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Which clippings match 'Madrid' keyword pg.1 of 2
03 JULY 2015

The Phone Box: allegory about the consequences of dehumanisation

"In a bland square in Madrid, some workers, who are wearing a strange uniform, are installing a phone box. Some moments later, an anonymous citizen, after taking his son to the school bus, gets trapped in the box for no understandable reason. As the day goes by, all kind of strangers go there to see the strange event: some of them try to free him; others make fun of him… Everyone looks interested in this little man. After a distressing delay full of surrealistic moments, the trapped man is taken to a strange factory full of thousands of phone boxes. In each one, a single corpse is trapped, in some strange ritual. The movie ends with a new phone box in another square of the city."

(Aaron Rodriguez, World Cinema Directory)

Antonio Mercero (1972). "La Cabina/The Phone Box", -phone booth location: Calle de Rodríguez San Pedro, 5, Madrid, Spain [http://filmap.tumblr.com/post/98879196634/la-cabina-antonio-mercero-1972-phone-booth-calle].

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1972absurd situationsallegory • Antonio Mercero • black tale • caught in a trap • claustrophobic spacescyclical narrativedehumanisation • dehumanised society • distressdisturbing taleenclosed space • entrapment • environment as antagonist • eternal cycle • fait accomplifantasy about deathfeelings of panic • futility • get me the hell out of here • helplessness • high concept • Jose Luis Garci • Jose Luis Lopez Vazquez • La cabina (1972) • macabreMadrid • mummified remains • no escape • phone booth • powerlesspsychological horrorsadisticsarcophagusshort filmSpanish filmspeculative fictionsymbolic meaning • telephone booth • telephone box • The Telephone Box (1972) • tombtrapped • twisted game

CONTRIBUTOR

Simon Perkins
02 NOVEMBER 2014

Exhibition about the use of self-education as an emancipation tactic

Exhibition: "Really Useful Knowledge", 29 October 2014 – 9 February 2015 / Sabatini Building, Floor 1, Museo Reina Sofía, Madrid.

"The notion of 'really useful knowledge' emerged at the beginning of the 19th century alongside the workers' awareness of the need for self–education. In the 1820s and 1830s, working class organisations in the UK introduced this phrase to describe a body of knowledge that encompassed various 'unpractical' disciplines such as politics, economy and philosophy, as opposed to the 'useful knowledge' proclaimed by business owners who had previously begun to invest more heavily in their companies' progress through financing workers' education in 'applicable' disciplines like engineering, physics, chemistry and mathematics. In this reference to the long–forgotten class struggles of early capitalism, the title of the exhibition suggests an inquiry into 'really useful knowledge' from a contemporary perspective.

The exhibition endeavours to position the notion of critical pedagogy as a crucial element in collective struggles, and explore the tension between individual and social emancipation through education with examples that are both historical and current, and their relation to organisational forms capable of leading unified resistance to the reproduction of capital. In doing so, the exhibition highlights the collective utilization of public resources, action and experiments, either forgotten or under threat of eradication, taking the museum as a pedagogical site devoted to the analysis of artistic forms interconnected with actual or desired social relations."

(Museo Nacional Centro de Arte Reina Sofía)

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19th century2014alternative educational models • authorised discourse • body of knowledgecapitalist structurescapitalist values • class struggles • collective action • collective struggles • critical pedagogy • early 19th century • early capitalism • early modern periodeducation and employmenteducation system • emancipation through education • everyday understanding • exhibition • folk knowledge • hegemonic discoursehegemony • historical models • inculcation of capitalist values • inculcation of values through education • individual emancipation • industrial educationindustrial model of educationknowledge is powerMadridMuseo Nacional Centro de Arte Reina Sofia • organisational forms • political actionpower and agencyproper • really useful knowledge • reproduction of capitalreproduction of social relations of production • self-education • social emancipation • social hierarchiessocial historytactical behaviour • unified resistance • unpractical disciplines • useful knowledge • workers education • working class • working class organisations

CONTRIBUTOR

Simon Perkins
07 OCTOBER 2014

Radical Museology / Working the Collection

"Drawing from Claire Bishop's recently published Radical Museology Or What's Contemporary in Museums of Contemporary Art? and taking place against the backdrop of our reading of the Arts Council England Collection, this roundtable focuses on the economic, historiographical, geopolitical and wider societal stakes of public acquisition and collection display. Focusing on museums that offer non–conservative and critically–reflective models.

Participants include Jesús Carrillo (Museo Nacional Centro de Arte Reina Sofia, Madrid), Francesco Manacorda (Artistic Director, Tate Liverpool) and Marta Dziewanska (Museum of Modern Art Warsaw). Chaired by Claire Bishop."

