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Which clippings match 'Histories' keyword pg.1 of 1
04 JANUARY 2014

Story and Show Bibles: TV series pitching and reference documents

"Writers who want to pitch a TV series create a show bible. The bible contains the concept, location, bios of the characters, full episodes, synopses of potential episodes, and possibly even a pilot episode. Once the TV series is launched, the show bible is used to keep track of details about the setting and characters to preserve continuity. The show bible reminds writers about pertinent but minute facts. No doubt the writers for the TV show Buffy the Vampire Slayer needed to know the characteristics of each demon that Buffy fought as well as the names of her high school classmates who turned out to be vampires. It would be confusing if a student who was supposedly a vampire one season were suddenly able to see her reflection during the next season."

(Rochelle Melander, 2011, p.46)

Melander, R. (2011). "Write–A–Thon: Write Your Book in 26 Days (And Live to Tell About It)", F+W Media.

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TAGS

2011bible (guide)Buffy the Vampire Slayer • character bible • character bios • character history • consistencycontinuityepisodesfictional universehistories • keep track • living document • living inside a show • main characterpilot episode • pitch document • plotline • preserve continuity • production document • progressive design • reference document • Rochelle Melander • screenwriters • series pitch • show biblesoap opera • story bible • story breakdown • story concept • story location • story outline • story setting • synopsis • television seriesTV series • types of bibles • updated as a series progresses • world of the storywriters

CONTRIBUTOR

Simon Perkins
12 MAY 2013

Can Histories Be True? Narrativism, Positivism, and the MetaphoricalTurn

"Narrativism, as represented by Hayden White and Frank Ankersmit, can fruitfully be analyzed as an inversion of two brands of positivism. First, narrativist epistemology can be regarded as an inversion of empiricism. Its thesis that narratives function as metaphors which do not possess a cognitive content is built on an empiricist, 'picture view' of knowledge. Moreover, all the non–cognitive aspects attributed as such are dependent on this picture theory of knowledge and a picture theory of representation. Most of the epistemological characteristics that White and Ankersmit attribute to historical narratives therefore share the problems of this picture theory.

The article's second thesis is that the theories of narrative explanation can also fruitfully be analyzed as inversions of positivist covering–law theory. Ankersmit's brand of narrativism is the most radical in this respect because it posits an opposition between narrative and causal modes of comprehension while simultaneously eliminating causality from narrativist historical understanding. White's brand of narrativism is more of a hybrid than is Ankersmit's as far as its theory of explanation is concerned; nevertheless, it can also be fruitfully interpreted as an inversion of covering–law theory, replacing it by an indefinite multitude of explanatory strategies.

Most of the striking characteristics of both White's and Ankersmit's narrativism pre–suppose positivism in these two senses, especially their claim that historical narratives have a metaphorical structure and therefore no truth–value. These claims are had to reconcile with the factual characteristics of debates by historians; this problem can be tracked down to the absence in 'metaphorical' narrativism of a conceptual connection between historical narratives and historical research."

(Chris Lorenz, 1998, Wiley–Blackwell)

Lorenz, C. (1998). "Can Histories Be True? Narrativism, Positivism, and the "MetaphoricalTurn"." History and Theory 37(3): 309–329.

TAGS

causal modes of comprehensioncausality • cognitive content • conceptual connection • empiricism • emplotment • explanatory strategy • factual characteristics • Frank Ankersmit • Hayden White • historical chronicles • historical narrative • historical narrativeshistorical researchhistorical understandinghistoriesknowledge • metahistory • metanarrativemetaphormetaphoric reference • metaphorical narrativism • metaphorical representation • metaphorical structure • metaphorical turn • narrative explanation • narratives • narrativism • narrativist epistemology • picture theory • picture view of knowledge • positivismrepresentation • storied ways of communicating • storied ways of knowing • truth claims • truth-value

CONTRIBUTOR

Simon Perkins
06 MARCH 2012

Senses of Cinema: Australian-based online film journal

"Senses of Cinema is an online journal devoted to the serious and eclectic discussion of cinema. We believe cinema is an art that can take many forms, from the industrially–produced blockbuster to the hand–crafted experimental work; we also aim to encourage awareness of the histories of such diverse forms. As an Australian–based journal, we have a special commitment to the regular, wide–ranging analysis and critique of Australian cinema, past and present.

