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Which clippings match 'Sound Experiments' keyword pg.1 of 1
31 OCTOBER 2014

Bartholomäus Traubeck: A record player that plays slices of wood

"A tree's year rings are analysed for their strength, thickness and rate of growth. This data serves as basis for a generative process that outputs piano music. It is mapped to a scale which is again defined by the overall appearance of the wood (ranging from dark to light and from strong texture to light texture). The foundation for the music is certainly found in the defined ruleset of programming and hardware setup, but the data acquired from every tree interprets this ruleset very differently."

(Bartholomäus Traubeck)

A record player that plays slices of wood. Year ring data is translated into music, 2011. Modified turntable, computer, vvvv, camera, acrylic glass, veneer, approx. 90x50x50 cm. Thanks to Land Salzburg, Schmiede, Pro–ject Audio, Rohol Furniere, Karla Spiluttini, Ivo Francx, Christoph Freidhöfer, vvvv.

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2011analogue correspondence • Bartholomaus Traubeck • Christoph Freidhofer • computational designconcentric circles • design interactions • experimental musicgenerative music • Ivo Francx • Karla Spiluttini • Land Salzburg • modified hardware • patternpiano music • Pro-ject Audio • record player • ring data • Rohol Furniere • rule-based work • ruleset • Schmiede • Schmiede Hallein • sliced • slices of wood • sonic artssound correspondencesound experiments • speculative interactions • speculative music • tree ringsturntablevvvvwood • Years (2011)

CONTRIBUTOR

Anna Troisi
15 MARCH 2014

Organ of Corti (2010-11) an experimental acoustical intervention

"Organ of Corti is an experimental instrument that recycles noise from the environment. It does not make any sound of its own, but rather it attempts to draw our attention to the sounds already present by framing them in a new way. Named after the organ of hearing in the inner ear, it uses the acoustic technology of sonic crystals to accentuate and attenuate frequencies within the broad range of sound present in road traffic or falling water. By recycling surplus sounds from our environment, we hope to challenge expectations of what might constitute a piece of music by adding nothing to the existing soundscape but rather offering new ways of listening to what is already there. This instrument is a device that, for us, rematerializes our experience of sound, inviting us to 'listen to ourselves listen'."

(Frances Crow and David Prior)

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2011 • acoustic properties • acoustical experimentacousticsambient soundarchitectural conjecture • architectural interventions • architectural speculation • David Prior • design research project • experimental acoustical intervention • experimental music • experimental music composition • experimental musical instrumentexperimental soundexploratory projects • Frances Crow • interdisciplinary investigationlandscape futures • Liminal (partnership) • listening • music production • noisenoise pollutionorgan • Organ of Corti • persistence of sound • PRS New Music Award • public sound art • research and consultancy • site-specific interventionssonic artssonic environment • sound and music environments for exhibition • sound artsound artistsound designsound experimentssound performancesound sculpture • sound walk • soundscape • spatialised sound installations • spatialised soundscapes • speculative researchUKurban experienceurban landscapeurban speculationuser paths

CONTRIBUTOR

Simon Perkins
13 DECEMBER 2013

No Reverb Added: An Acoustical Experiment in Drumming

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acoustical experimentacousticsambient sound • audio editing • audio reflection • beatcut-updiegetic sounddrum beatdrum kit • drum pattern • drum solodrummingdrumsechoecho uniteditingenclosed spaceenvironment • Julien Audigier • live contextlocationlocation-specificmusic • Natal Drums • natural environmenton locationpersistence of soundplacere-edit • reverb • reverberation • reverberation time • sequence designsonic environmentsound • sound absorption • sound decaysound experimentssound performance • Vincent Rouffiac

CONTRIBUTOR

Simon Perkins
07 JANUARY 2012

Oramics to Electronica: Revealing Histories of Electronic Music

"The story of Electronic Music, from the sound experiments of the 1950s through the digital revolution to today, is one of invention and innovation. Developed with a team of electronic musicians, our exhibition charts this history with examples of music making technology spanning more than 50 years. ...

The story begins with the BBC Radiophonic Workshop and Electronic Music Studios (EMS), two organisations that broke musical boundaries in the postwar years. Objects from this era include the EMS VCS3, the first portable synthesiser.

Also on display is the Oramics Machine, a revolutionary music synthesiser that was created in the 1960s by Daphne Oram, founder of the Radiophonic Workshop. Daphne created this visionary machine that could transform drawings into sound, and it was recently acquired by the Science Museum in co–operation with Goldsmiths, University of London."

(The Science Museum, 2011)

Fig.1 "Oramics to Electronica", Directed, Produced, Filmed and Edited by Jen Fearnley & Nick Street, Commissioned by The Science Museum, London.

Fig.2 "Daphne Oram", Mick Grierson, Director of Creative Computing at Goldsmiths, University of London, and Director of the Daphne Oram collection.

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1950s1960s • Acid House • BBC Radiophonic WorkshopBritish • creative computing • creativityDaphne Oramdevicedigital pioneersdigital revolution • drawings into sound • electronic music • Electronic Music Studios • electronic musician • EMS • EMS VCS3 • engineerexhibition • Fairlight Computer Musical Instrument • futuristicGoldsmiths College (University of London)historyinnovationinventionmachine • Mick Grierson • musicmusic making technology • music synthesiser • musician • Oramics Machine • Oramics to Electronica • pioneering • portable synthesiser • postwar • Public History Project • Radiophonic Workshop • revolutionary • science and technologyScience Museum of Londonsound experiments • Speak and Spell • synthesiser • synthesizer • TB303 • TB303 bass synthesizer • technologytoyUKwomen in music

CONTRIBUTOR

Simon Perkins
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