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Which clippings match 'Tactile Experience' keyword pg.1 of 1
11 OCTOBER 2015

David Cross: A Question of Trust (visceral and embodied experience)

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2015actions have consequencesaesthetic spectacleaffect theory • anecdote • anthropomorphismAustralian artistclaustrophobic spaces • concepts of affect • David Cross • Deakin Universitydisarmamentembodimentfeel thingshandlehold mehuman bodyhyper-sensualityinflatableinstallation sculptureintimate transaction • non visual art • phobia • playful spacepropinquitypublic artscopophiliasense of touch • sensory modalities • sensory phenomenashow (spectacle)social exchangespatial intimacytactile experienceTED Talks • TEDxDeakinUniversity • touch metrust • unguarded experience • visceral experiencevisceral journeyvisceral theorywe experience the world

CONTRIBUTOR

Simon Perkins
30 DECEMBER 2013

Honeycomb technique form accordion-like paper sculptures

Works by Li Hongbo, created from paper, glue. Shown in 2012 at the Dominik Mersch Gallery, Australia.

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2012 • accordion-like • artistBeijing • bendable • brilliant artifice • concertina • craft process • craft techniquecraft techniquescrafting • decorations • designer • detailed folding • Dominik Mersch Gallery • Expandable Slinky Art • flexiblegeometric formsgeometry • glue • gluing • honeycomb structure • honeycombed paper • interactive artwork • interlocking pattern • intricacy • Li Hongbo • material effectsmaterial interventionsmaterial modes of engagementpaper • paper design • paper folding • paper gourd • paper sculpture • paper-based form • papercraftrepeating formrevelationsculptural form • slinky • slinky-like sculpture • stacking • stretching honeycomb • structural formtactile experience • uncoiling • visual effect • visual illusionvisual paradoxvisual spectaclevisual transformationwhite paper

CONTRIBUTOR

Simon Perkins
06 NOVEMBER 2013

Kunsthochschule für Medien Köln: Department of Hybrid Space

"A new interdisciplinary field of design, researching the transformations of architectural, urban/regional space of the emerging 'information age', explores the dynamic interaction of architecture/urbanism and the space of mass media and communication networks. It develops scenarios for the interplay of public urban and public media space. The products of these alliances of urban/regional and media networks, of architectural and media space, are bastards: ambivalent spaces that are at the same time analog and digital, tactile and abstract, material and immaterial, expanding hyper–sensuality in the time– and placelessness of media flows. These hybrid spatial morphs act simultaneously in urban (local) and media (global) space and mediate between them, unfolding the undefined space between the local and the global, occupying the vacuum between local place and global space. Within the inversions of identity (communication), within the fluid ever–changing densities in the knitted networks, fused analogue/digital cultures are idensified."

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Academy of Media Arts Cologne • ambivalent spaces • analogue and digital • analogue and digital cultures • architectural conjecturearchitectural space • architectural transformations • architecturebastard • changing densities • Colognecommunication networksdesign coursedesign field • Elizabeth Sikiaridi • embodied interactionsflows • Frans Vogelaar • global space • glocalglocalizationhybrid spaces • hybrid spatial morphs • hyper-sensualityidentityidentity constructionimmaterialinformation ageinformation flows • interdisciplinary design • interdisciplinary field • knitted networks • Kunsthochschule fur Medien Koln • local place • local space • mass mediamaterialitymedia arts • media flows • media networksmedia spaceplacelessnesspublic space • public urban space • regional space • tactile experience • undefined space • urban spaceurbanism

CONTRIBUTOR

Simon Perkins
23 JANUARY 2013

Tree of Codes: re-inscription as a generative compositional technique

Jonathan Safran Foer's 'Tree of Codes' (2010) "is actually a kind of interactive paper–sculpture: Foer and his collaborators at Die Keure in Belgium took the pages of another book, Bruno Schulz's The Street of Crocodiles, and literally carved a brand new story out of them using a die–cut technique.

According to Foer's publisher Visual Editions, Tree of Codes was turned down by every printer they approached: 'Their stock line [was], 'the book you want to make just cannot be made'.'…

The luscious results, designed by Sara de Bondt, will fly in the face of anyone who says that physical books are passé. Tree of Codes is tactile, interactive, immersive––and it won't ever run out of batteries."

(John Pavlus, Co.Design)

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2010absenceBelgiumbookbook autopsybook sculpture • Bruno Schulz • carvingcut-up techniquedeface • Die Keure • die-cut • end of printerasuregenerative compositional techniqueheterotopia • Jonathan Safran Foer • new story • no batteries requiredpaper • paper stock • papercraftparallel text • physical book • re-editre-inscriptionreinscribe • Sara de Bondt • slicedtactile experiencetactile interactive • The Street of Crocodiles • Tree of Codes (book) • unmakeable • Visual Editions (publisher)

CONTRIBUTOR

Simon Perkins
08 JANUARY 2012

Does electronic literature have a future?

"Does electronic literature have a future? Is Google the end of the World? What is the role of digital poetics in global politics? These issues and more are discussed with J. R. Carpenter, John Cayley, Maria Mencia, Scott Rettberg, Alexandra Saemmer, Roberto Simanowski, and Jaka Železnikar."

A video–essay by Talan Memmott and David Prater, September 2011 at the ELMCIP Electronic Literature and New Media Art Seminar in Ljubljana Slovenia.

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2011 • Alexandra Saemmer • Blekinge Institute of Technology • bookcollaborative research projectconvergencecreative researchcreativity and innovationdigital culture • digital poetics • distributed communication environment • Edinburgh College of Art • electronic literature • Electronic Literature and New Media • electronic literature community • ELMCIP • Facebookglobal politicsglobalisationGoogle Inc • HERA • Humanities in the European Research Area • innovation in practice • J. R. Carpenter • Jaka Zeleznikar • John Cayley • JRPliterature • Maria Mencia • network-based creative community • networked creativity • New Media Scotland • publishingreadingreading experienceresearch and practice • Roberto Simanowski • Scott Rettberg • Sloveniatactile experience • Talan Memmott • the future of the booktranscultural • transnational • University College Falmouth • University of Amsterdam • University of Bergen • University of Jyvaskyla • University of Ljubljana • video essay

CONTRIBUTOR

Simon Perkins
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