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02 NOVEMBER 2015

Hakanaï dance performance 2013

"Hakanaï is a solo choreographic performance that unfolds through a series of images in motion. In Japanese Hakanaï denotes that which is temporary and fragile, evanescent and transient, and in this case something set between dreams and reality. While widely associated with nature, the term is now often used to elicit an intangible aspect of the human condition and its precariousness. It encompasses two elements: that concerning the human being as well as that related to dreams. This symbolic relationship is the foundation of the dance composition in which a dancer gives life to a space somewhere between the borders of imagination and reality, through her interactions with the images she encounters. The images are on-stage animations that move in physical patterns according to the rhythm of the live sounds that they follow. The performance's outcome is the revelation of a digital installation to its audience."

Fig.1 Composed and Directed by Adrien Mondot & Claire Bardainne; Dance (alternating) Akiko Kajihara, Satchie Noro, Virginie Barjonet, Francesca Ziviani; Digital Interpretation (alternating); Adrien Mondot, Claire Bardainne, Jérémy Chartier, Loïs Drouglazet; Sound Design; Christophe Sartori, Loïs Drouglazet, Pierre Xucla; Sound Interpretation Christophe Sartori, Loïs Drouglazet, Jérémy Chartier, Pierre Xucla; Set Design Martin Gautron, Vincent Perreux; Digital Toolset Loïs Drouglazet; Light Design Jérémy Chartier; Outside Viewer Charlotte Farcet; Costume Design Johanna Elaouf; Technical Director Alexis Bergeron; Administrator Marek Vuiton; Booking Charlotte Auché; Production assistant Margaux Létang; Produced by; Adrien M / Claire B; Co-productions, Funding & Support; Les Subsistances, Lyon / Centre Pompidou-Metz; La Ferme du Buisson, Scène nationale de Marne-la-Vallée, Noisiel / Hexagone Scène Nationale Arts Sciences – Meylan / Les Champs Libres, Rennes / Centre des Arts, Enghien-les-Bains / Maison de la Culture de Nevers et de la Nièvre / City of Lille / DICRéAM; The Adrien M / Claire B Company is accredited by DRAC Rhône-Alpes, Rhône-Alpes Region and is supported by the City of Lyon.

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TAGS

2013 • Adrien Mondot • Akiko Kajihara • Alexis Bergeron • algorithmic composition • algorithmic pattern • art and technology • artistic duo • between dream and reality • black and white • Charlotte Farcet • choreographic performance • Christophe Sartori • Claire Bardainne • computational artscube • dance composition • dance performancedesign formalism • digital backdrop • digital interpretation • digital puppetry • evanescence • fragilityFrancesca Zivianigenerative designgeometric pattern • Hakanai (2013) • immersive worksinteractive installation • Jeremy Chartier • Johanna Elaouf • light projection • Lois Drouglazet • Margaux Letang • Martin Gautron • movement performance • performance installation • Pierre Xucla • projection mappingpuppetryrhythm • Satchie Noro • sensors • snowflake • solo choreographic performance • solo performance • spider web • symbolic relationship • synapsetemporarytransiencetransitory movementtranslucence • translucent veils • Vincent Perreux • Virginie Barjonet • visual journey

CONTRIBUTOR

Simon Perkins
01 FEBRUARY 2015

Cubepix: responsive low-fi cube pixel matrix installation

"The special projects division of Glassworks Barcelona–Xavi's Lab created Cubepix, a fully interactive and real–time projection mapping installation in their studio that combines very simple materials (cardboard) with quite sophisticated tech (projection mapping, pixel rotation, sync, etc). It has been conceived and developed entirely by their resident technologist Xavi Tribo. The prototype has been devised using a projector, a Microsoft Kinect, 8 Arduino boards, openFrameworks, 64 servo motors and 64 cardboard boxes."

(Filip Visnjic, 01/02/2013, CreativeApplications.Net)

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2013 • 8-bit Smiles • ArduinoBarcelonacardboard • cardboard box • cube • Cubepix • Cubepix (2013) • Glassworks Barcelona • interactive installation • interactive projection mapping installation • KinectKinect for Xbox 360low-fi animationmatrixMicrosoft KinectOpenFrameworkspixel matrixprojectionprojection mapping • projection mapping installation • servo • servo motor • Spanish designer • Xavi Tribo • Xavis La

CONTRIBUTOR

Simon Perkins
09 SEPTEMBER 2012

Modular architecture central to Christchurch's urban regeneration

"Martin Trusttum, from CPIT's Faculty of Creative Industries, likens his ArtBox project to a game of Tetris. 'It's just like Tetris but in slow motion. They are cubes and eventually they will come together to form a precinct.'

ArtBox will be located on the corner of Madras and St Asaph streets on the old Southlander Tavern–Jetset Lounge site opposite Anton Parsons' sculpture Passing Time.

It is a rare collection of mobile and flexible modules designed by Sydenham–based F3 and will offer about 18 spaces suitable for galleries and studios. It offers a practical, timely solution to the many low–cost premises used as galleries and studios destroyed by the February 2011 earthquake. "

(Vicki Anderson, 07 September 2012, Stuff.co.nz)

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CONTRIBUTOR

Simon Perkins
03 FEBRUARY 2005

Oskar Fischinger: Komposition in Blau

"Surfaces dominate in the abstract animated film 'Komposition in Blau/ Lichtkonzert Nr.1' (Composition in Blue / Light Concert No. 1). Colorful geometric figures are set in rhythmic motion. The music from Nicolai's 'The Merry Women of Windsor' is impressively visualized through a blending of form and color. Fischinger created wooden cubes and cylinders as three–dimensional animated models, approximately as tall as a cigarette, some of them painted and others covered with fabric. 'At first the set seems to reveal a room. But then the floor begins to reflect the geometric figures. Cubes perfectly–aligned in a row, forming a flat mosaic–like surface, tumble apart to form a stairway. In this perpetually changing universe, a cylinder pounds at the floor and sets off a series of waves, and a decorative, flat circle flies into the empty space. The beauty of the colored, geometric forms–a yellow rectangle descends gracefully into the frame–escalates to the frenzied magic of the impossible.'"

(William Moritz, Media Art Net)

Source: William Moritz: 'Oskar Fischinger', in: Deutsches Filmmuseum Frankfurt am Main, Optische Poesie. Oskar Fischinger Leben und Werk, Kinematograph Nr. 9, 1993, p. 42)

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19353Dabstract animated filmabstract filmabstractionanimated modelsanimationblue • changing • choreographycigarettescirclecolourcolour and music • Composition in Blue • cubecylinderdesign formalismflat • form and colour • geometric figuresgeometric formsKomposition in Blaumosaicmotion designmusic videoOskar Fischingerpioneerrhythmic motionstairwaystop framesurface • three-dimensional • tumble • visual designvisual patternvisualisation • waves • wood • wooden cubes • wooden cylinders

CONTRIBUTOR

Simon Perkins
09 NOVEMBER 2004

25 Second LittleVision

LittleVision is the Hotpants display device modified so that it can play 25–seconds of video. We record the video using a webcam and special software developed by Justin Manor. Then the video is compressed and burned directly onto the PIC microcontroller onboard the Hotpants display, making it a self–contained video brick.

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25 second • blockbrickcubedevice • Hotpants • LED • LittleVision • low-definition screenMITMIT Media Labnarrativestorytechnologytoyvisualisationwebcam
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