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Which clippings match 'Art And Technology' keyword pg.1 of 2
02 NOVEMBER 2015

Hakanaï dance performance 2013

"Hakanaï is a solo choreographic performance that unfolds through a series of images in motion. In Japanese Hakanaï denotes that which is temporary and fragile, evanescent and transient, and in this case something set between dreams and reality. While widely associated with nature, the term is now often used to elicit an intangible aspect of the human condition and its precariousness. It encompasses two elements: that concerning the human being as well as that related to dreams. This symbolic relationship is the foundation of the dance composition in which a dancer gives life to a space somewhere between the borders of imagination and reality, through her interactions with the images she encounters. The images are on-stage animations that move in physical patterns according to the rhythm of the live sounds that they follow. The performance's outcome is the revelation of a digital installation to its audience."

Fig.1 Composed and Directed by Adrien Mondot & Claire Bardainne; Dance (alternating) Akiko Kajihara, Satchie Noro, Virginie Barjonet, Francesca Ziviani; Digital Interpretation (alternating); Adrien Mondot, Claire Bardainne, Jérémy Chartier, Loïs Drouglazet; Sound Design; Christophe Sartori, Loïs Drouglazet, Pierre Xucla; Sound Interpretation Christophe Sartori, Loïs Drouglazet, Jérémy Chartier, Pierre Xucla; Set Design Martin Gautron, Vincent Perreux; Digital Toolset Loïs Drouglazet; Light Design Jérémy Chartier; Outside Viewer Charlotte Farcet; Costume Design Johanna Elaouf; Technical Director Alexis Bergeron; Administrator Marek Vuiton; Booking Charlotte Auché; Production assistant Margaux Létang; Produced by; Adrien M / Claire B; Co-productions, Funding & Support; Les Subsistances, Lyon / Centre Pompidou-Metz; La Ferme du Buisson, Scène nationale de Marne-la-Vallée, Noisiel / Hexagone Scène Nationale Arts Sciences – Meylan / Les Champs Libres, Rennes / Centre des Arts, Enghien-les-Bains / Maison de la Culture de Nevers et de la Nièvre / City of Lille / DICRéAM; The Adrien M / Claire B Company is accredited by DRAC Rhône-Alpes, Rhône-Alpes Region and is supported by the City of Lyon.

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2013 • Adrien Mondot • Akiko Kajihara • Alexis Bergeron • algorithmic composition • algorithmic pattern • art and technology • artistic duo • between dream and reality • black and white • Charlotte Farcet • choreographic performance • Christophe Sartori • Claire Bardainne • computational artscube • dance composition • dance performancedesign formalism • digital backdrop • digital interpretation • digital puppetry • evanescence • fragilityFrancesca Zivianigenerative designgeometric pattern • Hakanai (2013) • immersive worksinteractive installation • Jeremy Chartier • Johanna Elaouf • light projection • Lois Drouglazet • Margaux Letang • Martin Gautron • movement performance • performance installation • Pierre Xucla • projection mappingpuppetryrhythm • Satchie Noro • sensors • snowflake • solo choreographic performance • solo performance • spider web • symbolic relationship • synapsetemporarytransiencetransitory movementtranslucence • translucent veils • Vincent Perreux • Virginie Barjonet • visual journey

CONTRIBUTOR

Simon Perkins
26 SEPTEMBER 2014

The Prisoner: the cult British television series

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1960s • Alcatraz • allegory • Angelo Muscat • art and technologyballoonBritish televisionBritish television series • Butlins • captors • coastal resort • coastal village resort • Colin Gordon • countercultural themes • cult televisiondemocracy • Denis Shaw • drama series • Fenella Fielding • Frank Maher • freedom • gilded cage • Gwynedd • held prisoner • individuality • inmate • Kafkaesque • Leo McKern • meteorological balloon • mysterious place • ominous • Patrick McGoohan • Penrhyndeudraeth • personal identity • Peter Swanwick • plotting to escape • Portmeirion • prisoner • psychological drama • roverscience fictionscientific progresssecret agent • spy fiction • surrealistic setting • television series • The Prisoner (television) • villageWales • war of attrition • white balloon

CONTRIBUTOR

Simon Perkins
04 AUGUST 2014

Eduardo Paolozzi: Turkische Musik, 1974

"Eduardo Paolozzi's work often, as in the Türkische Musik series, may be printed in different color schemes or on different papers. All these elements combine to suggest that the image is often discovered in the act of creating it; the artist's role is integrally balanced between active calculation and chance. No longer confined to a single plan, the artist–printmaker and his work signify an exciting new order of print– making, one in which technological expertise becomes a useful vehicle for personal expression."

