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Which clippings match 'Film Poster' keyword pg.1 of 2
11 JULY 2013

Czech Film Posters of the 1960s

"The birth of the Czech creative film poster phenomenon in the early sixties can be credited to Karel Vaca, Karel Teissig, Richard Fremund, Vladimir Tesar, Jiri Balcar, Jaroslav Fiser, Zdenek Ziegler, Milan Grygar, Bedrich Dlouhy, Zdenek Palcr and others. In the late sixties and during the seventies they were joined by Josef Vyletal, Olga Polackova–Vyletalova, Jiri Rathousky, Alexej Jaros, Karel Machalek, Petr Pos, Jiri Salamoun, Vratislav Hlavaty, Zdenek Vlach and Antonin Sladek. In the streets, but soon also at film festival exhibitions, in art galleries and cinema premises, Czech film poster rapidly won the favor of the public for its creative imagination, poetic and lyrical atmosphere. It was characteristic by the use of collage, rollage, photomontage, retouching, striking graphic designs, wity typographic visual puns and surrealist dreamy interpretation. Mass reproductions of works of art flooded the billboards in towns and cities and changed them into sidewalk open air galleries. In the course of the 1960s, Czech film poster designers found inspiration in the informal style, applying its forms of structural abstraction and lettrism, later on in pop–art and op–art, using the then popular psychedelic forms and colors. Artists frequently employed styles inspired by the film forms, such as enlarged close–up, merging of symbolic and metaphoric visual levels and repeated details."

(Marta Sylvestrova, Museu de Arte de Macau)

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1960s • Alexej Jaros • Andrzej Wajda • Antonin Sladek • artistic expression • Bedrich Dlouhy • collagecolour • cultural education • Czech film poster • Czech graphic design • Czech RepublicCzechoslovakiaexhibitionFederico Fellinifilm poster • film poster designer • graphic design • informal style • Ingmar Bergman • Jaroslav Fiser • Jiri Balcar • Jiri Rathousky • Jiri Salamoun • Josef Vyletal • Karel Machalek • Karel Teissig • Karel Vaca • lettrism • Luchino Visconti • Macau Museum of Art • mass reproduction • metaphoricmid-century design • Milan Grygar • Moravian Gallery in Brno • Museu de Arte de Macau • Olga Polackova-Vyletalova • op art • open air galleries • Paolo Pasolini • Petr Pos • photomontagepop art • psychedelic forms • psychedelic imagery • reproduction of illustrations • retouching • Richard Fremund • rollage • structural abstraction • surrealist inspiration • typographic poster • Vladimir Tesar • Vratislav Hlavaty • Zdenek Palcr • Zdenek Vlach • Zdenek Ziegler

CONTRIBUTOR

Simon Perkins
24 JUNE 2013

Boris Bilinsky's Constructivist-inspired Metropolis film poster

"This composition comprises the flat, featureless and strongly linear below–ground buildings of Metropolis' workers city, transformed and transposed into a mass of soaring, above–ground skyscrapers, huddled together and rather chaotically intersected by aerial roads and walkways. This interpretation of Fritz Lang's urban vision, as opposed to a mere reproduction of images from the film, makes a stunning poster. The strongly linear elements of Bilinsky's cityscape contrasts with the circular Tower of Babel and other soft–edged constructions which exist in Joh Fredersen's above–ground city for the rich and privileged. This poster has been reproduced in a number of publications dealing with European film posters, posters in general, and art movements of the 1920s. Bilinsky's work presents an artisitc bridge between Russian constructivism with is hard edges and linearity, and the soft, romantic elements so much a part of the French tradition."

Fig.1 Metropolis – L'Alliance Cinématographique Européenne présente une production UFA réalisé par Fritz Lang d'aprés le scénario de Thea von Harbou. UFA ACE', 4 Sheet poster, (240 x 320 cm) 224 x 303.5 cm / 96 x 120 inches, Farblithografie, Bédos et Cie, Paris, 1927. Signed 'Boris Bilinsky', upper right. Collection: Kunstbibliothek, Staatliche Museen / Stiftung Preußischer Kulturbesitz, Berlin. René Clémenti–Bilinsky catalogue no.1030.

