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31 DECEMBER 2012

The Value of Culture: Culture and Anarchy

"Melvyn Bragg presents the first in a series of programmes examining the idea of culture and its evolution over the last 150 years. In 1869 the poet and critic Matthew Arnold published Culture and Anarchy, a series of essays in which he argued passionately that culture - 'the best which has been thought and said' - was a powerful force for good. In this first programme Melvyn Bragg visits the Sheldonian Theatre in Oxford, where Arnold first unveiled his ideas on the subject, and discovers how Arnold's ideas were refined and rejected by later thinkers."

(Melvyn Bragg, 2012)

Matthew Arnold (1869). "Culture and Anarchy: An Essay in Political and Social Criticism" [http://www.authorama.com/book/culture-and-anarchy.html].

"The Value of Culture: Culture and Anarchy", Radio broadcast, Episode 1 of 5, Duration: 42 minutes, First broadcast: Monday 31 December 2012, Presenter/Melvyn Bragg, Producer/Thomas Morris for the BBC Radio 4, UK.

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1869 • 2012access to learning • arriviste • BBC Radio 4cultural and political changecultural changecultural historycultural valuecultureCulture and Anarchy • force for good • high culturehistory of ideas • ideas refined and rejected by later thinkers • Matthew ArnoldMelvyn Braggpopular culture • proliferation of universities • radio broadcast • red brick status • red brick university • redbrick universityRussell Group • series of essays • Sheldonian Theatre in Oxford • the idea of culture • The Value of Culture (radio) • Thomas Morris • university education • university status

CONTRIBUTOR

Simon Perkins
17 DECEMBER 2012

Material Synthesis: Negotiating experience with digital media

"Given the accessibility of media devices available to us today and utilising van Leeuwen's concept of inscription and synthesis as a guide, this thesis explores the practice of re-presenting a domestic material object, the Croxley Recipe Book, into digital media. Driven by a creative practice research method, but also utilising materiality, digital storytelling practices and modality as important conceptual frames, this project was fundamentally experimental in nature. A materiality-framed content analysis, interpreted through cultural analysis, initially unraveled some of the cookbook's significance and contextualised it within a particular time of New Zealand's cultural history. Through the expressive and anecdotal practice of digital storytelling the cookbook's significance was further negotiated, especially as the material book was engaged with through the affective and experiential digital medium of moving-image. A total of six digital film works were created on an accompanying DVD, each of which represents some of the cookbook's significance but approached through different representational strategies. The Croxley Recipe Book Archive Film and Pav. Bakin' with Mark are archival documentaries, while Pav is more expressive and aligned with the digital storytelling form. Spinning Yarns and Tall Tales, a film essay, engages and reflects with the multiple processes and trajectories of the project, while Extras and The Creative Process Journal demonstrate the emergent nature of the research. The written thesis discusses the emergent nature of the research process and justifies the conceptual underpinning of the research."

(Sasha McLaren, 2008)

McLaren, Sasha (2008). "Material Synthesis: Negotiating experience with digital media", MA thesis, The University of Waikato, Aotearoa New Zealand.

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2008 • affective digital medium • anecdotal practice • Aotearoa New Zealand • archival documentaries • conceptual frame • cookbook • creative practice research method • creative process journal • Croxley Recipe Book • Croxley Recipe Book Archive Film • cultural analysis • cultural historycultural significance of objects • digital film works • digital media • digital medium • digital storytelling • digital storytelling form • digital storytelling practices • domestic • domestic material object • DVD • emergent nature • emergent nature of the research • experience • experiential digital medium • expressive practice • film essay • inscription and synthesis • MA • material book • material synthesis • materiality • materiality-framed content analysis • media devicesmoving imageobject • Pav Bakin with Mark • reflective journalrepresentational strategiesresearchresearch processsocial construction of knowledge • spinning yarns • tall tales • Theo Van Leeuwen • thesis • University of Waikato • useful significanceWaikato • written thesis

CONTRIBUTOR

Simon Perkins
14 SEPTEMBER 2012

World's first colour film footage viewed for first time

"'It's very significant indeed, it's the world's first natural colour film and the fact that it's a Brit who invented it is fantastic.'

