives that are not socially approved.

Goffman, E. (1959). "The Presentation of Self in Everyday Life", University of Edinburgh Social Sciences Research Centre.

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TAGS

1959 • appropriated metaphor • backstage • backstage behaviour • backstage conduct • backstage language • belching • chewing • co-operative decision-making • cooperative decision-making • cultural beliefs • cultural normscultural valuesdecision makingdialectdisrespectdisrespect for others • dramatism • dramaturgical analysis • dramaturgical sociology • dramaturgy • dramaturgy (sociology) • elaborate griping • Erving Goffmaneveryday lifeflatulence • front region conduct • frontstage behaviour language • human interactionshummingidentity performance • inconsiderateness • informal behaviour • informal language • Kenneth Burke • kidding • language of behaviour • microsociological accounts • minor acts • minor physical self-involvements • mumbling • nibbling • offensive behaviour • open sexual remarks • playful aggressivity • profanity • reciprocal first-naming • regression • regressive character • rough informal dress • shouting • sloppiness • sloppy sitting • smokingsocial behavioursocial interaction • social occasion • sociological perspective • standing posture • study of social interaction • sub-standard speech • symbolic acts • symbolic behavioursymbolic interactionism • symbolic of intimacy • theatrical metaphor • theatrical performance • whistling

CONTRIBUTOR

Barbara Adkins
22 JANUARY 2012

HiBROW: a collection of videos for arts enthusiasts

"The British based film–maker Don Boyd, HiBROW's founder, has gathered a wide range of established professionals in the international arts industries, to be called Curators to create content exclusively for HiBROW. Three years of research and development has resulted in the successful production of over 80 hours of professionally produced High Definition video. HiBROW's content will be refreshed every month, and is radically different to current broadcast television and other online content. Available free, it is professionally produced, contemporary and original. With unique access our teams have captured behind–the–scenes rehearsals, work in progress and interviews. HiBROW has relationships with some of the world's great arts institutions and is building new ones with those who want to use our platform to expose larger audiences to their work. These embrace a very broad range of international artistic talent including Vasily Petrenko, Russia's young conductor, Dominic Hill, artistic director of Glasgow's Citizens Theatre, Newton Aduaka, Nigeria's young film director, Raf Bonachela, Spain's great choreographer, Gavin Turk, the British artist, Margaret Attwood, Canada's great novelist, and Britain's great spy author John Le Carré. Their contributions have allowed HiBROW to fashion intimate films of entire performances of new plays, concerts, exhibitions, and literary events all of which have subsequently received glowing critical reviews."

(Don Boyd)

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TAGS

artart galleriesartistic talent • arts enthusiasts • arts industries • arts institutionsbackstagebehind-the-scenesbroadcast televisioncinemacollection • concert hall • concerts • create content • critical reviews • curatordance • Dominic Hill • Don Boyd • eventsexhibitionsfestivalsfilmmaker • Gavin Turk • HiBROW • Hibrowsers • interviews • John Le Carre • literary events • literature • Margaret Attwood • music • new plays • Newton Aduaka • online contentperformances • previews • productions • Raf Bonachela • rehearsals • the artstheatre • Vasily Petrenko • videoswork in progress

CONTRIBUTOR

Simon Perkins
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