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Which clippings match 'Collection Of References' keyword pg.1 of 1
02 AUGUST 2011

Iain McCaig: a career of being creative

"Iain is an internationally recognized and award winning artist and one of the motion picture industry's leading conceptual designers. His exceptional command of human anatomy, character, emotional expression and visual narrative make him on of the most sought after artists working in the entertainment industry today."

(Iain McCaig, University of New South Wales)

Fig.1 Published on 25 Jul 2011 by UNSWCommunity

[At 19:00 the interviewer explains that Andrew Pienaar from Pixar describes his process of becoming 'creatively unstuck' as one where he refers to images that he has collected which he has stored in a drawer at Pixar. He explained that sometimes it's enough to just imagine the images in the collection for him to become 'unstuck'. Iain McCaig (19:45 – 20:45) builds on this by explaining that he understands the same process in terms of a metaphor of a library where the library is a 'resource in your mind' that you constantly keep referring and adding to –that you constantly keep re–reading.]

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TAGS

Andrew Pienaar • animatorartart and design practitionerscabinet of curiosities • career in animation • collection of ideascollection of references • College of Fine Arts • concept art • concept artist • creative practice • creatively unstuck • creativitydrawingfantasyfantasy art • filing cabinet metaphor • film concept design • flip it • George Lucas • Glasgow School of Art • hero • Iain McCaig • ideasillustratorinspiration • library metaphor • practitioner interview • resource in your mind • Sesame StreetsketchstorytellingUniversity of New South WalesUNSW • UNSW COFA • visual storytelling

CONTRIBUTOR

Simon Perkins
13 MARCH 2011

The process of conceptualisation can be seen as an emergent process that involves the constant re-projection of prior understanding onto new and changing circumstances

"An inspiring new website for digital culture and creative practices has been created by School of Art & Design academic Simon Perkins. The Folksonomy – www.folksonomy.co – is a knowledge commons and social bookmarking tool for digital culture and creative practice. The brainchild of Simon Perkins, as part of his research, the Folksonomy simplifies the process of clipping references and features photographs, videos and published documents. The Folksonomy is simultaneously a device for engaging with and a product of digital culture. It acts as a teaching tool for supporting the generation of ideas and digital culture creative practice. The research project is of a broader practice that extends from creative technology and design teaching and is focused on the nature of knowledge construction within digital culture environments. One of the unique aspects of the site is the way content is categorised, as it simultaneously belongs to multiple and sometimes contradictory categories, encouraging the viewer to make new discoveries. This sits in stark contrast to the more traditional logic conventionally employed by libraries and computer operating systems where books and files are organised according to a linear, centralised and hierarchical form. Simon says: 'The process of conceptualisation can be seen as an emergent process that involves the constant re–projection of prior understanding onto new and changing circumstances. The Folksonomy tool aims to support this type of tactical interaction through its use of linking and association.'"

(Steve Goodhew, 2010, p.140–141)

Fig.1 Simon Perkins (2010) 'Stellarscope Constellations'.

2). Steve Goodhew (ed.) (2010). 'OPEN: 50 RESEARCH PROJECTS exploring the boundaries of creativity', College of Art & Design and Built Environment, Nottingham Trent University.

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CONTRIBUTOR

Simon Perkins
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