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Which clippings match 'Layered' keyword pg.1 of 2
07 FEBRUARY 2013

Shugo Tokumaru's Katachi: an animation of PVC silhouettes

Director, Concept, Animation - Kijek/Adamski, Production - Katarzyna Rup / Ab Film Production, Cast - Artur Cetnarowski, Gaffer - Heliograf, Blitz, Studio set - PlumArt Marcin "Śliwa" Śliwiński, Arek Szot, Joanna Kijek, PVC cutting - Dawid Krzyżanowski/ My-Art myart.com.pl, Thanks - Studio Las, Paweł Reyman.

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TAGS

2013animationcolour • computer-controlled cutter • continuous movement • design formalismflatgeometric figuresgeometric forms • katachi • Katarzyna Kijek • layeredmusic videopatternplastic • Przemysław Adamski • PVC • rhythmic motionshape • Shugo Tokumaru • silhouettestop framestop motion animationtracking cameravisual designvisualisation

CONTRIBUTOR

Simon Perkins
28 JULY 2012

Annotate That! content commentary and sharing application

"Annotate That! is a free unique annotating service. Share web pages, images or documents with others and add your comments using annotations. Simply click on the web page or medium to make your annotation."

(We Create Digital)

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TAGS

add your comments • annotate • Annotate That! • annotating service • annotation • annotation service • annotationsaugmentationaugmentative communicationaugmented contentcomment system • content sharing • cooperative design knowledgecritical commentarycritiquedigital contentembellishmenterasurehypermediacyinformation sharinginscriptioninterpretationjuxtapositionlayerlayeredlayering • make your annotation • metadataorganisationoverlaypalimpsestre-inscriptionreinscribereinterpretationresearch toolsharesharing and distributing knowledge • sharing application • sharing ideasstackingtext layers • We Create Digita

CONTRIBUTOR

Simon Perkins
18 APRIL 2012

Origamibiro: Quad Time

"Origamibiro is a collaboration between myself and musicians, performers and producers Tom Hill and Andy Tytherleigh. Tom and I have a long history of collaboration through av_dv [Jim Boxall/Jon Gillie], Wauvenfold [Noel Murphy/Tom Hill] and Penfold Plum [Tom Hill]. After creating the first Origamibiro album 'Cracked Mirrors and Stopped Clocks', Tom wanted to find unorthodox ways to produce intimate live music based on generated loops without the audience barrier of laptop screens. Tom's music had a high level of emotional intensity that I felt a real affinity with and wanted to replicate through my visuals. I also wanted to further explore our live setup and find ways to show what we are doing and how we are doing it, as we are doing it. Early on in this process we enlisted the multi instrumentalist skills of Andy Tytherleigh. Andy immediately multiplied layers of melody and atmosphere in the set to create a wider and more beautiful sound."

(Jim Boxall)

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TAGS

2012 • Andy Tytherleigh • arts collectiveatmosphereaudiovisualaudiovisual collective • av_dv • beautiful sound • collaboration • emotional intensity • generated loops • Geoff Litherland • improvisation • instrumental • Jim Boxall • Jon Gillie • laptop screens • layered • live music • live performance • live setup • live visualsloop • loops • melody • multi-instrumentalist • multiplied layers • music loops • musical improvisation • musicians • Noel Murphy • notationNTUOrigamibiro • Penfold Plum • performance • performers • Quad Time (film) • short film • sonic art • sound art • The Joy Of Box • Tom Hill • unorthodox methods • video artistvideo projection • Vimeo Festival Awards • visual depictionvisual literacyvisualisationvisuals • Wauvenfold

CONTRIBUTOR

Simon Perkins
10 SEPTEMBER 2011

Music video revision of Oskar Fischinger's Komposition in Blau

Robyn (Robin Carlsson) with Kleerup revision of Oskar Fischinger's (1935) "Komposition in Blau": http://www.tudou.com/programs/view/kBpPBtQ48v0/

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2007animationcolourcompositing • electropop • electropop ballad • figures in spacehomageKomposition in Blaulayeredmotion designmusic videoOskar Fischingerpixilationrevision • Robin Carlsson • Robynscalestop framesuperimposition • With Every Heartbeat

CONTRIBUTOR

Simon Perkins
18 MARCH 2011

The first graphical user interface using the desktop as a metaphor

"In 1973, the first graphical user interface was built at PARC, using the desktop as a metaphor. The UI introduced windows, icons, menus, file management, and tool palettes. Looking back at the first screenshots of this first GUI, the designs feel familiar even now. In 1974 PARC developed a What-You-See-Is-What-You-Get cut & paste interface, and in 1975 the demonstrated pop-up menus. The desktop concept was pushed quite a bit further by 1981 in the commercial Xerox Star PC interface, which was an important influence for the PC UI's created at Microsoft, Apple, NeXT, and Sun Microsystems in the 80's and 90's."

(Mike Kruzeniski, 17 February 2011)

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TAGS

194519731981abstractionApplecomputerdesign historydesktop metaphordigital culturegraphic representationgraphical user interfaceGUIhistoryiconsICTindustrial designinterfaceinterface metaphorlayerlayeredMemex • menu • Microsoft • NeXT • PCproduct design • SRI • Sun MicrosystemsUIusabilityuser experienceuser interface design • user interface metaphor • Vannevar Bushvisual communicationvisual languagevisual literacyvisualisation • What-You-See-Is-What-You-Get • WIMP • windows metaphor • WYSIWYGXerox PARC • Xerox Star PC

CONTRIBUTOR

Simon Perkins
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