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Which clippings match 'Documentaries' keyword pg.1 of 1
28 DECEMBER 2012

Documentaries were always forms of re-presentation

"But as a strategy and a form, the interview–oriented film has problems of its own. ... the film–maker with intertitles, making patently clear what has been implicit all along: documentaries always were forms of re–presentation, never clear windows onto 'reality'; the film–maker was always a participant–witness and an active fabricator of meaning, a producer of cinematic discourse rather than a neautral or all–knowing reporter of the way things truely are."

(David MacDougall p.260, 1985)

MacDougall, David. "The Voice of Documentary", in Movies and Methods: Volume II, Bill Nichols ed. Berkeley: University of California Press, 1985.

Fig.1 Dana Perry and her son Evan Scott Perry, at age 3, HBO documentary "Boy Interrupted" [http://www.hbo.com/documentaries/boy–interrupted]

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TAGS

authorial intrusionauthorship • Bill Nichols • documentariesdocumentary • documentary interview • documentary representation of reality • documentary truthfilmfilm scholarshipfilm theoryfilmmaking processreal liferealismrealitiesrealityrepresentationrepresentational modesrepresentational strategies • semiological methods • structuralist-semiology • textual referencetheoretical perspectivestruthtruth and realitytruth of perception

CONTRIBUTOR

Simon Perkins
14 JANUARY 2012

Virtual Circuit: a cabinet of cinema curiosities

"The project 'Virtual Circuit' contains a crowing collection of important avant–garde cinema, audio, lecture and science related to human creativity. Please notice it's a strictly noncommercial project with the goal to show old and new innovations in visuals, sound and new media."

(wiewunderbar@gmx.de)

Fig.1 Cuban Telephone Company (1950) "Historia de la telefonía en Cuba".

Fig.2 Yoshinao Satoh (1991). "Papers", A brilliant structuralistic animation made with japanese newspapers.

Fig.3 Andrew Huang (2005). "Doll Face", A machine with a doll face mimics images on television screen in search of a satisfactory visage. Doll Face presents a visual account of desires misplaced and identities fractured by our technological extension into the future.

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TAGS

avant-gardeavant-garde cinemacabinet of curiositiescinemacinema historycollectionCubadocumentariesdocumentaryexperimental cinemaexperimental film • fine art documentaries • human creativity • new innovations • noncommercial project • short filmsilent filmsocial reality • sound innovation • structuralistic animation • Virtual Circuit • visual communication • visual innovation

CONTRIBUTOR

Simon Perkins
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