"The European Urban Media Network for Connecting Cities is a project initiated by Public Art Lab in co–operation with Ars Electronica GmbH Linz, BIS Body Process Arts Association Istanbul, FACT Liverpool, iMAL Brussels, m–cult Helsinki, Medialab Prado Madrid, Media Architecture Institute Wien, Museum of Contemporary Art Zagreb, Riga 2014, Videospread Marseille, in association with University of Aarhus, Marseille–Provence 2013 and MUTEK Montréal and funded by the European Union.
Our aim is to create a networked infrastructure of urban media facades to circulate artistic and socio–cultural content throughout the whole of Europe. Media facades and digital big screens provide new opportunities for communication in the public space. Through modern Information and communication technologies (ICT), they are membranes between the digital and the urban spaces. All over the world we can evidence an increase of urban screens, media facades and media technologies like mobile phones: 5,9 of 7 billion people have meanwhile access to the internet. What is the potential of urban media besides the commercial usage for advertisement? How can they catalyse communication and awareness of our environments and contribute to a lively society? How can we create an exchange between local scenes and neighbourhoods thus giving a voice to the public audience? Which impact will they have for our global communities?"
"THE BIG PICTURE is the theme of the [August 30 to September 3] 2012 Ars Electronica Festival ... Occupying the focal point is the effort to identify all–encompassing images that capture the world that's coming to be, Big Pictures that do justice to the progressive globalization and interrelatedness of our world, ones that capture its contradictions and flaws as well as ways in which people are coming together. By showcasing inspiring best–practice examples from art and science, this year's festival is a call for a new, open–minded way of considering the development of a viable vision of our future – how such a Big Picture ought to be composed and how it might become reality."
(Ars Electronica Festival, 2012)
Fig.1 work of Seiko Mikami "Desire of Codes"
"this blog is nina wenhart's collection of resources on the various histories of new media art. it consists mainly of non or very little edited material i found flaneuring on the net, sometimes with my own annotations and comments, sometimes it's also textparts i retyped from books that are out of print.
it is also meant to be an additional resource of information and recommended reading for my students of the prehystories of new media class that i teach at the school of the art institute of chicago in fall 2008.
the focus is on the time period from the beginning of the 20th century up to today."
(Nina Wenhart, 26/06/2008)
"Biofeedback art is recently emerged interactive art form which applies technologies to capture biological changes of the body and create an artistic meaning through them. Biofeedback interfaces measures EEG, galvanic skin response, facial analysis, temperature analysis, eye–tracking or hearth rate in order to monitor the users bio–philosophical and produce a dynamic psychological/behavioural/emotion–based analysis of the person. The artistic meaning production based on the applications of these qualities which often deals with embodiment, enaction, body awareness, immersion or active/passive bodily engagement. There are a variety of tools can be used by artists which are usually divided to contact (for example EEG) or non–contact (facial analysis through camera). The MediaArtTube Exhibition 1.0 presents a collection of engaging art works and experiments in this hot topic of media art."
(MediaArtTube)
Fig.1 Brainloop interactive performance platform http://www.aksioma.org/brainloop/index.html
Fig.2 Yasushi Noguchi, Hideyuki Ando – Watch Me!, eye–responsive Installation 2009 http://r–dimension.xsrv.jp/projects_e/watch_me/
"Founded in 2000, LeCielEstBleu specializes in the creation of highly interactive, original interfaces and applications. Their work has received numerous international awards and has been exhibited throughout the world. They are best known for PuppetTool, an experimental animation tool; SetSearch, a visual search engine; and La Pâté à Son [Sound Dough], a generative musical composition tool and sound toy recently exhibited at Ars Electronica. LeCielEstBleu's principal artists are Frédéric Durieu (code), Kristine Malden (media), e Jean–Jacques Birgè (music)."
(Interferenze 2006)