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Which clippings match 'Rhode Island School Of Design' keyword pg.1 of 1
12 MARCH 2015

Hugh Dubberly: Design the Future

"Hugh is the President of Dubberly Design and talented design planner and teacher. At Apple Computer in the late 80s and early 90s, Hugh managed cross-functional design teams and later managed creative services for the entire company. While at Apple, he co-created a technology-forecast film called 'Knowledge Navigator,' that presaged the appearance of the Internet in a portable digital device. While at Apple, he served at Art Center College of Design in Pasadena as the first and founding chairman of the computer graphics department.

Intrigued by what the publishing industry would look like on the Internet, he next became Director of Interface Design for Times Mirror. This led him to Netscape where he became Vice President of Design and managed groups responsible for the design, engineering, and production of Netscape's Web portal. Hugh graduated from Rhode Island School of Design with a BFA in graphic design and earned an MFA in graphic design from Yale.

This lecture was held on Wednesday, October 3, 2012 at 4:30pm in 1305 Newell Simon Hall."

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2012 • age of biology • Apple Computer • Art Center College of Design in Pasadena • Austin Henderson • biological model • boundary objectsCarnegie Mellon Universitycommunication systemsconcept map • concept mapping • conceptual model • continuous change • creative servicescross-functional design teamsdata modelling • data models • design of the system rather than the object • design planner • design the futureDesign the Future Lecture ProgrammeDonald Norman • Dubberly Design • Fred Murrell • George Lakoffgraphic designer • HCII • Hugh Dubberlyinterface design • James Griesemer • Jay Doblin • John Rheinfrank • Kevin KellyKnowledge Navigator (1988)lingua franca • manufacturing age • mechanistic modelmetaphors of realityNetscape • networked-services ecology • org chart • Pasadena • portable digital device • Rhode Island School of Designservice design • service designer • Susan Leigh Star • system image • technology forecasting • Times Mirror • VisiCalc • whole systems

CONTRIBUTOR

Simon Perkins
04 JANUARY 2015

The Emergency Broadcast Network

"EBN works to harness the power of multimedia audio–visual technology into the most effective electronic behavior control system.

EBN's techniques involve a collection and analysis of massive amounts of randomly recorded audio and video television programming. After a careful screening internal process, the choicest bits are chosen for inclusion in compositions using internal digital sampling and video editing in their own production facility."

(fUSION Anomaly, 12 January 2003)

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1990s1991appropriationaudiovisual mash-upsauthor as editor • Brian Kane • cable televisioncritical reinterpretationculture jammingcut-up technique • digital sampling • driving beatediting through selection • Emergency Broadcast Network (EBN) • experimental video • Gardner Post • George Bush Snr • Greg Deocampo • Gulf Warhip-hop beatsinfluential video artists • Joshua Pearson • multimedia performance group • re-editre-purposerecombinantrepurposingRhode Island School of Designsampled footagespoken-word samplingstutter effecttelevision programmingVHSvideo collagevideo remix • video scratching • video turntablist • VJ

CONTRIBUTOR

Simon Perkins
27 NOVEMBER 2011

Anne Spalter: Traffic Circle

New York debut of Anne Morgan Spalter
@ Stephan Stoyano/LuxeGallery
November 29, 2011– January 6, 2012

"Stephan Stoyanov/Luxe Gallery is pleased to announce the inaugural New York City solo show of Anne Morgan Spalter, a new–media pioneer who initiated and taught the first fine arts new media courses at the Rhode Island School of Design (RISD) in 1990 and Brown University in 1992. Spalter's exhibition, Traffic Circle, is a milestone in her two–decade odyssey in integrating art and technology. Spalter draws on centuries of work in the landscape genre but brings a new perspective on the modern landscape.

With works created exclusively for this exhibition, Spalter introduces geometrically patterned video works generated from footage she shoots in traffic, from aerial perches, at airports, and on the highway. Several pieces feature iconic New York City landmarks such as Rockefeller Center. The rhythmically structured compositions isolate or abstract features and motion of the landscape, highlighting the passage of taxis down 5th Avenue, for example, and the soaring of planes on takeoff. Inspired by her mathematical background and interest in Islamic art, she uses a symmetrical kaleidoscopic framework to brings order to complexity.

Spalter's art has explored the concept of the 'modern landscape' since first shown publicly at the deCordova Museum in 1992. She draws on her travels and her digital photographic and video database to create still and moving pieces. Works are realized as prints, intimate screen–based works, and large–scale screen and projection works: her work was shown this past summer at Big Screen Plaza's 30–foot LCD screen in New York City as part of Leaders in Software Art (LISA) and at the RISD Museum of Art's Open Call Video Art Screening Program."

(Anne Morgan Spalter)

5). Exhibition Press Release.

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2011 • 5th Avenue • aerialairportAnne Spalterartart and technologyartistBrown Universitycompositioncomputer artdesign formalismdigital artdigital photographyexhibitionfine artgeometric patterngeometry • highway • iconicIslamic • Islamic art • kaleidoscopelandscape • Luxe Gallery (New York) • mathematicsmirrored effect • modern landscape • motorwaynew mediaNew York City • new-media pioneer • North American artistpatternRhode Island School of Design • rhythmic • RISD • Rockefeller Center • screen-based works • solo exhibition • solo show • Stephan Stoyanov • symmetrical patternsymmetry • taxi • traffic • Traffic Circle • video art • video works • visual communication

CONTRIBUTOR

Simon Perkins
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