Senses of Cinema is primarily concerned with ideas about particular films or bodies of work, but also with the regimes (ideological, economic and so forth) under which films are produced and viewed, and with the more abstract theoretical and philosophical issues raised by film study. As well, we believe that a cinephilic understanding of the moving image provides the necessary basis for a radical critique of other media and of the global 'image culture'."

(Nicola White, Senses of Cinema Inc)

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TAGS

academic journal • AFI Research Collection • analysis and critique • APAIS • art formAustralianAustralian cinema • Australian content • Australian Public Affairs Information Service • Australian-based • Bill Mousoulis • blockbuster • bodies of work • cinemacinephilic understandingcritical theoryeclecticexperimental cinema • film analysis • film industryfilm scholarship • film study • Film Victoriafilmmakinghand-craftedhistories • image culture • International Bibliography • journalmedia culturemedia studiesMLA • MLA Directory of Periodicals • Modern Language Association of America • Movie Review Query Engine • moving imageNational Library of Australiaonline journalradical critiqueRMIT Universityscreen cultureSenses of Cinema (journal) • theoretical issues

CONTRIBUTOR

Simon Perkins
15 SEPTEMBER 2011

Nina Wenhart's blog on the prehysteries of new media

"this blog is nina wenhart's collection of resources on the various histories of new media art. it consists mainly of non or very little edited material i found flaneuring on the net, sometimes with my own annotations and comments, sometimes it's also textparts i retyped from books that are out of print.

it is also meant to be an additional resource of information and recommended reading for my students of the prehystories of new media class that i teach at the school of the art institute of chicago in fall 2008.

the focus is on the time period from the beginning of the 20th century up to today."

(Nina Wenhart, 26/06/2008)

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TAGS

20th centuryAlan Turingapplied researchARarchiveArs Electronicaart • art + science • art + technologyart of codeartificial intelligenceartificial life • artistic molecules • artistic practice • artistic software • artistsASCIIASCII-Artatom • atomium • audiofiles • augmented realityavant-gardebody • Cave Automated Virtual Environment (CAVE) • code art • cold warcollection • collection of resources • computercomputer animationcomputer graphicscomputer history • computer programming language • computer research • computer sculptureconcept artconceptual artconceptualisationconcrete poetry • copy-it-right • creative practicecritical theorycross-disciplinaryculture industrycuratingcurationcut-up techniquecybernetic artCybernetic Serendipitycyberneticscyberpunkcyberspacecyborgdata miningdata visualisationdesign research • dream machine • E.A.T. • early new media • Edward Ihnatowiczengineers • Eugen Roth • exhibitionsexpanded cinemaexperimental musicexperimentation • female artists and digital media • flaneur • flaneuring on the net • Fluxusfoundgenerative artgenetic artglitch • Gordon Pask • GPSgraffiti • Grey Walter • GUI • hackers and painters • hackinghacktivismHCIHerbert FrankehistorieshistoryhypermediahypertextIannis Xenakisimagineeringinformation theoryinsightinstructionsinteractive artinterdisciplinaryInternet • Ivan Picelj • Jack Burnham • Julije Knifer • Ken Rinaldo • kinetic sculpture • Lidija Merenik • live visualsmagic • Manchester Mark 1 • manifestomappingmediamedia archaeologymedia art • media art histories • minimalism • mother of all demos • mousemusical scorenetartnew medianew media art • new media exhibition • new media festival • Nina Wenhart • open sourceopen space • out of print • particle systems • Paul Graham • performance • phonesthesia • playlistpoetrypoliticspractice-led • prehysteries of new media • prehystories of new mediaProcessing (software)programmingprogramming languageprojectspsychogeographyradio artrare • re:place • real-timeresearch artefactresources • retyped • ridiculous • rotten + forgotten • SAIC • sandin image processor • School of the Art Institute of Chicagoscientific visualisation • screen-based • SIGGRAPHSituationistsslide projectorslit-scansoftwaresoftware studiesspeculative designspeculative research • Stewart Brand • surveillancetactical mediataggingtechniquetechnologytelecommunicationtelematic arttelematic experiencetext • textparts • Theo Jansentheoretical contexttheory buildingtimeline • Turing Test • ubiquitous computingunabomberundergraduate researchvideo artvideo synthesizervirtual realityvisual musicvisual research • Vladimir Bonacic • VRWalter Benjaminwearable computing • Williams Tube • world fair • world machine • Xerox PARCZKM • [Nove] tendencije

CONTRIBUTOR

Simon Perkins
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