"An artist and comedian [Miriam Elia] has been told by the publisher Penguin that her new satirical art book breaches its copyright, and if she continues to sell copies it could use the courts to seize the books and have them pulped. ...
Elia's version sees them visiting an exhibition at a modern art gallery and grappling with existential questions about the nature of Tracey Emin–style conceptualist work, much of it peppered with distinctly adult imagery."
(Gareth Rubin, 2 March 2014, The Guardian)
"In 'What is an author?' , Michel Foucault says we are 'accustomed to presenting the author as a genius.' We see the author as the 'genial creator' of work in which he gives us, 'with infinite wealth and generosity,' an inexhaustible world of meanings. (Being 'creative' always has a positive ring, whatever is produced!) Foucault says that the author does not 'precede' the work: ideas and meanings are already there and the author's role is to 'choose,' to filter and synthesise to create output. (Foucault also emphasises 'limiting' and 'excluding'). The author's role is to limit the proliferation of meanings and present a personal view of the world. Yet the 'genius author' is represented as a continual source of invention–the opposite of his genuine function."
(Monika Parrinder, 2000, Eye Magazine)
"ARCADE is a Seattle–based nonprofit that creates opportunities – in print, in the community and online – for sharing ideas about design, culture and the built environment. We publish a magazine; host events and provide a curated calendar of Northwest design and art happenings. Aiming to strengthen connections between various creative groups and design disciplines, we invite all to participate and collectively add to the greater whole.
Founded in 1981 by a group of recent architecture–school graduates, ARCADE now includes two staff people, a dedicated board of trustees, and a cadre of generous and enthusiastic committee members and volunteers."
(Kelly Rodriguez, Erin Kendig)
"Our creative journey first began 170 years ago in 1843, with the opening of the Nottingham Government School of Design in the city. Driven by a growing need for design skills in regional industries, most predominantly in textiles and lace, 20 years of rapid evolution in art and design education followed."
(Nottingham Trent University)