(Chaired by Claire Bishop, 22 May 2014, Nottingham Contemporary)

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2014acquisitionsart historyart museumArts Council England • Arts Council England Collection • chronological ordering • Claire Bishop • collection display • collectionsconstellations metaphor • contemporaneity • contemporary artcontemporary art exhibitionscontemporary art museumcontemporary culture • critically-reflective models • Dan Perjovschi • dialectical contemporaneity • Francesco Manacorda • geopolitical • historiographical • Isobel Whitelegg • Jesus Carrillo • Madrid • Marta Dziewanska • Museo Nacional Centro de Arte Reina Sofiamuseologymuseum • Museum of Modern Art Warsaw • museum studies • museumsNottingham Contemporaryperiodisation • permanent collection • presentism • public acquisitions • Reina Sofia • short-termism • Tate Liverpool • The Arcades Projectthematic organisation • Warsaw

CONTRIBUTOR

Simon Perkins
22 OCTOBER 2012

Connecting Cities: Artist's Call for Proposals

"The European Urban Media Network for Connecting Cities is a project initiated by Public Art Lab in co–operation with Ars Electronica GmbH Linz, BIS Body Process Arts Association Istanbul, FACT Liverpool, iMAL Brussels, m–cult Helsinki, Medialab Prado Madrid, Media Architecture Institute Wien, Museum of Contemporary Art Zagreb, Riga 2014, Videospread Marseille, in association with University of Aarhus, Marseille–Provence 2013 and MUTEK Montréal and funded by the European Union.

Our aim is to create a networked infrastructure of urban media facades to circulate artistic and socio–cultural content throughout the whole of Europe. Media facades and digital big screens provide new opportunities for communication in the public space. Through modern Information and communication technologies (ICT), they are membranes between the digital and the urban spaces. All over the world we can evidence an increase of urban screens, media facades and media technologies like mobile phones: 5,9 of 7 billion people have meanwhile access to the internet. What is the potential of urban media besides the commercial usage for advertisement? How can they catalyse communication and awareness of our environments and contribute to a lively society? How can we create an exchange between local scenes and neighbourhoods thus giving a voice to the public audience? Which impact will they have for our global communities?"

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Aarhus • Ars Electronica • Ars Electronica GmbH Linz • augmented spaceBerlin • big screens • BIS Body Process Arts Association Istanbul • Brussels • connecting cities • Connecting Cities (project) • digital cultureEuropean Union • European Urban Media Network Connecting Cities • FACT Liverpool • global communitiesHelsinki • iMAL Brussels • information in contextIstanbulLinz • lively society • Liverpool • m-cult Helsinki • Madrid • Marseille • Marseille-Provence 2013 • Media Architecture Institute Wien • media facades • media technologies • Medialab Prado Madrid • membrane • mobile phones • Montreal • Museum of Contemporary Art Zagreb • MUTEK Montrea • neighbourhood • networked infrastructure • physical and digital interaction • Public Art Lab • public audience • public space • Riga • Riga 2014 • socio-cultural • socio-cultural content • University of Aarhus • urban media • urban media facades • urban screens • urban spaceurban spacesurban speculation • Videospread Marseille • Viennavisual communicationvisual designvisual spectaclevisualisationZagreb

CONTRIBUTOR

Simon Perkins
10 DECEMBER 2011

Alpha-ville 2011: International Festival of Post-digital Culture

London 22–25 September 2011: "Alpha–ville festival explores the intersection between art, technology and society and for this edition we are collaborating with various venues and spaces in London such us The Victoria & Albert Museum, Whitechapel Gallery, Rich Mix Cultural Foundation, Space Studios, Vortex Jazz Club, Netil House, XOYO and Hearn Street Warehouse to bring along an extensive 4–day event featuring social media art, kinect art, interactive installations, open labs, workshops, performances, screenings, live music & A/V shows, a one–day symposium and more!

The 2011 edition provides an online and live platform to explore, test and disseminate new ideas, emerging trends, collaborations and groundbreaking works. Running from 22–25 September and taking place alongside the London Design Festival, the 2011 edition enables a network of satellite events spreading across different London boroughs and links with other European cities such as Madrid (Twin Gallery) and Brussels & The Hague (Todays Art).

The festival programme also connects east and west London thorough a link with the V&A Digital Design Weekend."

(Alpha–ville 2011)

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2011Alpha-ville festivalAlphavilleart and technology • art technology and society • AV show • Brusselsdigital artdigital culturedigital design • Digital Design Weekend • digital media • digital media festival • emerging trends • eventfestival • Hearn Street Warehouse • innovationinteractioninteractive installation • International Festival of Post-digital Culture • kinect art • LondonLondon Design FestivalMadridmedia art • Netil House • new media • post-digital • post-digital culture • Rich Mix Cultural Foundation • satellite events • screening • social media art • Space Studios • symposiumThe Hague • Todays Art • Twin Gallery • V and AVictoria and Albert Museumvisualisation • Vortex Jazz Club • Whitechapel Gallery • XOYO

CONTRIBUTOR

Simon Perkins
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