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Which clippings match 'Lev Manovich' keyword pg.1 of 3
23 JUNE 2015

Moritz Stefaner: Selfiecity

Moritz Stefaner speaking about his work on the Selfiecity.net project (part 2) at the 'Visualized' conference in New York, 6-7 February 2014.

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2014 • Alise Tifentale • amateur cultural production • Amazon Mechanical Turk • BangkokBerlinbig databrowsing interfacecitiescognitive sciencecultural artefactscultural specificity • Daniel Goddemeyer • data abstraction • data filtering • data visualisation • design collaboration • design conferencedigital humanities • Dominikus Baur • faceface recognitionfaces of peoplefacial analysisfacial compositefiltering • human activity • information aestheticsinformation visualisationInstagram • Jay Chow • Lev Manovich • mass selfie • Mehrdad Yazdani • Moritz Stefaner • Moscow • Nadav Hochman • new media artNew Yorkportrait photographSan PaoloselfieSelfiecity (2014)social media projecttelematicsTokyo • University of Applied Sciences Potsdam • University of Osnabrueck • video lecturevisualising dataVisualized conference

CONTRIBUTOR

Liam Birtles
22 SEPTEMBER 2014

Future Knowledge: Lev Manovich Interview

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21st centuryAdobe IllustratorAdobe PhotoshopAfter Effects • always-changing field • contemporary designcontemporary media • contemporary media software • cultural artefactsdigital cultureearly 20th centuryearly 21st centuryelectronic technologiesFinal Cut ProGoogle Earthinteractive environments • interface to the world • interfaces • Lev ManovichMaya • mechanical technologies • media • media applications • media authoring • media machinemedia sharing • media-specific tools • medias access • memory • our imagination • physical technologies • software • software for media authoring • Software Takes Command • The Language of New Mediathe medium • theory of the technology • tools shape • universal engine • universal language • visual aestheticsweb services

CONTRIBUTOR

Neal White
24 MARCH 2014

The Digital Methods Initiative

Call for Participation – Digital Methods Summer School 2014, On Geolocation: Remote Event Analysis (Mapping Conflicts, Disasters, Elections and other Events with Online and Social Media Data), 23 June – 4 July 2014

"The Digital Methods Initiative is a contribution to doing research into the 'natively digital'. Consider, for example, the hyperlink, the thread and the tag. Each may 'remediate' older media forms (reference, telephone chain, book index), and genealogical histories remain useful (Bolter/Grusin, 1999; Elsaesser, 2005; Kittler, 1995). At the same time new media environments – and the software–makers – have implemented these concepts, algorithmically, in ways that may resist familiar thinking as well as methods (Manovich, 2005; Fuller, 2007). In other words, the effort is not simply to import well–known methods – be they from humanities, social science or computing. Rather, the focus is on how methods may change, however slightly or wholesale, owing to the technical specificities of new media.

The initiative is twofold. First, we wish to interrogate what scholars have called 'virtual methods,' ascertaining the extent to which the new methods can stake claim to taking into account the differences that new media make (Hine, 2005). Second, we desire to create a platform to display the tools and methods to perform research that, also, can take advantage of 'web epistemology'. The web may have distinctive ways of recommending information (Rogers, 2004; Sunstein, 2006). Which digital methods innovate with and also critically display the recommender culture that is at the heart of new media information environments?

Amsterdam–based new media scholars have been developing methods, techniques and tools since 1999, starting with the Net Locator and, later, the Issue Crawler, which focuses on hyperlink analysis (Govcom.org, 1999, 2001). Since then a set of allied tools and independent modules have been made to extend the research into the blogosphere, online newssphere, discussion lists and forums, folksonomies as well as search engine behavior. These tools include scripts to scrape web, blog, news, image and social bookmarking search engines, as well as simple analytical machines that output data sets as well as graphical visualizations.

The analyses may lead to device critiques – exercises in deconstructing the political and epistemological consequences of algorithms. They may lead to critical inquiries into debates about the value and reputation of information."

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academic researchalgorithm • Almila Akdag Salah • Amsterdam • analytical machines • Anat Ben-David • Anne Helmond • Bernhard Rieder • blogosphereCarl Rogers • Carolin Gerlitz • Cass Sunsteinchart • chart data • Christine Hine • critical enquirydatadata analysisdata scraping • data sets • data visualisation • device critiques • digital methods • Digital Methods Initiative • Digital Methods Summer School • discussion forum • discussion lists • epistemological consequences • Erik Borra • Esther Weltevrede • folksonomiesFriedrich Kittler • Govcom.org • graphical visualisationshyperlink • hyperlink analysis • index • information environments • information validity • Issue Crawler • Jay David Bolter • Koen Martens • Lev Manovich • Liliana Bounegru • Lonneke van der Velden • Marc Tuters • Marieke van Dijk • Matthew Fuller • Michael Stevenson • Nadia Dresscher-Lambertus • Natalia Sanchez Querubin • natively digital • Net Locator • new medianew methods • older media forms • online newssphere • politicalrecommender culturereferenceremediationRichard Grusin • Richard Rogers • Sabine Niederer • scrapesearch engine • Simeona Petkova • social bookmarking • software-makers • summer schooltag • technical specificities • telephone network • Thomas Elsaesser • thread • virtual methods • web epistemology

CONTRIBUTOR

Linda Carroli
20 MARCH 2014

Information visualisation through the analysis of image sources

Lev Manovich speaking about his work on the Selfiecity.net project (part 1) at the 'Visualized' conference in New York, 6-7 February 2014.

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CONTRIBUTOR

Simon Perkins
28 JANUARY 2014

Montage theory: the Battleship Potemkin Odessa Steps scene

"Montage––juxtaposing images by editing––is unique to film (and now video). During the 1920s, the pioneering Russian film directors and theorists Sergei Eisenstein and Dziga Vertov demonstrated the technical, aesthetic, and ideological potentials of montage. The 'new media' theorist Lev Manovich has pointed out how much these experiments of the 1920s underlie the aesthetics of contemporary video.

Eisenstein believed that film montage could create ideas or have an impact beyond the individual images. Two or more images edited together create a 'tertium quid' (third thing) that makes the whole greater than the sum of its individual parts.

Eisenstein's greatest demonstration of the power of montage comes in the 'Odessa Steps' sequence of his 1925 film Battleship Potemkin. On the simplest level, montage allows Eisenstein to manipulate the audience's perception of time by stretching out the crowd's flight down the steps for seven minutes, several times longer than it would take in real time"

(Glen Johnson)

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1920s1925 • audience perception • Battleship Potemkin (1925)cinematic visual languagecontinuity editing • cross cutting • crowdDziga Vertovediting technique • film aesthetics • film montage • film sequence • ideological potential • juxtapositionLev Manovichmontagemontage theory • narrative design • Odessa Steps • parallel action • parallel cut • parallel editing • parallel textsequence designSergei Eisensteinshot reverse shotstaircasestairwaysteps • tertium quid • third thing • whole is greater than the sum of the parts

CONTRIBUTOR

Simon Perkins
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