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Which clippings match 'Animated Models' keyword pg.1 of 1
03 JUNE 2013

Les Automates Jaquet-Droz

"Réalisé principalement par Pierre Jaquet–Droz, l'Ecrivain est le plus compliqué des trois mécanismes. Assis devant un pupitre, l'automate tient une plume d'oie qu'il trempe dans l'encrier, puis il la secoue légèrement avant de commencer de dessiner les lettres sur le papier. Grâce à un mécanisme annexe, ses yeux suivent son travail. L'Ecrivain est capable de tracer un texte de 40 signes au maximum, répartis sur quatre lignes. La principale invention de son mécanisme est le système de programmation par disque, qui lui permet d'écrire des textes suivis sans intervention extérieure. Il est également possible de lui faire écrire n'importe quelle phrase, lettre par lettre."

(Musée d'art et d'histoire de Neuchâtel)

[A robotic draftsman which is able to write through following a programmable sequence of letters.]

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TAGS

1774 • 18th centuryandroidanimated modelsautomataautomation • clockwork • computer historydevicefuturistic machines • Henri-Louis Jaquet-Droz • human-likehumanoid automatonindustrial heritageinteractive toy • Jean-Frederic Leschot • kinetic automaton • Les automates • mechanical beingmechanical engineering • Pierre Jaquet-Droz • programmable device • quill pen • robotsimulacrasimulationspeculative designSwitzerlandsynthesis machineswriterwriting machine

CONTRIBUTOR

Simon Perkins
07 OCTOBER 2012

The Bruce Lacey Experience: rich and diverse artistic production

"Bruce Lacey (born 1927) is one of Britain's great visionary artists. His lifetime pursuit of eccentric 'making and doing' has been a cathartic working–through of his experiences. This survey of a rich and diverse artistic production is a celebration of both his vibrant life (which includes working with Spike Milligan, The Beatles and Ken Russell) and his art which reveals telling links with the visual culture of the last 60 years. Co–curated by artist Jeremy Deller and art historian Professor David Alan Mellor, the exhibition charts Lacey's artistic development in a career encompassing painting, sculpture, robotised assemblages, theatrical performances and installations, as well as community arts and ritual action performances."

(Camden Arts Centre, 2012)

Fig.1 "Bruce Lacey Final H264 Widescreen 960x540" [Interview for The Bruce Lacey Experience, 7 July 2012 – 16 September 2012, Camden Arts Centre]

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TAGS

2012animated modelsart exhibitionassemblageautomate • Bruce Lacey • Camden Arts Centrecircuscontraptioncontraptionscybernetic art • David Alan Mellor • deviceeccentric • electric actors • electronic artengineering • George Harrison • ingenuityJeremy Deller • Jill Bruce • Ken Russellkinetic artkinetic automaton • ley line • making and doing • making something happen • New Realism • outrageous stunts • performance career • personal psychotherapy • Peter Sellers • ritual action performance • robotroboticrobotic artrobotised assemblagesRoyal College of ArtSpike MilliganstuntThe Beatles • theatrical performances • UK • variety theatre • visionary artist

CONTRIBUTOR

Simon Perkins
03 FEBRUARY 2005

Oskar Fischinger: Komposition in Blau

"Surfaces dominate in the abstract animated film 'Komposition in Blau/ Lichtkonzert Nr.1' (Composition in Blue / Light Concert No. 1). Colorful geometric figures are set in rhythmic motion. The music from Nicolai's 'The Merry Women of Windsor' is impressively visualized through a blending of form and color. Fischinger created wooden cubes and cylinders as three–dimensional animated models, approximately as tall as a cigarette, some of them painted and others covered with fabric. 'At first the set seems to reveal a room. But then the floor begins to reflect the geometric figures. Cubes perfectly–aligned in a row, forming a flat mosaic–like surface, tumble apart to form a stairway. In this perpetually changing universe, a cylinder pounds at the floor and sets off a series of waves, and a decorative, flat circle flies into the empty space. The beauty of the colored, geometric forms–a yellow rectangle descends gracefully into the frame–escalates to the frenzied magic of the impossible.'"

(William Moritz, Media Art Net)

Source: William Moritz: 'Oskar Fischinger', in: Deutsches Filmmuseum Frankfurt am Main, Optische Poesie. Oskar Fischinger Leben und Werk, Kinematograph Nr. 9, 1993, p. 42)

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TAGS

19353Dabstract animated filmabstract filmabstractionanimated modelsanimationblue • changing • choreographycigarettescirclecolourcolour and music • Composition in Blue • cubecylinderdesign formalismflat • form and colour • geometric figuresgeometric formsKomposition in Blaumosaicmotion designmusic videoOskar Fischingerpioneerrhythmic motionstairwaystop framesurface • three-dimensional • tumble • visual designvisual patternvisualisation • waves • wood • wooden cubes • wooden cylinders

CONTRIBUTOR

Simon Perkins
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