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Which clippings match 'Realities' keyword pg.1 of 1
05 JANUARY 2013

Epistemological Positions in Design Research

"The significance of acknowledging the differences between the aspects of these epistemologies is twofold; first it connects the theory of research to the practice of research and reveals the limits of truth claims in terms of objectivity, validity and generalisability. Second, Crotty's model emphasizes the necessity of remaining epistemologically consistent. Objectivist research must distinguish scientifically established objective facts from people's everyday subjective meanings. In turn, consistently constructionist research must place all meanings, scientific and non–scientific on an equal basis – they are all constructions, and none is truly objective or generalisable [sic]. The further one moves towards subjectivism, the greater the limits of the objectivity, validity and generalisablity of one's truth claims (Seale 1999). Being epistemologically aware requires that at each point in the research process we recognize that we make a variety of assumptions about human knowledge, the realities encountered in the human world and the interpretability of our findings."

(Luke Feast and Gavin Melles, 2010)

Feast, L. and G. Melles (2010). "Epistemological Positions in Design Research: A Brief Review of the Literature". Connected 2010 – 2nd International Conference on Design Education Sydney, Australia, University of New South Wales.

"Point of View" by Christopher Hassler [http://500px.com/photo/6984247]

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TAGS

2010academic communityassumptions • Charles Owen • Christopher Frayling • Clive Seale • constructionism • constructionist research • creative practice • Daniela Buchler • design educationdesign research • epistemological consistency • epistemological positions • epistemologies • epistemologyfindings • Fiona Candlin • Gavin Mellesgeneralisability • human knowledge • International Conference on Design Education • interpretability • Kees DorstKen Friedmanknowledge constructions • limits of objectivity • limits of truth claims • Luke Feast • Michael BiggsMichael CrottyNigel Cross • non-scientific meanings • objective • objectivist research • objectivity • practice of research • realitiesreview of literature • Roy Prentice • scholarly researchscientific methodscientifically established objective factssubjectivism • theory of research • truth claimsUniversity of New South Walesvalidity

CONTRIBUTOR

Simon Perkins
28 DECEMBER 2012

Documentaries were always forms of re-presentation

"But as a strategy and a form, the interview–oriented film has problems of its own. ... the film–maker with intertitles, making patently clear what has been implicit all along: documentaries always were forms of re–presentation, never clear windows onto 'reality'; the film–maker was always a participant–witness and an active fabricator of meaning, a producer of cinematic discourse rather than a neautral or all–knowing reporter of the way things truely are."

(David MacDougall p.260, 1985)

MacDougall, David. "The Voice of Documentary", in Movies and Methods: Volume II, Bill Nichols ed. Berkeley: University of California Press, 1985.

Fig.1 Dana Perry and her son Evan Scott Perry, at age 3, HBO documentary "Boy Interrupted" [http://www.hbo.com/documentaries/boy–interrupted]

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TAGS

authorial intrusionauthorship • Bill Nichols • documentariesdocumentary • documentary interview • documentary representation of reality • documentary truthfilmfilm scholarshipfilm theoryfilmmaking processreal liferealismrealitiesrealityrepresentationrepresentational modesrepresentational strategies • semiological methods • structuralist-semiology • textual referencetheoretical perspectivestruthtruth and realitytruth of perception

CONTRIBUTOR

Simon Perkins
15 SEPTEMBER 2011

The Unknown Fields Division: exploring fictional near-future scenarios

"The Unknown Fields Division is a nomadic design studio that ventures out on annual expeditions to the ends of the earth exploring unreal and forgotten landscapes, alien terrains and obsolete ecologies. Join the Division as each year we navigate a different global cross section and map the complex and contradictory realities of the present as a site of strange and extraordinary futures.

Here we are both visionaries and reporters, part documentarians and part science fiction soothsayers as the otherworldly sites we encounter afford us a distanced viewpoint from which to survey the consequences of emerging environmental and technological scenarios."

(Liam Young and Kate Davies)

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TAGS

a site • alien • alien terrain • architectureartartistic practicecomplexityconsequences • contradictory realities • design fictiondesign speculationdesign studiodistanced viewpointdocumentarian • emerging environmental scenarios • emerging technological scenarios • ends of the earth • environmental scenarios • experimentationexploringextraordinary • extraordinary futures • fictional • fictional near-future scenarios • forgotten landscapes • futurefuturesinterdisciplinary • LiquidFactory • near-future scenariosobsolescenceobsolete ecologiesotherworldlyperformancerealitiesscience fiction • soothsayers • speculative projectsstrange • technological scenarios • the present • Unknown Fields Division • unreal landscapes • ventures • visionaries

CONTRIBUTOR

Simon Perkins
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