(Michael Organ and René Clémenti–Bilinsky)

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1920s1927 • Boris Bilinsky • cityscapeConstructivist-inspireddesign formalismfilm posterFrench artistic traditionFritz Lang • hard edges • Joh Fredersen • linear elements • linearityMetropolis (1927) • Michael Organ • modernist aesthetics • Modernist masterpiece • poster design • Rene Clementi-Bilinsky • romantic elements • skyscraper • soft elements • Thea von HarbouTower of Babelurban visionvisual design

CONTRIBUTOR

Simon Perkins
11 JANUARY 2012

Movie Posters revised: an exercise in visual literacy

[UK designer Olly Moss revises classic film posters.]

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abstraction • An American Werewolf in London • Deerhunter • design exercise • design formalism • Die Hard • Dirty Harry • film poster • Four Lions • graphic designgraphic style • Hydra (TV) • Jackie Brown • movie • Olly Moss • On the Waterfront • pop-cultureposterposter design • Return of the Jedi • revision • RoboCop • Rocky (film) • Source Code (2011) • The Empire Strikes Back • The Evil Dead • The Great Dictator • There Will Be Blood • Thor (film) • visual communicationvisual designvisual languagevisual literacyvisual style • werewolf

CONTRIBUTOR

Simon Perkins
12 DECEMBER 2011

Vintage 1950s advertising posters in disused passageways

"Vintage 1950s advertising posters in disused passageways at Notting Hill Gate tube station, London – photographed in 2010

Many people now know the story of the uncovered and disused ex–lift passageways in Notting Hill Gate tube station that LU workers rediscovered in 2010 after 50 years of being sealed up. ...

This view looks towards where the stairs down to the lifts would have been and shows the original 1900 tiled finishes along with a wall of posters, the Victor Galbraith 'Party Travel' poster, with an elephant, issued by London Transport itself being prominent.

The posters and passageways have, after much thought, been re–entombed and are again inaccessible so please don't pester the station staff"

(London Transport + Mikey Ashworth, 24 May 2010)

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1950s195619592010advertisingadvertising posters • Around the World in Eighty Days (film) • Astoria Theatre • Charing Cross Road • David Niven • Deborah Kerr • disused • elephantfilm poster • hidden posters • Leicester Square Theatre • LondonLondon TransportLondon Underground • Notting Hill Gate • Notting Hill Gate Station • old posters • Party Travel • passageway • pastposter • Rita Hayworth • Separate Tables (film) • tiletime capsuleTube (transport)tube station • Victor Galbraith • vintage • Wendy Hiller

CONTRIBUTOR

Simon Perkins
03 OCTOBER 2011

Rodchenko's revolution: a socialist with true vision

"Painter, photographer, filmmaker, set designer, teacher, metalworker, [Alexander Rodchenko] revelled in the new freedoms thrown up by the Russian Revolution and was fiercely committed to liberating art for the masses.

Whether it was his blueprint for the ideal working man's club showcased at the Paris Exhibition of 1925, his illustrated covers for engineering manuals or his pioneering film poster for Sergei Eisenstein's classic Battleship Potemkin, Rodchenko's experimentation embodied the spirit of the early Soviet era.

But just as he thrived in the intellectual ferment of the Lenin years, like so many other artists–cum–revolutionaries of the period he was to fall foul of Stalin's increasingly paranoid and brutal regime.

Today his influence lives on, not only inspiring modern–day photographers like Martin Parr, but his designs are perhaps best known for the art school chic they afford to the covers of records by the Scottish indie band Franz Ferdinand."

(Arifa Akbar and Jonathan Brown, 2 January 2008, The Independent)

Alexander Rodchenko (1925). "Lengiz books on all subjects!"

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19252004Alexander Rodchenkoanimationart school • artist-cum-revolutionary • bandBattleship Potemkin (1925)design formalism • engineering manuals • figures in spacefilm posterfilmmakerFranz Ferdinandhomageidealism • illustrated covers • indie band • Joseph Stalin • liberating art for the masses • Martin Parr • metalworker • modernist aestheticsmotion graphicsmusic videopainter • Paris Exhibition • photographerphotomontagepioneeringposter design • record cover • regimerevisionRussian artistRussian constructivismRussian design • Russian Revolution • Scottishsequence designSergei Eisenstein • set designer • Soviet era • Take Me Out • typographyvisual communicationvisual designvisual literacyVladimir Lenin

CONTRIBUTOR

Simon Perkins
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