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06 MARCH 2012

Senses of Cinema: Australian-based online film journal

"Senses of Cinema is an online journal devoted to the serious and eclectic discussion of cinema. We believe cinema is an art that can take many forms, from the industrially–produced blockbuster to the hand–crafted experimental work; we also aim to encourage awareness of the histories of such diverse forms. As an Australian–based journal, we have a special commitment to the regular, wide–ranging analysis and critique of Australian cinema, past and present.

Senses of Cinema is primarily concerned with ideas about particular films or bodies of work, but also with the regimes (ideological, economic and so forth) under which films are produced and viewed, and with the more abstract theoretical and philosophical issues raised by film study. As well, we believe that a cinephilic understanding of the moving image provides the necessary basis for a radical critique of other media and of the global 'image culture'."

(Nicola White, Senses of Cinema Inc)

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TAGS

academic journal • AFI Research Collection • analysis and critique • APAIS • art formAustralianAustralian cinema • Australian content • Australian Public Affairs Information Service • Australian-based • Bill Mousoulis • blockbuster • bodies of work • cinemacinephilic understandingcritical theoryeclecticexperimental cinema • film analysis • film industryfilm scholarship • film study • Film Victoriafilmmakinghand-craftedhistories • image culture • International Bibliography • journalmedia culturemedia studiesMLA • MLA Directory of Periodicals • Modern Language Association of America • Movie Review Query Engine • moving imageNational Library of Australiaonline journalradical critiqueRMIT Universityscreen cultureSenses of Cinema (journal) • theoretical issues

CONTRIBUTOR

Simon Perkins
20 SEPTEMBER 2011

Social Sciences Arts and Humanities Research Institute: research into practice

"Art and Design, History of Art, Architecture and Design, Drama, Dance and Performing Arts, Communication, Cultural and Media Studies, Music"

(University of Hertfordshire, School of Creative Arts)

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TAGS

applied researchart and designartistic practicearts and humanitiescreative practicecritical theory • fine art practices • Hertfordshirejournalmakers of thingspractice as research • practice-as • practice-basedpractice-ledpractitionerproduction of knowledge • propositional knowledge • research • research cluster • research groups • research into practice • role of the university • scholarshipSchool of Creative Artssocial sciences • SSAHRI • studio-based • studio-led • theory building • UH journals • University of Hertfordshirevisual artsWorking Papers in Art and Design • Working Papers on Design

CONTRIBUTOR

Simon Perkins
15 SEPTEMBER 2011

Technoetic Arts: a Journal of Speculative Research

"The journal aims to provide a forum for the presentation of new ideas, projects and practices arising from the confluence of art, science, technology and consciousness research. It has a special interest in matters of mind and the extension of the senses through technologies of cognition and perception. It will document accounts of transdisciplinary research, collabora– tion and innovation in the design, theory and production of new systems and structures for life in the twenty–first century, while inviting a re–evaluation of older world–views, esoteric knowledge and arcane cultural practices. Artificial life, the promise of nanotechnology, the ecology of mixed reality environments, the reach of telematic media, and the effect generally of a post–biological culture on human values and identity, are issues central to the journal's focus. It welcomes speculative and anticipatory approaches to research, and the unorthodox expression of ideas whenever the topic justifies such innovation. It aims to communicate to an international non–specialist readership. "

(Roy Ascott)

Roy Ascott ed. (2008) Technoetic Arts: a Journal of Speculative Research, Volume 6, Issue 1. Intellect Ltd. [http://www.scribd.com/doc/18815754/Technoetic–Arts–a–Journal–of–Speculative–Research–Volume–6–Issue–1]

Fig.1 "Urban Digital Narratives"

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TAGS

21st centuryacademic journal • anticipatory approaches to research • arcane cultural practices • artartificial lifecollaborationconfluenceconsciousnessdesignecology • esoteric knowledge • expression of ideas • human values • identityinnovationjournallife • mixed reality environments • nanotechnologynew ideasnew practices • new projects • new structures • new systems • perception • post-biological culture • productionresearchRoy Ascottsciencesensesspeculative research • Technoetic Arts • technologies of cognition • technologies of perception • technology • telematic media • theorytransdisciplinary research • twenty first century • unorthodox • world-views

CONTRIBUTOR

Simon Perkins
13 SEPTEMBER 2011

Art & Research: an e-journal of artistic research and practice

"Art & Research is an artist–led, internationally peer–assessed open access e–journal of Research in Fine Art Practice, focused upon questions, contexts and methodologies of artistic research and practice. Art & Research aims to serve professional artists and academics, curators and critics, artistic researchers, postgraduate and doctoral research students and undergraduates, and to inform current pedagogical thought in a global context."

(Ross Birrell)

Fig.1. Dutton + Swindells, Studio Production, Ssamzie Art Space Studios, Seoul, February 2008. Courtesy of the artists.

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TAGS

academic journalacademicsapplied researchartArt and Research (journal) • artist-led • artistic practiceartistic research • artistic research and practice • artistic researchers • arts pedagogy • arts researcharts researchercreative practicecritical theorycuratordesign research • doctoral research students • e-journalfine art practicejournalmethodological contextmethodologiespedagogical thoughtpeer-reviewedPhD • postgraduate research students • practice-basedpractice-based researchpractice-ledprofessional artistsresearch • research in fine art practice • researcherundergraduate researchvisual communication

CONTRIBUTOR

Simon Perkins
20 MAY 2011

The Fluxus Reader offers the first comprehensive overview on this challenging and controversial group

"Fluxus began in the 1950s as a loose, international community of artists, architects, composers and designers. By the 1960s, Fluxus has become a laboratory of ideas and an arena for artistic exprmentation in Europe, Asia and the United States. Described as 'the most radical and experimental art movement of the 1960s', Fluxus challenged conventional thinking on art and culture for over four decades. It had a central role in the birth of such key contemporary art forms as concept art, installation, performance art, intermedia and video. Despite this influence, the scope and scale of this unique phenomenon have made it difficult to explain Fluxus in normative historical and critical terms. The Fluxus Reader offers the first comprehensive overview on this challenging and controversial group. The Fluxus Reader is written by leading scholars and experts from Europe and the United States."

(Ken Friedman, Swinburne Research Bank)

Fig.1 Robert Watts (1965). 'TV Dinner' from the exhibition Art in Our Time: 1950 to the Present, Walker Art Center, Minneapolis, September 5, 1999 to September 2, 2001.

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TAGS

1950sarchitectsart and cultureart movement • artistic experimentation • artistic practiceartistsAsiaAustraliaavant-gardechallenging conventional thinking • composers • concept art • contemporary art forms • creative practicecritiquedesignersEuropeexperimentalFluxus • Fluxus Reader • installationintermediainternational communityjournal • laboratory of ideas • North Americaperformance artpre-prepared mealradical • Swinburne University • video art

CONTRIBUTOR

Simon Perkins
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