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Which clippings match 'Iggy Pop' keyword pg.1 of 1
13 OCTOBER 2012

Pictogram rock posters: The Beatles

"This is my most ambitious, and maybe also the best, personal work I've done so far. I decided to pick a few bands and artists from the rock genre and make pictogram posters for them. Instead of just putting one single pictogram in each poster, like in my previous 'Pictogram music posters', I made as many as I could possibly come up with for each artist, and jammed them into one single poster. There is a total of 234 song pictograms in these posters. I started this project Jan 15th 2012, so I've been working on this for about five months. I am really happy and proud to be able to present them now.

The bands and artists that I chose are: David Bowie, Bob Dylan, The Rolling Stones, Iggy Pop, The Beatles, Bruce Springsteen, Johnny Cash and Elvis Presley. I'm aware of the absence of female artists in this list. I'm sorry about that, and I will try to make up for it in future projects.

A big thanks (as always) to The Noun Project (www.thenounproject.com). This is where all the original pictograms come from, and I could not express my gratitude enough to these guys!

Thank you so much in advance, I hope you like my new project!"

(Viktor Hertz, 2012)

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TAGS

2012 • bands • Bob DylanBruce SpringsteenDavid BowieElvis Presleygraphic designIggy Pop • Johnny Cash • music poster • personal workpictogram • pictogram music poster • pictogram poster • poster design • rock genre • rock musicThe Beatles • The Noun Project • The Rolling Stones • Viktor Hertz

CONTRIBUTOR

Simon Perkins
29 JANUARY 2012

The Way We Were: post-punk performances from the 1970s

"Channel 4 UK programme first broadcast circa 1984 / 1985–ish. Hosted by the late Tony Wilson, it's a compilation of performances by bands taken from his previous TV shows in the late 70's, such as So It Goes. Includes Sex Pistols, Clash, Buzzcocks, Iggy Pop, The Fall, Elvis Costello, Blondie, Penetration, Wreckless Eric, Ian Dury, Tom Robinson, Magazine, John Cooper Clarke, XTC and Joy Division–many of them making their TV debuts."

(The Herb Whisperer)

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TAGS

1970s197619771978 • alternative • alternative music • alternative rock • authorshipbandBlondie • Buzzcocks • Channel 4 • Cherry Vanilla • compilationdebut • Devo • DIY ethicdocumentary • Elvis Costello • Factory Records • Ian Dury • Iggy Popindie rockindie scene • John Cooper Clarke • Joy Divisionlive performance • Magazine (band) • musicmusic documentarymusic videonew wave • Nick Lowe • Penetration (band) • performances • Poly Styrene • post-punkpunkpunk rockpunk rock ethosSex PistolsSham 69 • Siouxsie and the Banshees • So It Goes • subcultureThe Clash • The Fall • The Jam • Tom Robinson Band • Tony WilsonTV • TV programme • UK • underground music • Wreckless Eric • XTC • youth culture

CONTRIBUTOR

Simon Perkins
22 OCTOBER 2011

A mixtape of animation and musical styles

"To celebrate the Red Bull Academy World Tour, the Academy produced a music film that encompasses musical styles from around the world.

Berlin: The soundtrack for this clip is inspired by one of Hansa's iconic album's Iggy Pop's Lust for Life. Like the creation of the music in the studio, the cityscape is built from the many organic, analogue musical artifacts used in the recording studio. Tape creatures climb across the concrete city jungle towards the Berlin Wall–a nod to the studio's physical location.

Paris: The visual inspiration for the Parisian leg of the tour is an collision between the flesh and blood textures of the African soul and funk that comprised the concert, and the architectural backdrop of Paris–the home of the Afrobeat Picks event. Musically, the rhythm builds and the acoustics echo and bounce off the city walls as we travel across the avenues.

Detroit: Inspired by the Detroit automotive industry, from the start the viewer is immersed inside the iconic TR 909 drummachine–a nod to the intersection of man and machine central to the city's musical innovation. As we travel through a CG circuit board city, the cyclical nature of the assembly line process is increasingly apparent transitioning us from the hey days of Motown R&B to the minimal stylings of techno. The theme of repetition was also carried through to the construction of the musical score.

Toronto: The animation style here is directly referenced from the iconic soundclash album Scientists meets the Space Invaders. The four superhero characters battle it out across the streets of Toronto–each one representative of one of the four soundclash crews competing in this event, Afrika Bambaataa's Zulu Nation, Mad Decent, LuckyMe and Toronto All Star. The beginning of the battle is marked by the sound of the airhorn, a nod to the dancehall musical score underpinning this piece.

Melbourne: The bright, visually rich palette of this section is inspired by the coastal location of Melbourne city. Like the experimental nature of the event itself, the narrative of this film explores the relationship between sound and space. The audio of the Melbourne tram chimes set off a wave of fluid illustrated animations that bounce around the screen, visually inspired by traditional aboriginal paintings.

New York: When hip–hop first emerged in the 70s it was the ghetto blaster that amplified the sound of New York streets to the world. To pay hommage, the setting of this film was built from the original tape deck devices. We see a Hudson River constructed of unwound mixtapes. The trains all disappear to one of the five boroughs, a nod to the albums and boroughs celebrated in this event.

Rome: Italy and the Cinecitta studios are credited for producing some of the most influential cinematic masterpieces ever. To celebrate this we created a film that paid tribute to the different genres, from comedy to spaghetti western, 70s cop films & blood–filled horror flicks to psychedelic animations, in one narrative mash–up. A Spaghetti Western inspired track provides the aural backdrop as we pan across the scene culminating in a classic Sergio Leone shot. Along the way we reveal a chaotic assortment of villains, ghouls and policeman all participating in one comedic battle conducted to the tunes of a dead Mexican mariachi band.

London: Inspired by the event theme, Revolutions in Sound, we wanted to create a dominating creature that visually embodies the innovative qualities of the event itself. As the camera cuts around the robot's CG body we see it is inspired by components of modern London architecture. His head is a pulsating subwoofer, an iconic musical artifact central to London's influential bass music scenes and inside his chest we see the magnificent London Eye, the heart of the event itself."

(Red Bull)

Fig.1 'Red Bull Academy World Tour' (2011). Passion Pictures

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TAGS

20112D3D • airhorn • animation • animation style • architectural backdrop assembly line • automotive industry • BerlinBerlin WallCGcircuit boardcitycityscapecoast • concrete jungle • cut-up • dancehall • Detroitdrum machine • ghetto blaster • hip-hophommageIggy PopItalyLondon • London Eye • low-fiMelbournemixtapeMotownmusic videomusical scoremusical stylesNew YorkParisPassion Picturespsychedelic • Red Bull • Red Bull Academy World Tour • repetition • Revolutions in Sound • robotRome • Sammy Bananas • Sergio LeoneSpace Invadersspaghetti westernstop motionsuperherotape deck • techno • Toronto • TR 909 • tram

CONTRIBUTOR

Simon Perkins
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