"JODI has over the years built quite a reputation, especially with their notorious CD–rom OSS/**** (Mediamatic, Amsterdam 1998) which, immediately after installation, executes a takeover of the computer. In 1999 their work was part of exhibitions like Netconditions at the ZKM at Karlsruhe, The Allure of the Digitalat the Tate Gallery in London and the SONAR festival in Barcelona. They were awarded a number of international prizes, amongst which the Webby Awards in San Francisco. JODI disposed of this prize immediately, calling the DotCom–audience 'ugly %commercial sons–of–bitches'. In the year 2000 JODI was present at several international group–exhibitions and festivals, such as the Transmediale in Berlin and Deathmatch at Hangar in Barcelona Even an apparently obsolete medium like teletext did not escape JODI's interference. In 2000 they released their unusual way of thinking on 'Page 379' on the occasion of the 25th anniversary of this medium."
"Named after the pioneering critic of the commercialization of mass media, the late Professor Rose Goldsen of Cornell University, the Archive was founded in 2002 by Timothy Murray to house international art work produced on CD–Rom, DVD–Rom, video, digital interfaces, and the internet. Its collection of supporting materials includes unpublished manuscripts and designs, catalogues, monographs, and resource guides to new media art.
Emphasizing multimedia artworks that reflect digital extensions of twentieth–century developments in cinema, video, installation, photography, and sound, holdings include extensive special collections in American and Chinese new media arts, significant online and offline holdings in internet art, and the majority of works in the international exhibition, Contact Zones: The Art of CD–Rom. A novel research archive of international significance, the collection complements the holdings in the Division of Rare and Manuscript Collections of illuminated manuscripts and the early modern printed book, and adds to the breadth of its important collections in human sexuality, Asian Studies, and Media, Film, and Music."
(Cornell University Library)
"The International Visual Sociology Association (IVSA) is a nonprofit, democratic, and academically oriented professional organization devoted to the visual study of society, culture, and social relationships. IVSA membership is open to any person regardless of occupation, citizenship, or residence. The organizational membership represents a wide spectrum of disciplines, including sociology, anthropology, education, visual communication, photography, art, journalism, and related fields."
"Melvyn Bragg considers how technology and increasing access to education made possible the rise of a true mass culture in the twentieth century. He examines how the rise of cinema and photography opened the cultural realms to millions, and how our understanding of what culture is, and what it's for, was transformed by the work of scholars such as Richard Hoggart and Raymond Williams."
(Melvyn Bragg, 2013)
"The Value of Culture: Two Cultures", Radio broadcast, Episode 4 of 5, Duration: 42 minutes, First broadcast: Thursday 03 January 2013, Presenter/Melvyn Bragg, Producer/Thomas Morris for the BBC Radio 4, UK.