(Georgette Lee, 1986)

Precision of Image: Technology in Printed Art : 20 April – 7 September, 1986, The Joe and Emily Lowe Art Gallery at Syracuse University in Syracuse.

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CONTRIBUTOR

Simon Perkins
27 NOVEMBER 2012

Technological advances expand the artist's expressive vocabulary

Exhibition: "Bruno Munari: My Futurist Past", Estorick Collection of Modern Italian Art, 39A Canonbury Square, London, N1 2AN, From 19 September 2012 to 23 December 2012.

Bruno Munari was a "founding member of the Movimento Arte Concreta (M.A.C.) in Milan, which was established towards the end of the 1940s. This acted as a catalyst for new developments in Italian abstraction, and aspired to bring about a 'synthesis of arts' in which traditional painting would be complemented by new tools of communication, demonstrating the possibility of a convergence of art and technology, creativity and functionality. Reflecting his belief that technological advances expanded the artist's expressive vocabulary, by 1950 Munari had begun to experiment with creating works by means of projecting light through compositions made from a wide range of materials such as coloured and transparent plastic, organic elements and Polaroid filters, producing beautiful and intriguing images of vast dimensions."

(Estorick Collection of Modern Italian Art, 2012)

Fig.1 Bruno Munari, Aeroplanes and Archers, 1932, mixed media, 34.8 x 24.8cms Courtesy Massimo & Sonia Cirulli Archive

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19071998artart and technologyartistBruno Munaricolour and lightConstructivist-inspiredconvergence • creativity and functionality • exhibitionexpressive vocabularyFuturism (art movement) • Futurist past • hanging mobile • hanging objects • Italian • Italian abstraction • Italian art • Milanmobilesmodernist tradition • Movimento Arte Concreta • new tools of communication • photomontagesculpturespatial environments • synthesis of arts • technological advances • transparent plastic • uncritical attitude towards progress • use of space • useless machinesworking across disciplines • working across media

CONTRIBUTOR

Simon Perkins
10 DECEMBER 2011

Alpha-ville 2011: International Festival of Post-digital Culture

London 22–25 September 2011: "Alpha–ville festival explores the intersection between art, technology and society and for this edition we are collaborating with various venues and spaces in London such us The Victoria & Albert Museum, Whitechapel Gallery, Rich Mix Cultural Foundation, Space Studios, Vortex Jazz Club, Netil House, XOYO and Hearn Street Warehouse to bring along an extensive 4–day event featuring social media art, kinect art, interactive installations, open labs, workshops, performances, screenings, live music & A/V shows, a one–day symposium and more!

The 2011 edition provides an online and live platform to explore, test and disseminate new ideas, emerging trends, collaborations and groundbreaking works. Running from 22–25 September and taking place alongside the London Design Festival, the 2011 edition enables a network of satellite events spreading across different London boroughs and links with other European cities such as Madrid (Twin Gallery) and Brussels & The Hague (Todays Art).

The festival programme also connects east and west London thorough a link with the V&A Digital Design Weekend."

(Alpha–ville 2011)

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2011Alpha-ville festivalAlphavilleart and technology • art technology and society • AV show • Brusselsdigital artdigital culturedigital design • Digital Design Weekend • digital media • digital media festival • emerging trends • eventfestival • Hearn Street Warehouse • innovationinteractioninteractive installation • International Festival of Post-digital Culture • kinect art • LondonLondon Design FestivalMadridmedia art • Netil House • new media • post-digital • post-digital culture • Rich Mix Cultural Foundation • satellite events • screening • social media art • Space Studios • symposiumThe Hague • Todays Art • Twin Gallery • V and AVictoria and Albert Museumvisualisation • Vortex Jazz Club • Whitechapel Gallery • XOYO

CONTRIBUTOR

Simon Perkins
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