Bryony Dixon, curator of silent film at the British Film Institute (BFI) National Archives, said the 1902 footage was of international significance for the cinema world.

The films were made by Edward Raymond Turner from London who patented his colour process on 22 March, 1899. Some of the footage features Mr Turner's children in the garden of their home in Hounslow."

(12 September 2012, BBC News)

The world's first colour moving pictures dating from 1902 have been found by the National Media Museum in Bradford after lying forgotten in a tin for 110 years.

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1902BFIBFI National ArchiveBritish Film Institute • Charles Urban • cinema • cinema apparatus • colour • colour effect • colour filmcolour process • colour reproduction • cultural history • Edward Raymond Turner • George Albert Smith • historical importancehistory of cinema • international significance • invention • invention of cinema • Kinemacolour • mechanical device • National Media Museumnatural colour • natural colour film • non-standard size • pioneeringprojectorsilent cinemasilent filmTechnicolortechnology innovationUK

CONTRIBUTOR

Simon Perkins
07 SEPTEMBER 2011

Digital History: Colonial Williamsburg Foundation

"Lisa Fischer is Director of the Colonial Williamsburg Foundation's Digital History Center (DHC). Located in the John D. Rockefeller, Jr. Library, the DHC was created to harness new technologies to help in engaging the public in the continuing conversation about the American Revolution, citizenship, and democracy. The DHC is currently working on a several complementary projects ranging from the creation of a new comprehensive website on the on the American Revolution to 'Virtual Williamsburg,' an initiative to create an interactive 3D model of the town as it looked in 1776 in collaboration with the University of Virginia's Institute for Advanced Technology in the Humanities (IATH)."

(16 February 2010)

Fig.1 Tom Ellis (2010 ). presentation by Lisa Fischer, Director of the Colonial Williamsburg Foundation’s Digital History Center.

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1700s • 177618th century • 3D model • 3D visualisationarchaeologycolonial • Colonial Williamsburg Foundation • costumecultural heritagecultural history • DHC • digital historydigital toolshistorical interpretationhistorical maphistorical reenactmenthistorical research • IATH • interactive 3D • interactive environments • interactive map • Lisa Fischer • living history museummuseummuseum of cultural historyNorth America • North American Revolution • open-air museumperiod lifereconstructed buildingsreconstructionreenactmentrestorationtheme park • town • University of Virginia • Virginia • virtual heritage • virtual models • Virtual Williamsburg • visualisation

CONTRIBUTOR

Simon Perkins
02 SEPTEMBER 2011

The Norsk Folkemuseum living history museum in Norway

"The Norsk Folkemuseum is Norway's largest museum of cultural history. With collections from around the country, the museum shows how people lived in Norway from 1500 to the present.

The more than 150 buildings in the Open-Air Museum represent different regions in Norway, different time periods, as well as differences between town and country, and social classes. The Gol Stave Church dating from 1200 is one of five medieval buildings at the museum. The contemporary history is presented through exhibitions and documentation projects focusing especially on children, youth and the multicultural population. Permanent indoor exhibitions include folk art, folk costumes, toys and Sami culture."

(Astrid Santa, Norsk Folkemuseum)

[Actors are located in some of the buildings to provide visitors with a sense of the life of the original inhabitants.]

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1200 • 1500 • anthropologybuilding • contemporary history • costumecultural heritagecultural historyeverydayfolkfolk art • folk costumes • folk museum • Gol Stave Church • heritagehistorical reenactment • household • indoor exhibitions • living farm museum • living history museumliving museummedieval • medieval buildings • middle ages • multicultural population • museummuseum of cultural historyNordic • Norsk Folkemuseum • Norway • Norwegian Museum of Cultural History • open-air • open-air museumOslooutdoor • period costume • period lifereenactment • Sami culture • ScandinaviasettlementSimon Perkins

CONTRIBUTOR

Simon Perkins
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