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27 NOVEMBER 2011

Anne Spalter: Traffic Circle

New York debut of Anne Morgan Spalter
@ Stephan Stoyano/LuxeGallery
November 29, 2011– January 6, 2012

"Stephan Stoyanov/Luxe Gallery is pleased to announce the inaugural New York City solo show of Anne Morgan Spalter, a new–media pioneer who initiated and taught the first fine arts new media courses at the Rhode Island School of Design (RISD) in 1990 and Brown University in 1992. Spalter's exhibition, Traffic Circle, is a milestone in her two–decade odyssey in integrating art and technology. Spalter draws on centuries of work in the landscape genre but brings a new perspective on the modern landscape.

With works created exclusively for this exhibition, Spalter introduces geometrically patterned video works generated from footage she shoots in traffic, from aerial perches, at airports, and on the highway. Several pieces feature iconic New York City landmarks such as Rockefeller Center. The rhythmically structured compositions isolate or abstract features and motion of the landscape, highlighting the passage of taxis down 5th Avenue, for example, and the soaring of planes on takeoff. Inspired by her mathematical background and interest in Islamic art, she uses a symmetrical kaleidoscopic framework to brings order to complexity.

Spalter's art has explored the concept of the 'modern landscape' since first shown publicly at the deCordova Museum in 1992. She draws on her travels and her digital photographic and video database to create still and moving pieces. Works are realized as prints, intimate screen–based works, and large–scale screen and projection works: her work was shown this past summer at Big Screen Plaza's 30–foot LCD screen in New York City as part of Leaders in Software Art (LISA) and at the RISD Museum of Art's Open Call Video Art Screening Program."

(Anne Morgan Spalter)

5). Exhibition Press Release.

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TAGS

2011 • 5th Avenue • aerialairportAnne Spalterartart and technologyartistBrown Universitycompositioncomputer artdesign formalismdigital artdigital photographyexhibitionfine artgeometric patterngeometry • highway • iconicIslamic • Islamic art • kaleidoscopelandscape • Luxe Gallery (New York) • mathematicsmirrored effect • modern landscape • motorwaynew mediaNew York City • new-media pioneer • North American artistpatternRhode Island School of Design • rhythmic • RISD • Rockefeller Center • screen-based works • solo exhibition • solo show • Stephan Stoyanov • symmetrical patternsymmetry • taxi • traffic • Traffic Circle • video art • video works • visual communication

CONTRIBUTOR

Simon Perkins
17 JANUARY 2011

Drawing with Code: Works from the Anne and Michael Spalter Collection

29 January to 24 April 2011, deCordova Sculpture Park and Museum, Lincoln, Massachusetts, USA.

"Drawing with Code brings together a selection of computer–generated art by the form's earliest and most important practitioners from the 1950s to today. The Providence–based collection of Anne and Michael Spalter is one of the largest and most important of its kind in the U.S. and shines a new light onto a darkened corner of the art historical record.

In our current digital environment when just about everyone holds the processing power of a full computer in their pocket, it is difficult to remember a time when computer technology was not involved in every aspect of our lives. In the arts–visual, cinematic, musical, dance, and theater–the computer has become not only an accepted, but in many cases, an intrinsic tool for artistic expression. The artists featured in Drawing with Code emerged in the early computer–era when the technology was rudimentary by current standards and its capabilities rarely extended beyond the world of computation. Merging their interests in art and coding, these practitioners came to be known as 'Algorists,' artists who employed original algorithms to create images. In addition to works on paper, Drawing with Code presents the work of two filmmakers, Lillian Schwartz and Stan VanDerBeek, who were brought into Bell Labs Research by Kenneth Knowlton to make some of the first computer art animations. These six animations were collaborations using Knowlton's BEFLIX (Bell Flicks) programming language for bitmap computer–produced movies.

The artists in Drawing with Code represent some of the earliest innovations in computer–generated art from the U.S., Europe, and Asia, pioneering a new form of collaboration between technology and art that pushed the boundaries of both.

Featured artists: Yoshiyuki Abe, Manuel Barbadillo, Jean–Pierre Hébert, Desmond Paul Henry, Sven Höglund / Bror Wikstörm, Sture Johannessen, G. F. Kammerer–Luka / Jean–Baptist Kempf, Hiroshi Kawano, Kenneth Knowlton, Ben F. Laposky, Manfred Mohr, Vera Molnar, Frieder Nake, George Nees, Lillian F. Schwartz, Stan VanDerBeek, Roman Verotsko, Mark Wilson, and Edward Zajac.

This exhibition is organized by guest curator George Fifield, Director, Boston Cyberarts Inc. and is part of the 2011 Boston Cyberarts Festival."

(deCordova Sculpture Park and Museum, 2011)

Fig.1 Ben Laposky (1954–1956). 'Electronic Abstraction 4', oscilliscope, high speed film, photo paper, 16 1/2 inches x 13 inches, Collection of Anne and Michael Spalter.

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TAGS

1950s2011 • Algorists • algorithm • Anne and Michael Spalter Collection • Anne Spalterartart and coding • BEFLIX • Bell Flicks • Bell Labs • Bell Labs Research • Ben Laposky • bitmap • Boston Cyberarts Festival • Bror Wikstorm • codecomputationcomputer artcomputer-generatedcreative practice • Desmond Paul Henry • digital art exhibitiondigital environmentdigital pioneersdrawing with codeearly computer-era • Edward Zajac • exhibitionfilmmakerFrieder Nake • G. F. Kammerer-Luka • generativeGeorg Nees • Hiroshi Kawano • influential worksinnovation • Jean-Baptist Kempf • Kenneth KnowltonLillian SchwartzManfred Mohr • Manuel Barbadillo • Mark Wilson • Michael Spalter • musicPierre Hebertpractitionerprogramming languageRoman Verostko • Stan VanDerBeek • Sture Johannessen • Sven Hoglund • technologytheatreVera Molnarvisual arts • works on paper • Yoshiyuki Abe

CONTRIBUTOR

Simon Perkins
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