"Melvyn Bragg presents the first in a series of programmes examining the idea of culture and its evolution over the last 150 years. In 1869 the poet and critic Matthew Arnold published Culture and Anarchy, a series of essays in which he argued passionately that culture - 'the best which has been thought and said' - was a powerful force for good. In this first programme Melvyn Bragg visits the Sheldonian Theatre in Oxford, where Arnold first unveiled his ideas on the subject, and discovers how Arnold's ideas were refined and rejected by later thinkers."
(Melvyn Bragg, 2012)
Matthew Arnold (1869). "Culture and Anarchy: An Essay in Political and Social Criticism" [http://www.authorama.com/book/culture-and-anarchy.html].
"The Value of Culture: Culture and Anarchy", Radio broadcast, Episode 1 of 5, Duration: 42 minutes, First broadcast: Monday 31 December 2012, Presenter/Melvyn Bragg, Producer/Thomas Morris for the BBC Radio 4, UK.
"Given the accessibility of media devices available to us today and utilising van Leeuwen's concept of inscription and synthesis as a guide, this thesis explores the practice of re-presenting a domestic material object, the Croxley Recipe Book, into digital media. Driven by a creative practice research method, but also utilising materiality, digital storytelling practices and modality as important conceptual frames, this project was fundamentally experimental in nature. A materiality-framed content analysis, interpreted through cultural analysis, initially unraveled some of the cookbook's significance and contextualised it within a particular time of New Zealand's cultural history. Through the expressive and anecdotal practice of digital storytelling the cookbook's significance was further negotiated, especially as the material book was engaged with through the affective and experiential digital medium of moving-image. A total of six digital film works were created on an accompanying DVD, each of which represents some of the cookbook's significance but approached through different representational strategies. The Croxley Recipe Book Archive Film and Pav. Bakin' with Mark are archival documentaries, while Pav is more expressive and aligned with the digital storytelling form. Spinning Yarns and Tall Tales, a film essay, engages and reflects with the multiple processes and trajectories of the project, while Extras and The Creative Process Journal demonstrate the emergent nature of the research. The written thesis discusses the emergent nature of the research process and justifies the conceptual underpinning of the research."
(Sasha McLaren, 2008)
McLaren, Sasha (2008). "Material Synthesis: Negotiating experience with digital media", MA thesis, The University of Waikato, Aotearoa New Zealand.
"'It's very significant indeed, it's the world's first natural colour film and the fact that it's a Brit who invented it is fantastic.'
Bryony Dixon, curator of silent film at the British Film Institute (BFI) National Archives, said the 1902 footage was of international significance for the cinema world.
The films were made by Edward Raymond Turner from London who patented his colour process on 22 March, 1899. Some of the footage features Mr Turner's children in the garden of their home in Hounslow."
(12 September 2012, BBC News)
The world's first colour moving pictures dating from 1902 have been found by the National Media Museum in Bradford after lying forgotten in a tin for 110 years.
"Lisa Fischer is Director of the Colonial Williamsburg Foundation's Digital History Center (DHC). Located in the John D. Rockefeller, Jr. Library, the DHC was created to harness new technologies to help in engaging the public in the continuing conversation about the American Revolution, citizenship, and democracy. The DHC is currently working on a several complementary projects ranging from the creation of a new comprehensive website on the on the American Revolution to 'Virtual Williamsburg,' an initiative to create an interactive 3D model of the town as it looked in 1776 in collaboration with the University of Virginia's Institute for Advanced Technology in the Humanities (IATH)."
(16 February 2010)
Fig.1 Tom Ellis (2010 ). presentation by Lisa Fischer, Director of the Colonial Williamsburg Foundationís Digital History Center.
"The Norsk Folkemuseum is Norway's largest museum of cultural history. With collections from around the country, the museum shows how people lived in Norway from 1500 to the present.
The more than 150 buildings in the Open-Air Museum represent different regions in Norway, different time periods, as well as differences between town and country, and social classes. The Gol Stave Church dating from 1200 is one of five medieval buildings at the museum. The contemporary history is presented through exhibitions and documentation projects focusing especially on children, youth and the multicultural population. Permanent indoor exhibitions include folk art, folk costumes, toys and Sami culture."
(Astrid Santa, Norsk Folkemuseum)
[Actors are located in some of the buildings to provide visitors with a sense of the life of the original inhabitants.]